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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£73.60The Emerald Shores - Dean Jones
The familiar sounds of Celtic music are steeped in history and have crossed the globe with great popularity. This particular piece uses 3 tunes from Ireland:When Johnny comes marching homeI'll tell me ma (The belle of Belfast city)Morrison's Jig People are featured heavily in Irish Folk music and each song has a personal element within its lyrics. The tunes are memorable and have a strong sense of character, much like the Irish people themselves! Although the music starts slowly, the pace then gathers and the performance will need to convey lots of energy and above all, joy!
Estimated dispatch 7-14 working days
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£60.99Sleepsong - Brendan Graham
From the composers of You Raise Me Up, this tender ballad is filled with a range of emotions in the form of a lullaby from a parent to a grown child embarking on a life all their own. Michael Sweeney retains the soothing beauty ofthe original melody while exploring a rich variety of textures and moods, giving full expression to the feelings that inspired the lyric. Dur: 4:20
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated dispatch 7-14 working days
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£76.99Pixar Movie Magic
Since 1995 when Toy Story was released, the creative team at Pixar Studios has given us heartwarming stories and unforgettable characters that appeal to audiences of all ages and the music created for these films is an integral part of their popularity and charm. Michael Brown has created a terrific medley of these familiar melodies including: The Glory Days (The Incredibles), The Spirit of Adventure (Up), Ratatouille Main Theme, The Big Race (Cars) and You've Got a Friend in Me (Toy Story).
Estimated dispatch 7-14 working days
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£76.99Abba on Broadway
Concert Band - Grade 3 From the radio airwaves of the '70s to the bright lights of the Broadway stage, the music of ABBA continues to excite listeners everywhere! Michael's well-paced medley of hits includes I Have a Dream; Mamma Mia; S.O.S.; Knowing Me, Knowing You; The Winner Takes It All and Dancing Queen.
Estimated dispatch 7-14 working days
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£89.60Quando, Quando, Quando - Tony Reins
The song was originally with Italian lyrics, recorded by Tony Renis and Emilio Pericoli in 1962. American entertainer Pat Boone recorded the song the same year, with English lyrics; "Tell Me When Will You Be Mine". The song is one of the best-selling singles of all time. It has been used by many artists and in many different arrangements, including Engelbert Humperdinck in 1968, Connie Francis in 1963, Michael Bubl in 2005. "Quando, Quando, Quando" is arranged in a samba rhythm style, and gives an opportunity to add some Latin hand percussion to the group, such as Chocalho (shaker), Cabasa, Tamborim (Hand Drum), Agogo bells, etc.
Estimated dispatch 7-14 working days
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£60.99The Willow Tree - Pádraigín Ní Uallacháin
Although this haunting tune has the flavor and sentiment of a traditional Irish folk song, it was composed in 1995 by multifaceted artist Pdraign N Uallachin. Her inspiration for the song was the idea that when we are happy or sad, the elements and the natural world are aligned with our feelings. From the wistful lyrics of the song; Down by the river there's a tall willow tree, who weeps all night for you and me. This evocative setting for band follows this sentiment through peaks and valleys of sound and emotion. Dur: 3:10
Estimated dispatch 7-14 working days
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£76.40Short Cuts for Beginning Band -- #2
Pop tunes can energize your beginning band program---everyone loves to perform a recognizable tune! Here are four hot tunes that are carefully scored for your students, but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce eighth note performance in the low winds, two-hand percussion performance, a variety of articulations, legato performance, phrasing, and the execution of ritardando. Also includes a variety of dynamic and tempo considerations. The tunes can be performed in one concert or throughout the school year to apply these musical concepts in a timely manner. Titles included are "Don't Stop Believin'," "Sing, Sing, Sing," "You Raise Me Up," and "Bang the Drum All Day." Engaging and educational, be sure to check outShort Cuts #1(00-38318) as well!
Estimated dispatch 7-14 working days
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£71.50A Childhood Hymn - David Holsinger
This beautiful chorale setting of "Jesus Loves Me" has become a young band classic and is a favorite in concert band programming. The soothing harmonies provided by this master band composer enhances the simple beauty of the melody and makes a very effective musical presentation for groups of all levels. Provide a peaceful and memorable moment to you performance with this very special selection.
Estimated dispatch 7-14 working days
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