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£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated dispatch 7-14 working days
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£62.61Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£141.99Concerto for Wind Ensemble - Karel Husa
Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groupsof four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, withPercussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. 'At the same time, each movement contains individual solo passages(for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, andby the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.'
Estimated dispatch 7-14 working days
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£141.99Concerto for Wind Ensemble (Concert Band - Score and Parts) - Husa, Karel
Commissioned by the Michigan State University Alumni Band, this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. Previously available only in rental, this important work is now available for sale.A note from the composer: Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the brass section "concertizes" in groups of four brass quintets (2 trumpets, horn, trombone and tuba or baritone), spread from left to right in back. The saxophones (S, A, T, B) are placed in front of the brass quintets, and the woodwinds occupy the front of the stage, with percussion on the left and right side. These groups, like the brass quintets, play in the concertante style, particularly in the first and last movements. At the same time, each movement contains individual solo passages (for example, timpani and flute in Movement I - "Drum Ceremony" and English horn and other low woodwinds in Movement II - "Elegy"). The composition of this piece was prompted by the excellence of wind and percussion players today, and by the incredible growth of wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.Duration: 23:00
Estimated dispatch 7-14 working days
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£115.00BOHEMIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:1. Shepherds and Shepherdesses2. Florizel and Perdita3. Dance of the SatyrsOne of my favourite Shakespeare plays is The Winter's Tale, and I have written music for three completely different productions during my time as Head of Music to the Royal Shakespeare Company. One, starring Judi Dench as both the mother, Hermione and her daughter, Perdita, had a big band Tribal Love-Rock score; another had a more classical, but timeless feel to it, and the last was an excellent small-scale touring production, for which I was allowed only a handful of instruments. It is from this source that the basic themes for Bohemian Dances, and an earlier version Three Dances for Clarinet Choir, have emerged. Act IV of the play is set in the kingdom of Bohemia - hence the title of the work.Shakespeare calls for "A Dance of Shepherds and Shepherdesses", which gives Florizel, the son of Polixenes, (King of Bohemia) a chance to become better acquainted with the beautiful Perdita, the lost daughter of Leontes, (King of Sicilia). This movement is written in seemingly tricky and ever-changing metres, but is rhythmically quite logical and melodically catchy.The slower second movement 'Florizel and Perdita' is the lovers' pas de deux: a gentle, slow waltz-like tune, initially presented by the principal oboe, is contrasted with a lndler-like double time melody, at the end of which a solo clarinet makes a link to the last movement.'Dance of the Satyrs' is a rip-roaring, foot-stamping dance performed in the play by 'three carters, three shepherds, three neat-herds, and three swine-herds', who enter in outrageous costumes representing the lecherous half-man, half-goat of Greek mythology. This dance is referred to as a "gallimaufry of gambols" - now where have I heard that word before?! - GW
Estimated dispatch 7-14 working days
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£159.99Nostradamus (Concert Band - Score and Parts)
Nostradamus is probably the best-known prophet of the last 1000 years. He lived at the time of the Inquisition and his predictions and medical therapies as a physician caused him to face the wrath of the church forcing him to flee many times. Following the loss of his family to the plague he devoted himself to clairvoyancy. He predicted many events in history in coded form and although there are many ways to interpret these, many are believed to be accurate and Nostradamus is still considered to be a unique personality. Whether he is denounced as a charlatan or promoted as a myth he has surely moved humankind with his prophecies.Otto M. Schwarz, soundtrack composer since 2001, wrote a cinematographic work about this man, who is probably the best-known prohet of the last 1000 years. 12:30
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£66.30
Fanfares in Remembrance - Peadar Townsend
Fanfares in Remembrance was commissioned by Nick Jarvis, Principal conductor of the Band of the Royal British Legion, Christchurch, Dorset, UK to be premiered during the Last Post Ceremony at the Menin Gate, Ypres, Belgium on May 27th, 2017. The work is a short reflection two World War One bugle calls, 'The General Salute' and 'Retreat' or 'Sunset' as it is also known. The significance and symbolism of bugle calls from this era are well known and they are still used in Barracks across the world. I have used sections of these famous British bugle calls on two trumpets either side of the band playing in two different musical keys. The band then plays an intermittent low drone like chord, again in a different musical key to the two trumpets. In my mind this opening depicts two buglers at dawn at either end of a misty field directly after a brutal slaughter. The two buglers are almost calling out for their missing comrades only to realise they are gone...... The work moves into a haunting oboe melody signifying loss. The oboe is joined by the full band in a tune of strength, solidarity, yet profound sadness. The work concludes with a recap of the opening idea; however, the two buglers are now united in musical key sounding 'The General Salute'. The music ends as the wind blows gently. The memories live on forever......
Estimated dispatch 7-14 working days
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£84.99
Durkle Bandrydge Suite Wind Band Set (Score & Parts) - Fraser, Bruce
Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its own peculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.Durkle Bandrydge exists at the end of your street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss, who is a giant troll guarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall, mysterious, and somehow sophisticated character, who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walk through quicksand. Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squeals of delight. Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card, buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het 'happy go lucky' approach to life. Marsyn Edginton is the Lord of the manor, the richest man in town, the 'big cheese', the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eats lots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig and this is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade - it is a pity that you can not see them, what is a wonderful sight. If you listen carefully, you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle! 10:00
Estimated dispatch 7-14 working days
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£112.00
The Spartan Warriors (CB) - Pimpanit Karoonyavanich
The Sparta army is well-known in the time of the ancient Greek that the warriors would never lay down their weapons for any reason. The theme from the beginning of the piece strongly declares that the warriors are always willing to fight for their homeland. The slow movement reflects the feeling of the warriors when they are far away from their loved one due to their duty. The composers intently uses the harmony that gives a hopeful feeling but also painful at the same time. The audience can hear the bell during the piece. It is the symbol of the clock towers which located in every cities. Everytime that the warriors leaves a city, the sound of the bell becomes softer and softer until it disappears. Only at the end of the piece that the bell rings only one last time after the majestical theme. It's the bell of victory!
Estimated dispatch 7-14 working days
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