Three Ayres from Gloucester (Concert Band - Score and Parts) - Stuart, Hugh

Quite playable yet exceptionally rewarding, this easy three-movement suite is written in early English folksong style, and effectively captures the mood of common folk living in the shadows of medieval castles. Includes: The Jolly Earl of Cholmondeley, Ayre for Eventide and The Fiefs of Wembley. Duration: 5:00

Three Ayres from Gloucester (Flexible Ensemble - Score and Parts) - Stuart, Hugh - Longfield, Robert

This playable yet musically rewarding three-movement suite was composed by Hugh M. Stuart in 1969 and continues to be a popular work for contest and festivals. Skilfully adapted here for flexible instrumentation, the music captures the early English folksong style with moods and dances of the common folk.Duration: 5:00

Three Bach Chorales (Concert Band - Score and Parts) - Sousa, John Philip

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Three Bach Miniatures (Concert Band - Score and Parts) - Bach, Johann Sebastian - Moss, John

Introduce your young players to the Baroque master with this well-crafted suite in three contrasting styles. The first movement is Bourree from Overture in F Major. Next is the moderately slow Minuet from French Suite No. 1, and finally the playful march Musette from Notebook for Anna Magdalena Bach.Duration: 4:45

Three Bagatelles (Concert Band - Score and Parts) - Waignein, Andre

Duration: 5.30

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Three Bites of the Apple Wind Band Set (Score & Parts)

One of the best known nicknames for a city that is perhaps New York: "The Big Apple". Already in the thirties of the last century, this name is often used in New York jazz scene. With "The Big Apple" Manhattan was intended. It was the place to be. Around 1920 Harlem was the center of a thriving black culture. This period is known as the "Harlem Renaissance". In the famous Cotton Club were many concerts of greats like Duke Ellington. Broadway attracts millions of tourists. Many of them visit here one of the many musicals sometimes for years on the boards are placed. Broadway splashes sparkles and swings. Peter Martin shows us three bites tests of this imaginary apple. Enjoy! 07:30

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Three Blind Mice (Concert Band - Score and Parts) - Appermont, Bert

This composition is based on the children's song Three Blind Mice, of which the melody is featured in a range of variations: in a canon, in inversion, in minor, transformed, with changing harmonisations and orchestrations, and in different times and tempi. The work consists of three continuous, contrasting movements:Mouse March: The mice cheerfully set off while the original melody is presented as a marchHymn: In a tuneful hymn, the wonderful praises of the life of mice are sungCatch Me If You Can: In an animated chase, the farmer's wife is trying to catch the mice. Following a stirring acceleration, she cuts off their tails in accordance with the lyrics of the songThis work, with its humorous touch, will be a welcome contribution to the expansion of interesting repertoire for the lower divisions.Duration: 6.45

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Three Carols for a Celebration (Concert Band - Score and Parts) - Sheldon, Robert

This outstanding arrangement of three well-known Christmas carols, "O Come All Ye Faithful," "Silent Night" and "Angels We Have Heard on High," is scored with contemporary harmonies but it easily played by the youngest of bands. With versatile solo parts, you can spotlight your star student, have a different soloist for each of the three carols, or have a small group or the entire section play. A wonderful teaching tool, this mature-sounding arrangement will be a holiday favourite! Duration: 3.15

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THREE CAROLS FROM OLDE ENGLAND (Programme Concert Band) - Stubbs, Duncan

The Wassail Song; Coventry Carol; Ye Merry Gentlemen)

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Three Chorale Preludes (Concert Band - Score and Parts) - Latham, William

Three Chorale Preludes epitomises the perfect teaching piece and performance work. Although based on familiar chorale melodies, the work is an original. Each prelude reflects contrasting tempi and textures, and although each one stands alone, the overall emotional effect is heightened with a continuous performance of all three. Every player of a band instrument should experience this work. Duration: 8.15

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