Results
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£64.99The Soulful Sixties (Concert Band - Score and Parts) - Brown, Michael
The music of the '60's was just about as diverse as musically imaginable. And in the midst of it all, Motown continued to crank out hit after hit of catchy rhythm-based tunes. Here is a medley that is sure to be enjoyed by all ages that includes:I Heard It Through the GrapevineLand of a Thousand Dances(You Make Me Feel Like) A Natural WomanAin't No Mountain High EnoughDuration: 5.00
Estimated dispatch 7-14 working days
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£64.95CAN CAN (Selection) (Army Journal) - Duthoit, W. J.
Army Journal 785. Includes: Can Can; C'est Magnifique; Allez-vous-En; I Love Paris; Montmarte; Never Give Anything Away; I Am IN Love; It's All Right With Me. A full listing of Chappell Army Journals is available - click the Chappell symbol on the home page. Printed to order. Each set includes Conductor (Condensed Score); 2 x Solo B flat Clarinet; 2 x 1st B flat Cornet; 2 x Basses and 1 each of all other parts as originally published. We are unable to supply parts not included in the original sets.
Estimated dispatch 7-14 working days
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£36.95Do you Recall? (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A slow, bluesy solo for trombone with wind band accompaniment. Like many people, I took the opportunity offered by the COVID lockdown in the Spring of 2020 to sort through old paperwork. I discovered a lot of songs that had not seen the light of day for many years and were mostly written with just the melody and chord symbols. Some offered the potential of becoming instrumental solos with a combination of heart-on-the-sleeve melodies the like of which I would not write now, together with maybe a greater sophistication in the instrumental writing. I had the notion in the back of my mind that 'Do you recall?' would work as a trombone solo but it seemed to fight me all the way. However, once finished it has proved to appeal to trombonists and has already been recorded by Brett Baker. It is not intrinsically difficult but needs a sense of the appropriate slow swing style and good control throughout the range. - Rob Wiffin. Duration: 4.15
Estimated dispatch 7-14 working days
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£60.99Sleepsong (Concert Band - Score and Parts) - Graham & Lovland - Sweeney, Michael
From the composers of You Raise Me Up, this tender ballad is filled with a range of emotions in the form of a lullaby from a parent to a grown child embarking on a life all their own. Michael Sweeney retains the soothing beauty of the original melody while exploring a rich variety of textures and moods, giving full expression to the feelings that inspired the lyric.Duration: 4.30
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£72.99Pixar Movie Magic (Concert Band - Score and Parts) - Brown, Michael
Since 1995 when Toy Story was released, the creative team at Pixar Studios has given us heart-warming stories and unforgettable characters that appeal to audiences of all ages. And the music created for these films is an integral part of their popularity and charm. Michael Brown has created a terrific medley of these familiar melodies including: You've Got a Friend in Me (Toy Story), The Spirit of Adventure (Up), The Glory Days (The Incredibles), The Big Race (Cars), and Ratatouille Main Theme.
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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