Results
-
£54.45The Explorers of Orion (Concert Band - Score and Parts)
Exciting yet playable rhythms combined with memorable melodies make this piece sound more difficult and sophisticated than it really is.
Estimated dispatch 7-14 working days
-
£77.22In The Presence of Heroes
This exciting composition contains all the musical elements that you would want your ensemble to experience. A wonderful and moving tribute to our everyday heroes serves as the backdrop for this creative endeavor. The perfect combination of story and music results in a variety of musical settings that are masterfully scored to provide a quality of sound that is both impacting and, at times, highly delicate. It should be noted that a lush heroic theme is interwoven throughout the piece that will undoubtedly inspire members of the audience to sing to themselves as they leave the concert hall. Inspiring!
Estimated dispatch 7-14 working days
-
£84.99Welcome to the World (Concert Band - Score and Parts) - Calster, Sven Van
This piece was written for two sons of the composer as a welcome to young and innocent lives in to this big world. The concept and instrumentation of the composition allows any young band to play this piece. The optional celesta (keyboard) is a refreshing addition, evoking the sound of an ancient music box, and has a meaningful part as the music box fades out at the end of the piece. Duration: 3.30
Estimated dispatch 7-14 working days
-
£55.50Eye of the Tiger (Concert Band - Score and Parts) - Peterik & Sullivan - Sebesky, Gerald
The sound of the ringside bell announces yet another showing of one of the great Rocky films. Here is the theme music from Rocky III, originally recorded by the group Survivor and recognized worldwide. Here is an arrangement for your youngest ensemble that will not create problems with technique, allowing for pure enjoyment of music made famous in the movies! Duration: 1.45
Estimated dispatch 7-14 working days
-
£139.99Spirit of Independence (Concert Band - Score and Parts) - Van der Roost, Jan
Spirit of Independence' was commissioned by the Koninklijke Fanfare 'Onafhankelijkheid' ('Independence') from Wiekevorst (Belgium) on the occasion of its 25th anniversary. The piece depicts an enthusiastic amateur music club, practicing and making music together in an attentive and companionable atmosphere. The conductor has the good habit of trying to improve the sound of the fanfare by means of practicing chorales and hymns. Jan Van der Roost has used these facts in the dynamic concert piece 'Spirit of Independence': a chorale-like middle section is surrounded by music bubbling full of energy.Duration: 9:15
Estimated dispatch 7-14 working days
-
£41.00Eye of the Universe
Boundless mysteries lie at the center of the universe. As the music travels from one end to the other, the vast spectacles of matter and light are described by low melodies and twinkling harmonies with the great eye at the center, peering at the vastness of space. Students will love these dramatic melodies and harmonies that help the young ensemble sound advanced and mature. Straightforward rhythms support emerging ensemble skills, and all sections play melodic phrases, creating a vivid and commanding performance. Incorporate suggested STEAM curriculum ideas to create a vivid and commanding performance.
Estimated dispatch 12-14 working days
-
£38.00Reaching the Summit
Reaching the Summit is a composition for beginning bands in their first year of playing. Beginning band students are continuously learning new skills on their instruments and striving to eventually play a full piece of music with non-unison parts. In this piece, young musicians build upon each other's sound to reach the peak of their musical journey.
Estimated dispatch 12-14 working days
-
£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
-
£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
-
£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
View Music