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  • £89.99

    Minerva (Concert Band - Score and Parts) - Van der Roost, Jan

    Minerva by Jan Van der Roost was composed on the commission of the German "Musikverein Braunshausen" on the occasion of the 75th anniversary of the orchestra. The composition, first performed on September 17, 1999, is not a street march but a concert march, just like Mercury and Arsenal. The use and variation of different rhythmic patterns gives the first part of this march a distinctly dynamic character. Two main themes are presented in several instrumental combinations. The theme from the trio, on the other hand, is characterized by a broad melodic approach using large intervals. This theme, wreathed by high woodwinds, is heard one more time after a contrasting new part, but now in a somewhat slower tempo. The counterpoint in this part refers to the first part of the march. The brilliant ending suits a festive anniversary march!Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £19.95

    First Blow - Level 1 (Piano Conductor Score) - Waites, Ernie

    The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick

    Estimated dispatch 7-14 working days

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  • £104.99

    Divertimento - Roger Boutry

    Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestracomposition required is: 2 Flutes, 2 Oboes, 2 Bassoons, 2 small Clarinets, Clarinet I, Clarinet II, 1 Bass Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, 1 Baritone Saxophone, 4 Horns, 4 Bb or C Trumpets, 4 Trombone or 3Trombone and an Euphonium, 1 Bb or C Bass, 1 Double Bass, 1 Harp, Timpani, Drum and a Celesta. It is divided into three parts: I. "Allegro ma non troppo", is strongly rhythmic and syncopated.Itincludes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. "Andante", also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slowerblues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending, in a bright and fast finale. This volume features the score and parts for all theinstruments. Born in France in 1932, Roger Boutry received numerous prizes, including those for Piano, Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful,alternating between Harmony professor, composer and conductor. He also received numerous prizes for his incredible compositions.

    Estimated dispatch 7-14 working days
  • £89.95

    Dance Suite (Concert Band - Score and Parts) - Wiffin, Rob

    Dance Suite comprises three dances - Femme Fatale (a tango), Midnight Wish (a rumba) and Wherever I look (a Mambo). The first two movements are fairly straightforward but the mambo is a little more difficult and also requires 4 rather than three trumpets - the fourth part being included in the first trumpet part in the complete suite. The music works best with a string bass or a bass guitar but the bass line is fully cued in the tuba part. Each of the movements is also available separately.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £19.95

    FIRST BLOW Christmas (Score/Piano) - Waites, Ernie

    The arrangements, written in 4 voices, are suitable for wind or brass ensembles (or any mixture of both). Although not necessarily for absolute beginners, learner parts for flute and trombone are available. The percussion part is a simple 'kit' part. Tuned percussion can be added using the Voice 1 in C part.Includes:Good King WenceslasHark The Herald Angels SingAdeste FidelisWhile Shepherds WatchedThe Holly and the IvyAway in a MangerLittle Brown JugO Little Town of BethlehemSee Amid the Winter SnowOnce in Royal David's CitySilent NightI Saw Three ShipsWe Three KingsThe First NowellGod Rest Ye Merry, GentlemenJingle BellsChristmas LullabySnow BellsWe Wish You A Merry ChristmasThe Very First Christmas Day

    Estimated dispatch 7-14 working days
  • £94.95

    FIRST BLOW Christmas (Value Set) - Waites, Ernie

    Contains a score and one each of the 25 parts. The arrangements, written in 4 voices, are suitable for wind or brass ensembles (or any mixture of both). Althought not necessarily for absolute beginners, learner parts for flute and trombone are available. The percussion part is a simple 'kit' part. Tuned percussion can be added using the Voice 1 in C part.Includes:Good King WenceslasHark The Herald Angels SingAdeste FidelisWhile Shepherds WatchedThe Holly and the IvyAway in a MangerLittle Brown JugO Little Town of BethlehemSee Amid the Winter SnowOnce in Royal David's CitySilent NightI Saw Three ShipsWe Three KingsThe First NowellGod Rest Ye Merry, GentlemenJingle BellsChristmas LullabySnow BellsWe Wish You A Merry ChristmasThe Very First Christmas Day

    Estimated dispatch 7-14 working days
  • £39.95

    Music for Junior Wind Band - Vol. 6 - Adrian Taylor

    The arrangements and compositions in these books were written by Adrian Taylor for various beginner or school bands that he has conducted over the years. Children joined these bands on the 2nd parts, usually having only been playing for a year and they then progressed to the 1st parts the following year.This volume of music was orchestrated a little differently to the other volumes but the easiest parts for each instrument continue to be written without key signatures in treble clef, in B flat major for bass clef trombone and euphonium and in E flat major for bass clef tuba. More advanced parts are written with the appropriate key signatures for each piece, reflecting the greater understanding and skills of the players on these parts. Most of the pieces can be played with only a few parts being covered, the addition of the other parts usually enhancing the arrangement rather than simply doubling existing musical lines. The essential parts are the Trumpet (and Clarinet or Cornet) parts, the two Trombone/Euphonium parts and in No. 4, the 1st Horn part. A piano part helps to fill out the harmonies where other parts are missing. The brass parts in the wind band versions are identical to those in the brass versions. This volume was created so that beginner players can play Calypso and When The Saints, which feature in Just Play... Book 1, accompanied by their school band.

    Estimated dispatch 7-14 working days
  • £112.50

    Blue Lake - John Barnes Chance

    Commissioned by the Blue Lake Fine Arts Camp in Michigan and premiered in 1971, this dynamic composition by John Barnes Chance has a unique history. The outer sections of the work feature a rhythmic intensity created in part by Chance's free use of eight-note groupings of 2 and 3. However, when first published, the meter was changed to 4/4 resulting in awkward notation of these figures. Through painstaking research by Carl Bjerregaard, Donald Flickinger, and Myron Welch (all connected with Blue Lake) this revised edition restores the asymmetric meters as the composer originally intended.

    Estimated dispatch 7-14 working days
  • £54.99

    Nearer My God To Thee - Charles L. Barnhouse

    Band Grade 3Solo Grade 4.5Note: This is a reprint from a vintage publication of 1888. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

    Estimated dispatch 7-14 working days
  • £134.99

    Recalls - Ben Haemhouts

    Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."

    Estimated dispatch 7-14 working days

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