Walzerzauber (Concert Band - Score and Parts) - Watz, Franz

The genre operetta (literally meaning 'small opera') originated halfway through the 19th century, as an antidote to the ever-lengthening opra comique, which by that time contained more and more tragic intrigues as well. In this charming work, three waltz melodies from different operettas come together. First, we hear 'Lippen schweigen' from Die lustige Witwe (The Merry Widow) by Franz Lhar (1870-1948). Then follows 'Ja, das alles auf Ehr' from Der Zigeunerbaron (The Gypsy Baron) by Johann Strauss the younger (1825-1899), after which 'Tanzen mchte ich' from Die Czardasfrstin by Emmerich Klmn (1882-1953) closes the medley in a cheerful way. Franz Watz has skilfully connected the waltzes to become a magical whole.Duration: 4:30

  View Music

Wann Wird's Mal Wieder Richtig Sommer (Concert Band - Score and Parts) - Rabe, Stefan

Duration: 4.15

  View Music

Wannabe (Concert Band - Score and Parts) - Murtha, Paul

The hit single from the Spice Girls is available here for your Wind Band!

Want to Want Me (Concert Band - Score and Parts) - Lopez, Victor

From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged.Duration: 3.30

  View Music

War (from Rocky 4) (Concert Band - Score and Parts) - DiCola, Vince - King, Peter

Duration: 4.00

  View Music

War March of the Priests (Concert Band - Score and Parts) - Mendelssohn, Felix - Stalter, Todd

Although more famous for his incidental music to A Midsummer Night's Dream, Mendelssohn was commissioned by the King of Prussia to provide music for Racine's religious drama Athalie, which includes the "War March of the Priests." The march tune draws its energy from a repeating triplet figure in the introduction, and features a nice legato contrasting section. A great opportunity to teach style and nuance!Duration: 2:45

  View Music

War, Women and Witchcraft (Concert Band - Score and Parts) - Fraser, Bruce

The music of "War, Women and Witchcraft" is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a lovely melody near the end when everyone lives happily ever after.

War, Women and Witchcraft (Concert Band - Score Only) - Fraser, Bruce

The music of "War, Women and Witchcraft" is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a lovely melody near the end when everyone lives happily ever after.

WARCRYE OF ELFEGEN (Prestige Concert Band Extra Score) - Lawrence, Geoffrey

Extra Score. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)

  View Music

WARCRYE OF ELFEGEN (Prestige Concert Band Set) - Lawrence, Geoffrey

Score and Parts. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)

  View Music