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£54.99
Nearer My God To Thee - Charles L. Barnhouse
Band Grade 3Solo Grade 4.5Note: This is a reprint from a vintage publication of 1888. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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£102.99Karachi Boulevard - Willy Fransen
Karachi Boulevard is a piece of music is inspired by the city of Karachi in Pakistan. This composition was made according to the theme-and-variations principle.The main theme of the work consists of a whole musical scale and this immediately gives the arrangement an Oriental flavour. This theme is cleverly disguised in endless, almost unrecognisable variations in a series of short interconnected fragments. Following a brief presentation of the thematic material, a rhythmic allegro part, in 7/8 time, is played by the piccolo. Next, some improvisation by the clarinet are played with vocal accompaniment by a number of "inhabitants" of Karachi. In the following part, anextremely moody and impressionist andante breaks through the hectic confusion when a flute solo brings a totally different variation of the theme. After this variation, a compelling folk dance in 3/4 time is played and the piece ends in a grand finale whereby the theme can be heard once again, albeit reduced to its simplest form and enhanced by rhythmic decorations from the woodwind.Despite the many variations, this exceptional piece is composed of different parts that form a logical sequence and make a very strong musical impression on the audience.
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
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£48.99
Variants on St Francis - David Chaulk
A virtuosic work for Euphonium, based on the hymn St. Francis, that has already been performed and recorded by many leading players including Steven Mead, Derrick Kane and David Chaulk. The accompaniment is Grade 4 and the solo part is Grade 6.
Estimated dispatch 7-14 working days
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£79.50Tha Mi Sgith (Concert Band - Score and Parts) - Beck, Brian
Strathspey and ReelTha Mi Sgith is a Gaelic folksong about forbidden love. This stunning arrangement echoes the styles of Grainger, Grieg, and Holst but is very much in the voice of Brian Beck. Every part has attainable challenges that will motivate your students to practice. This work will be a terrific way to open or close your concert.Duration: 4.15
Estimated dispatch 7-14 working days
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£55.50At the Feast of Stephen (Flexible Ensemble - Score and Parts) - Watson, Scott
This version of At the Feast of Stephen by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This novel setting of the traditional carol Good King Wenceslas will musically transport you and your students to the royal Christmas banquet hall of a medieval king! The old carol tells the story of a legendary 10th-century monarch, Duke Wenceslas of Bohemia, who went out in the severe cold to give charity to the poor on December 26, also known as St. Stephen's Day. The well-known 13th-century tune, as well as additional original material in period style, vividly conjures a lively celebration of Christmas in the high Middle Ages. Come now ye lords and ladies to the Feast of Stephen and upon your instruments faire make most merry this Yuletide! Duration: 2.30
Estimated dispatch 7-14 working days
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£58.50Andalucia (Flexible Ensemble - Score and Parts) - Lopez, Victor
This version of Andaluc?a by Victor Lopez is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. Andalucia has always been a very musical land, and the Moors that occupied Andaluc?a for nearly 800 years have contributed greatly to its unique music and exotic dances. Victor Lopez has utilized Andalucia as his inspiration to provide us with an original composition that blends both the flamenco and traditional march styles. Full of fire and energy! Duration: 2.00
Estimated dispatch 7-14 working days
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£91.99Guardians of the Waves (Concert Band - Score and Parts) - Sparke, Philip
Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditional march form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into a second theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional 'bass strain', played twice with varying accompaniments. A quieter trio section follows, delicately scored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close. Duration: 4.00
Estimated dispatch 7-14 working days
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£49.50A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael
Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15
Estimated dispatch 7-14 working days
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