Una Furtiva Lagrima (Concert Band - Score and Parts)

Una Furtiva Lagrima is a brilliant arrangement by Jacob de Haan, of the aria from Gaetano Donizetti's opera L'Elisir d'Amore (The Elixir of Love) for concert band. The subject of this song is the power of love: Nemorino, the main character of the opera, sings the aria as he notices that his love potion is starting to take effect on his beloved. A furtive tear (Una Furtiva Lagrima) betrays his beloved's feelings towards him in this emotional piece. 0:03:20

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Una voce poco fa Wind Band Set (Score & Parts)

Italian composer Gioacchino Rossini is undoubtedly best known forhis opera The Barber of S?ville. This opera features the sopranoaria 'Una voce poco fa', which has been performed by many divasincluding Maria Callas, Teresa Berganza and Kathleen Battle. Thistranscription by Gerard Posch has been written for alto saxophoneand concert band, however the saxophone solo can also be sungby a soprano - as in the original aria 0:05:40

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Unchained Melody (Concert Band - Score and Parts) - North & Zaret - Mortimer, John Glenesk

from GhostDuration: 3.00

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Unchained Melody (SATB Chorus with Concert Band - Score and Parts) - North & Zaret - Mortimer, John Glenesk

from GhostIncludes 20 SATB Choral partsDuration: 3.00

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Unchained Melody (Vocal Solo with Concert Band - Score and Parts) - North & Zaret - Mortimer, John Glenesk

from GhostDuration: 3.00

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Uncle Buck's Truck (Concert Band - Score and Parts)

Conjuring up visions of the old "Model T" truck, including the hand crank and honking horn, this tune has "cute" written all over it! Using the fundamental notes typically learned in the first semester of instruction, your students will "love" playing "Uncle Buck's Truck" on their first concert. A real "crowd-pleaser."

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Undecim (Concert Band - Score and Parts) - Standridge, Randall D.

Undecim is Latin for eleven, referring both to the eleventh hour (the last opportunity to get something done) and the high-energy opening metric feel of the piece (7/8 + 2/4 = 11 eighth notes). This high-energy opener is the perfect way to begin your next concert!Duration: 3.15

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Under An Irish Sky

A unique Larry Neeck creation which combines two old Irish folk tunes to create a quality composition that is a superior choice for concert or contest performances by mid-level bands. Starting with "Slane", an expressive 3/4 melody , the piece then seques into "Brian Boru's March" an old march with a slight "Irish jig" feel. Neeck's many years as a Middle School Band Director has given him the knowledge and experience to write in a manner that gets the most out of middle school and jr. high performers without exceeding their capabilities. VERY HIGHLY RECOMMENDED!

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Under One Flag (Concert Band - Score and Parts) - Bocook, Jay

Under One Flag was commissioned by the Atlanta Committee for the Olympic Games in conjunction with the Cultural Olympiad. The work was composed in 1993 for the Atlanta Olympic Band. The title represents the spirit of the games, with all nations under a single Olympic Flag.

Under Spanstind (Concert Band - Score and Parts) - Torskangerpoll, Idar

Suite in Three MovementsThis piece of music is a commissioned work for Lavangen School band and their band music convention in 2019. The piece was performed under the mountain Spanstind (located far north in Norway) by a band consisting of approx 400 amateur musicians. The mountain Spanstind is 1457 meters high and drops into the valley Spansdalen below, an especially scenic venue.The composition is inspired by the sami joik (folk song) Ru?gu?ohkka, the song to Spanstinden. It is also inspired by the nature of the surroundings. Mvt 1 "Ro" (calmless) describes the feeling of calmness in the midnight sun. Mvt. 2 "Uro" (unrest) describes a scene of wind, snow, avalance and the big forces of nature. Mvt 3 "Storhet" (greatness) describes the feeling of greatness the nature has, and how we experience it as majestic and exalted.The piece can be played with the movements alone, or one can add the signals played by soloist(s) off-stage or in the back of the hall. The signals are to be played before, in between, and after the 3 movements. All instruments can be soloists. The soloist performs the signals rhythmically aleatoric, where each soloist repeats the signal 4 times in his or her own tempo. Signal 1 is played before Mvt 1, signal 2 is played between Mvt 1 and 2, signal 3 is played between Mvt 2 and 3, and signal 4 is played while the band holds the last note (long, use stagger breathing). after a while, all the soloists end on the same note and the music fade out.Duration: 6.30

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