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£49.95Pop Goes The Band - Chris M. Bernotas
Watch your ensemble spring to life in this fun and engaging arrangement of the traditional tune "Pop Goes the Weasel." Each section of the band stands up to perform their part of the melody and gets a moment to shine. Sure to be a hit with your beginning band! (1:50) Correlates to Book 1, level 4.
Estimated dispatch 7-14 working days
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£51.50A Festival Chime - Gustav Holst
The third movement of Opus 34 (Three Festival Choruses), which Gustav Holst penned in 1916, was originally scored for chorus with piano, orchestra, or military band. The easily recognized melody is a nineteenth century Welsh ballad, known to most as the hymn tune "St. Denio," set to the words of English poet, Clifford Bax. In 3/4, this characteristically delightful Holst theme has been freely arranged to incorporate elements of his original score with additional material included to heighten musical interest for contemporary concert bands and audiences alike. As the title implies, chimes are an integral part of this arrangement: however, there are alternate options provided inthe program notes if a suitable instrument is unavailable. This musical setting is complete with a variety of teaching and performance opportunities and a perfect fit for beginning concert bands. (2:00)
Estimated dispatch 7-14 working days
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£60.99A Thousand Years - Christina Perri
Initially featured in the blockbuster movie The Twilight Saga: Breaking Dawn - Part 1 and recorded by Christina Perri, this powerful ballad enjoys continued popularity.A rare pop tune in 3/4 time, this effective arrangement for band features lyrical melodies, careful pacing, and nicely varied textures.
Estimated dispatch 7-14 working days
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£89.99Czardas - Vittorio Monti
This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse "Spotlight" series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!
Estimated dispatch 7-14 working days
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£84.99
Elegy - Melvin L. Shelton
A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The "Adagio e Rubato" tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.
Estimated dispatch 7-14 working days
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£37.95
Lullaby for Clarinets
This is a wonderful way to feature the lyrical playing of your beginning clarinet section. A simple accompaniment in 3/4 provides a nice background for the beautiful melody presented by the clarinets. Plenty of cues are provided, as well as ample amounts of rest, in each part. An excellent choice to teach phrasing, and show off the lyrical abilities of your band.
Estimated dispatch 7-14 working days
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£123.40Cherubic Hymn of Ukraine - Yakiv Yatsynevych
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brttum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik - |
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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£140.80Four Characters - Henk van Lijnschooten
1. FANFARE. A short introduction, featuring trumpets, horns and trombones.2. CHANT SERIEUX. This slow movement is characterised by a constant shifting of the five-to-the-bar time.3. SCHERZO CONCERTANTE. The 'concertante parts' are written for the trumpet register. In themiddle of the movement a folksong from the southern part of the Netherlands appears 'Wel Annemarieke waar gaat gij naar toe'. (Annemarieke where are you going?).4. MOTIONS. This movement is mainly based on short consecutive notes, divided into groups of 8, 9 and 10 notes each. Shifting accents, dynamic climaxes and effective use of percussion give this movement an enerving character.
Estimated dispatch 7-14 working days
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£116.40Suite de Salon - Henk van Lijnschooten
Commissioned by the NIB, the Dutch Wind Music Institute, with the financial support of the 'Fonds voor de scheppende Toonkunst'.CommentaryThis suite brings us back to the 18th century when an important part of the musical life took place in the salons, the favorite quarters of monarchs and important people.There is a ball and we can hear the music in four successive short movements.1. Entree. After an opening fanfare we see the solemn reception of the guests. The composer uses some 17th century musical principles such as the echo dynamics.2. Invitation a la Danse. The guests proceed to the ballroom and are officially introduced. This movement has a 'classical' character.3. Chiaconna. A solemn dance of Spanish origin with a single theme that is repeated with different embellishments and accompaniments.4. Danse Finale. A cheerful dance announces the departure of the guests, but, for sure, the feast will have lasted much longer than this suite.
Estimated dispatch 7-14 working days
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