Results
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£59.95Three-Piece Suite (Concert Band - Score and Parts) - Wiffin, Rob
A tuneful and reasonably easy suite, comprising Fanfare, Lullaby and All at Sixes and Sevens. There are some asymmetric rhythmic challenges in the last movement as implied in its title, but otherwise this suite is not particularly difficult and sets out to be attractive throughout. The Fanfare is vibrant and energetic while Lullaby is very lyrical and occasionally punctuated by harmonic piquancy. All at Sixes and Sevens plays games between 3/4 and 6/8 with some sevens thrown in for good measure.Duration: 8.45
Estimated dispatch 7-14 working days
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£244.99Voyage au Centre de la Terre (Journey to the Centre of the Earth) (Concert Band - Score and Parts) - Janssen, Harrie
This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels, situated in Iceland, marks the beginning of this voyage to the sublunary world. The German geologist, professor Lidenbrock, is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions.Dark colours & mist: The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Rising fragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale.Away from Iceland: Subsequently the ostinato rhythmicity and virtuosity represent the hectic descent of the crater of the volcano. The party descends ever more and more and travels south, away from Iceland. On the way, they see all kinds of rock formations, fossils and minerals. At a depth of thirty hours walking distance, at about 150 kilometres below the surface, they reach a sub terrestrial sea which is called the Lidenbrock sea.Genuine eruption of sounds: Strange electric manifestations and unpredictable weather conditions accompany this singular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft, the party continues its voyage, heading to the south coast of this huge sea. Once ashore, an enormous rock obstructs the passage. The blowing up of this obstacle unleashes a genuine eruption of sounds in the orchestration.Spat out by the volcano: But the explosion has an unforeseen side effect. The sea - travellers and raft included - is sucked upwards into a dark hole. Again, our heroes are accompanied on their involuntary voyage, while left to fend for themselves, by an ever increasing ostinato rhythmicity. Before an eruption can destroy the raft, the threesome manages to escape and climb up through a cave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily, far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers.Duration: 22.00
Estimated dispatch 7-14 working days
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£132.00Loch Ness (Concert Band - Score and Parts) - De Meij, Johan
A Scottish Fantasy. The symphonic poem Loch Ness consists of five through-composed impressions of this mysterious Scottish Lake. I) The Lake at Dawn - calm, static, sonorous blocks depict the troubled opaque water surface and the enormous depth of the Lake at daybreak. II) Slowly the rising early-morning mist reveals the distant ruins of Urquhart Castle, represented by a solemn theme in the trombones which is taken over by the full band, thus evoking the illustrious past of this fortress besieged so many times. III) Inverness: Bagpipes and Tourists - the music takes us down to the town of Inverness where the first tourists mark the slow but steady start of a new season to the sound of a Scottishmelody. IV) Storm - suddenly a heavy wheater breaks: fierce gusts of wind and heavy showers transform the erstwhile calm surface into an obscure and whirling mass of water, and clouds rapidly passing over offer an eery scene. V) Conclusion - storm and rain gradually decrease and when everything is quiet again we are granted a last view of the Lake in its full glory. Duration: 12.15
Estimated dispatch 7-14 working days
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£84.99Charming Salzburg Wind Band Set (Score & Parts)
Salzburg, birthplace of Wolfgang Amadeus Mozart, inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberfl?te, which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberfl?te was his last. 0:03:00
Estimated dispatch 7-14 working days
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£60.99They are Coming Wind Band Set (Score & Parts)
There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is 'They are coming'. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch the composition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: 'They are coming'. 02:30
Estimated dispatch 7-14 working days
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£124.95Fantasia on Welsh Nursery Tunes (Concert Band - Score and Parts) - Williams, Grace - Jones, William A.
Grace Williams (1906 - 1977) from Barry, South Wales, was Wales finest composer. She studied composition at the Royal College of Music with Ralph Vaughan Williams and completed the Fantasia on Welsh Nursery Tunes in 1940. The iconic Fantasia, - her most popular work, which brought her to prominence - is a composition for symphonic orchestra based on traditional Welsh nursery tunes and lullabies.It is a light-hearted musical journey through childhood in eight traditional tunes. The jubilant start to the work is echoed in the finale, with a calmer, but effectively scored middle section.The Fantasia was featured in the 2024 Last Night of the Proms. This first Wind Band arrangement received its world premiere by Chalfont Wind Band April 1 2023.Melodies used include:There's Mam coming (Dacw Mam yn Dwad)The Bittern (Deryn y Bwn)Migildi, Magildi (nonsense words imitating the sound of a hammer on an anvil)Sleep my baby (Si lwli mabi)Gee-up, little horse (Gee Ceffyl Bach)Sleep, my pretty child) (Cysga Di, Fy Mhlentyn Tlws)Where are you going, my pretty maid? (Yr Eneth Ffein Ddu)Summer Katie (Cadi Ha)Duration: 11 minutes
Estimated dispatch 7-14 working days
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£24.95
Fantasia on Welsh Nursery Tunes (Concert Band - Score only) - Williams, Grace - Jones, William A.
Grace Williams (1906 - 1977) from Barry, South Wales, was Wales finest composer. She studied composition at the Royal College of Music with Ralph Vaughan Williams and completed the Fantasia on Welsh Nursery Tunes in 1940. The iconic Fantasia, - her most popular work, which brought her to prominence - is a composition for symphonic orchestra based on traditional Welsh nursery tunes and lullabies.It is a light-hearted musical journey through childhood in eight traditional tunes. The jubilant start to the work is echoed in the finale, with a calmer, but effectively scored middle section.The Fantasia was featured in the 2024 Last Night of the Proms. This first Wind Band arrangement received its world premiere by Chalfont Wind Band April 1 2023.Melodies used include:There's Mam coming (Dacw Mam yn Dwad)The Bittern (Deryn y Bwn)Migildi, Magildi (nonsense words imitating the sound of a hammer on an anvil)Sleep my baby (Si lwli mabi)Gee-up, little horse (Gee Ceffyl Bach)Sleep, my pretty child) (Cysga Di, Fy Mhlentyn Tlws)Where are you going, my pretty maid? (Yr Eneth Ffein Ddu)Summer Katie (Cadi Ha)Duration: 11 minutes
Estimated dispatch 7-14 working days
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£69.99Song of Gratitude (Concert Band - Score and Parts) - Doss, Thomas
Song of Gratitude was written for an old friend. Many friendships that start off at a young age last for life and thus form a sort of connecting thread throughout one's existence. In this particular work, this notion is mirrored in a short motif that expands more and more and becomes more passionate until it finally settles down in a thankful closing passage. Duration: 4.00
Estimated dispatch 7-14 working days
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