Emblazoned Joy - Roger Cichy

An energetic majestic sounding work with various time changes, is a perfect concert opener or any part of your concert. It is bold, majestic, and exciting all at the same time. All clarinets cross the break. 1st trumpet's highest note is A.

Emblem of Freedom - Karl L. King

Karl King was widely quoted as saying that "Emblem of Freedom" is the best march he ever wrote and you certainly won't get any argument on that from us. Andrew Glover's new edition is not simplified or abridged in any way but does provide for a modern concert band instrumentation and includes helpful articulations and dynamic markings to make your performances a total success! Perfect for any concert or contest performance. OUTSTANDING IN EVERY RESPECT!

  View Music

Emblem Of Freedom - Robert E. Foster Jr.

Designed as a showpiece for developing bands that will thrill an audience and not require much rehearsal time. Written for the Kansas Sousa Jr. Honor Band it has been repeatedly requested since its premier performance.

Emblem Of The Army - Arthur Gullidge

Emblem of Unity

This highly regarded work has long been a favorite from the repertoire of outstanding concert marches found in band libraries throughout the world. This new edited version with full score will allow directors the opportunity to once again experience the exhilarating sounds of one of the all-time great marches. EXCELLENT!

  View Music

Emblem Of Unity - J. J. Richards

J. J. Richards' great "Emblem of Unity" March has been a band favorite for generations, and this impressive Command series arrangement makes it accessible for middle school and younger high school bands! After a bold introduction, the famous trio melody - played by horns! (with a little help from others) - moves to an powerful breakstrain giving the lower instruments a chance to shine. The final rousing strain makes "Emblem of Unity" a perfect choice for any performance situation. March on!

Emblem of Victory - Elliot Del Borgo

This fine march-styled composition was written by one of the best composers of concert band literature. Use it to open or conclude any of your programs with real style!

  View Music

Emblems - Aaron Copland

From Copland's program notes: An emblem stands for something - it is a symbol. I called the work Emblems because it seemed to me to suggest musical states of being: noble or aspirational feelings, playful or spirited feelings. Theexact nature of these emblematic sounds must be determined for himself by each listener.

Embossing the Emblem - Alexander

A later edition (013-0871-00) is also published.Note: This is a reprint from a vintage publication of 1902. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Embraceable You - George Gershwin