Want to Want Me (Concert Band - Score and Parts) - Lopez, Victor

From American singer, songwriter, and dancer Jason Derulo, this has become the most-added track in the history of Top 40 radio. Written in a true power-pop style, it has an irresistible robo-disco rhythmic structure that will definitely get your students and audience moving. This power-pop hit is unquestionably emotionally charged.Duration: 3.30

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War (from Rocky 4) (Concert Band - Score and Parts) - DiCola, Vince - King, Peter

Duration: 4.00

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War March of the Priests (Concert Band - Score and Parts) - Mendelssohn, Felix - Stalter, Todd

Although more famous for his incidental music to A Midsummer Night's Dream, Mendelssohn was commissioned by the King of Prussia to provide music for Racine's religious drama Athalie, which includes the "War March of the Priests." The march tune draws its energy from a repeating triplet figure in the introduction, and features a nice legato contrasting section. A great opportunity to teach style and nuance!Duration: 2:45

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War, Women and Witchcraft (Concert Band - Score and Parts) - Fraser, Bruce

The music of "War, Women and Witchcraft" is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a lovely melody near the end when everyone lives happily ever after.

War, Women and Witchcraft (Concert Band - Score Only) - Fraser, Bruce

The music of "War, Women and Witchcraft" is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a lovely melody near the end when everyone lives happily ever after.

WARCRYE OF ELFEGEN (Prestige Concert Band Extra Score) - Lawrence, Geoffrey

Extra Score. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)

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WARCRYE OF ELFEGEN (Prestige Concert Band Set) - Lawrence, Geoffrey

Score and Parts. The piece depicts scenes from the mythological kingdom of Elfegen, the North European home of a ferocious race of warriors. From the tranquillity of the opening, where first can be heard the eerie 'warcrye', things move quickly on; figures are scurrying up and down the hills moving into battle positions. The intensity increases constantly and soon a fierce battle rages. In time, the fighting subsides and a period of reflective calm replaces the chaos that has gone before. During the lull in battle a lone voice is heard, as if trying to appeal for peace, for people to resolve their differences and see sense. The voice is, however, ignored and the conflict sparks off once more. The ruthless Elfegen warriors are not content until the victory is complete, a very loud, and triumphant climax is heard as another battle reaches its inevitable conclusion. (Grade 5) Performance time 6'38' (Recorded on QPRM133D FESTIVAL OF MUSIC 1999, Massed Bands of the Royal Air Force)

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Warm and Fuzzy (Concert Band - Score and Parts)

Warm and Fuzzy says it all when describing this rich, lush-sounding contemporary jazz ballad that will appeal to your kids and audience alike. Great full ensemble writing, brief written solo spots for clarinet (2nd clarinets never go over the break), and very reasonable brass ranges all combine to make this a wonderful tool for teaching legato style. Very effective, extremely playable, and oh so pretty. A wonderful change of pace for any concert.

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WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline

Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions

Warm-Ups (Concert Band - Score and Parts) - Bullock & Smith

Finally, an intelligent warm-up beginning with a "Treasury of Scales" scale, then augmented with exercises and a final chorale in each of four keys.

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