Earhart - Robert W. Smith

The legend of Amelia Earhart continues to capture the imaginations of aviators and historians worldwide. Earhart, a pioneer in aviation and in women's rights, began her final journey in the United States and crossed multiple continents. Robert W. Smith has drawn upon Earhart's final flight to create this unique musical composition. Following the opening "takeoff," the composer was inspired by the indigenous sounds of the various continents in Earhart's flight path. From a unique fugue inspired by the music of Central and South America to a lyrical statement from the Dark Continent, the listener is transported on a musical journey that will capture the imagination. Following a dark and powerful percussion statement with Asian overtones, the journey ends not in tragedy but in celebration as the original flight theme returns. An excellent choice for any concert setting!

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Earl of Oxford's March

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Early American Hymn Song - John O'Reilly

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Early American Suite

This new suite is developing band music at its best. Includes: Chester, Cumberland Gap, and Yankee Doodle.

Early Bird March - Mark Williams

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Early Blue Evening - Andy Farber

Andy Farber is a master at composing beautiful ballads. Your Alto Sax soloist is supported by tasty brass backgrounds and lush soli sections. It's a great feature for the whole band and a wonderful choice for any concert or festival performance. Includes an optional flute part. Outstanding!

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Early English Christmas

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Early English Suite - W Duncombe

Early Hungarian Dances - Ferenc Farkas

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

Early One Morning

Although the roots of this British folksong date back to the 18th century, the first publication of the melody was in the late 1850's in the collection "National English Airs". Early One Morning is the story of a young woman misused by her lover, as overheard by the singer. In the mid-1930's the tune was adapted as a military slow march called "The Globe and Laurel" for the Royal Marines band. This arrangement focuses on the lyricism of the original with just a hint of its later military associations. Only the 1st clarinets cross the break. 1st trumpet's highest note is F.