Clown Town

Clown Town is a grade 1 concert work with a twist! Percussionists are introduced to exciting auxiliary instruments such as siren whistle, police whistle, ratchet, vibraslap, and more. The wind players get in on the fun by playing kazoos and bird whistles, and trombonists are introduced to the infamous gliss. This is an excellent choice for first year band students to enjoy learning about melody with simple harmony and contrasting dynamics/articulations.

Code of Honor

Code of Honor conveys the idea of respect and a sense of decorum. The introduction begins lightly, while the middle section elicits a heavier feeling. There are timbral shifts throughout the piece as instruments drop in and out of the texture periodically. A great option for educators in search of a march-like piece to round out their concert programs.

Cold Mountain Saga

Cold Mountain in North Carolina was recently made famous by the best selling novel and major motion picture of the same name. This piece for young band is not intended to depict the story of the book or movie, but rather to depict the rich history and natural beauty of the area itself. The hauntly beautiful melody first stated by a recorder is one of the most memorable Larry has every written.

Colonial March

Colonial March is a stately British style march for beginning bands. George Washington served in the British colonial army prior to the American Revolution when he became the colonies' Commander-in-Chief and later the first President of the new nation. Two melodies, Yankee Doodle and America (My Country 'Tis of Thee or God Save the King) were known to both the British and American armies and are incorporated in this precious march for the youngest of students.

Colossus

A fanfare-like piece that makes even the youngest of players sound advanced beyond their abilities. Its technical demands are very limited, but the music is daring and exciting for the players and audience alike. Another winner from Larry Clark!

Come, Emmanuel

Come, Emmanuel is based on the traditional Christmas carol O Come, O Come Emmanuel. The piece begins with a beautiful introduction, where moving passages are passed throughout the band over lush harmonies. The main melody, introduced by the clarinets and euphoniums, is then followed by contrasting sections that feature both the woodwind and brass choirs. These sections incorporate unconventional harmonies, creating a rich and varied texture. The piece concludes with the full band on the chorus. With its varied instrumental features and teaching moments, this piece offers both musical depth and educational value.

Commemoration

Commence!

A driving composition from Sean O'loughlin,Commence!begins with a spirited theme that oscillates between triple and duple meter. After developing into a heartfelt lush brass chorale, the lilting theme returns again. The composition concludes with a dramatic return of the B theme and a rousing finale. A beautiful piece,Commence!is astrong choice for any contest or festival.

Connections

One of the biggest challenges in today's middle level bands is the ability for them to produce a smooth legato with connections between notes. This series of books for all band instruments presents a logical sequence in a variety of keys to improve the students' legato playing aspect of band performance.This features drills that emphasize key understanding and chord progression movement from whole notes to half notes to quarter notes as well as tone, balance, blend and intonation of the ensemble. Also includes daily warm-ups to build strength and flexibility for the brass instruments, technical facility in the woodwinds, and rudiments in the percussion.

Connections - Brackett

One of the biggest challenges in today's middle level bands is the ability for them to produce a smooth legato with connections between notes. This series of books for all band instruments presents a logical sequence in a variety of keys to improve the students' legato playing aspect of band performance. This features drills that emphasize key understanding and chord progression movement from whole notes to half notes to quarter notes as well as tone, balance, blend and intonation of the ensemble. Also includes daily warm-ups to build strength and flexibility for the brass instruments, technical facility in the woodwinds, and rudiments in the percussion.