Wedding March (Concert Band - Score and Parts) - Mendelssohn, Felix - Van der Beek, Wil

This wedding march, used primarily as a recessional, comes from Mendelssohn's symphonic piece, A Midsummer Night's Dream, based on Shakespeare's play of the same name. This excellent arrangement for concert band retains all the splendour of the original.Duration: 5:00

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Wedding March (Concert Band - Score Only) - Mendelssohn, Felix - Brand, Geoffrey

This version brings the splendour of the Wedding March to the stirring sounds of wind instruments, equally suitable whether played for a wedding or as a concert item in its own right.

Wedding March (from A Midsummer Night's Dream) (Concert Band - Score and Parts) - Mendelssohn, Felix - De Meij, Johan

Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The interlude between the 4th and 5th acts of the incidental music is the famous Wedding March, Mendelssohn's most popular and most performed work. Duration: 4.30

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Wedgewood Festival (Concert Band - Score and Parts) - Court, Douglas

Duration: 2.15

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Wednesday (Concert Band - Score and Parts) - Elfman, Danny - Chambers, Carol Brittin

Wednesday is one of the most popular series on Netflix. Danny Elfman's theme perfectly portrays the dark and mischievous mood of the show, and Carol's arrangement effectively adapts all the fun for young bands.

Weibermarsch (March of the Women from The Merry Widow) (Concert Band - Score and Parts) - Lehar, Franz - Van der Beek, Wil

This lively, attractive march originates from one of the best-known operettas by Franz Lehar, Die lustige Witwe (The Merry Widow), a work that brought the composer enormous success. The operetta features many lovely arias, and catchy dances, but also subtle passages and wonderful singable tunes. One of those is Ja, das Studium der Weiber ist schwer (The study of women is difficult), a tune incorporated in the trio of this march. Lehar obviously had high expectations for it, giving it a prominent place within the operetta. He also used it as an effective finale piece.Duration: 3:15

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Wein, Weib und Gesang Wind Band Set (Score & Parts)

00:07:20

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Weinmaster Park (Concert Band - Score and Parts) - Lopez, Victor

Musically demonstrating the wide variety of activities available, this overture begins with a furious initial statement that is immediately followed by a sombre musical theme. The work develops through a variety of timbres and styles building to a dramatic conclusion. A wonderful choice for concert or contest performance.Duration: 4.15

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Welcome Christmas (from How the Grinch Stole Christmas) (Concert Band - Score and Parts) - Hague & Seuss - Wagner, Douglas E.

The joyous sounds rising from Whoville, as its undaunted residents join their voices affirming the deeper meaning of the season, are recreated in this solidly scored arrangement for beginning players at their first holiday program. How the Grinch Stole Christmas, the 1966 animated television adaptation of the Dr. Seuss classic, has become mandatory viewing each year for children of all ages. Its imaginative musical score, together with an endearing cast of characters have created this American Christmas tradition.Duration: 2:15

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Welcome Overture (Concert Band - Score and Parts) - Schwarz, Otto M.

Composed in commemoration of the 2006 Football World Cup. The World Cup is a global event that only takes place every four years and that is preceded by a number of qualifying rounds. In the actual event, the final tournament, only the best in the world meet. It is a special honour and responsibility to be the host of the final tournament. Welcome Overture musically expresses hospitality and warmth towards all people, regardless of colour or race; an attitude that is symbolic of the World Cup. A fantastic work that your audiences will enjoy time and time again.

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