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  • £72.99

    Wild Rose Jamboree (Concert Band - Score and Parts) - Buckley, Robert

    Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level.Duration: 5:00

    Estimated dispatch 7-14 working days
  • £45.00

    Los Dos Amigos (Flexible Duet with Concert Band - Score and Parts) - Swearingen, James

    This very easy and appealing Latin-sounding piece can be used to feature a duet out in front of the full band. There are optional parts included to allow you to showcase 2 Flutes, 2 Clarinets, 2 Trumpets, or 2 Trombones/Baritones. A great motivater for your players, and a guaranteed audience pleaser.

    Estimated dispatch 7-14 working days
  • £248.99

    Missa Brevis Wind Band Set (Score & Parts)

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00

    Estimated dispatch 7-14 working days

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  • £71.28

    Septagon

    This exciting work by Ed Huckeby is based on the concept of "sevens." After a bold and dramatic introduction in 7/4, an alternating series of 2+2+3 and 3+2+2 rhythmic ostinati provides a foundation for invigorating syncopated melodic lines, interspersed with a series of changing meter and contrasting moods. "Septagon" provides a wonderful opportunity for the exploration of changing and mixed meter, which will leave your students and audience wanting more. A great choice for your next competition or concert!

    Estimated dispatch 7-14 working days

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  • £78.99

    Septagon - Ed Huckeby

    This exciting work by Ed Huckeby is based on the concept of "sevens." After a bold and dramatic introduction in 7/4, an alternating series of 2+2+3 and 3+2+2 rhythmic ostinati provides a foundation for invigorating syncopated melodic lines, interspersed with a series of changing meter and contrasting moods. "Septagon" provides a wonderful opportunity for the exploration of changing and mixed meter, which will leave your students and audience wanting more. A great choice for your next competition or concert!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £267.99

    Five Elizabethan Dances from 'Romeo & Juliet' - Don Freund

    Five Elizabethan Dances is drawn from the music that sets the scene and provides the accompaniment for the Ballroom Scene from Don Freund's Romeo and Juliet: A Shakespearean Music Drama for singing actors and piano. The style of the dances is freely drawn from dances found in the Fitzwilliam Virginal Book (music from ca. 1562 to 1612), spiced up with changing meters and chromatic twists of melody and harmony reflecting a more recent musical language. Each of the dances represents a pivotal scene-within-a-scene. Excludes part doubling: 2+1.2+EH(opt).3+EbCl+BCl+CltoCl(opt).2+Cbsn(opt): AATB Saxes: 3.4.3.2Euph.2 Tuba: Perc(5)

    Estimated dispatch 7-14 working days
  • £248.99

    Missa Brevis - Jacob de Haan

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £72.99

    Wild Rose Jamboree - Robert Buckley

    Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level. Dur: 5:05

    Estimated dispatch 7-14 working days
  • £57.50

    Our Winter Wonderland

    Band with opt. Choir - Grade 2 The winter holiday season seems to bring out songs that simply make you feel good! Here is a collection of gems arranged in an easy-flowing style that is easy to learn and a joy to perform. The band arrangement is designed to be performed with or without the choir or strings. Includes: The Most Wonderful Time of the Year, Let It Snow! Let It Snow! Let It Snow! and Winter Wonderland. 08744127 SATB: $2.25 08744128 SAB: $2.25 08744129 2-Part: $2.25 04490326 String Pak: $40.00 08744130 Accompaniment/Full Performance CD: $35.00

    Estimated dispatch 7-14 working days
  • £13.95

    Breaking the Century

    1Breaking the CenturyNigel ClarkeCentral Band of the Royal Air Force6.392Hemming WayJohn DankworthCentral Band of the Royal Air Force13.583-5Tuba ConcertoJoseph Horovitz orch. James GourlayJames Gourlay (Tuba) with Central Band of the Royal Air Force I. Movement 1 6.05 II. Movement 2 7.03 III. Movement 3 6.366Music for ArosaPhilip SparkeCentral Band of the Royal Air Force11.017-10EvocationsMartin EllerbyCentral Band of the Royal Air Force I. Harlequin's Carnival 3.05 II. The Death of Don Quixote 5.48 III. Sue?o 2.11 IV. The Royal Hunt of the Sun 3.34

    Estimated dispatch 7-14 working days