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£87.99David of the White Rock - Traditional
This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his Harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for Concert Band retains all the beauty and simplicity of the original.
Estimated dispatch 7-14 working days
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£118.99
Duettino
Composer, flutist and conductor Franz Albert Doppler (1821-1883) descends from a musical Austrian-Hungarian family. Together with his brother Karl, who was a flute virtuoso, he travelled extensively around Europe. Arranger Gottfried Veit has arranged this appealing duet for concert band with two flutes as soloists. It is a fine addition to the repertoire and an ideal work to spotlight you flautists.
Estimated dispatch 7-14 working days
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£37.50
Sentimentale - Satoshi Yagisawa
Premiered by Funabashi Hiagshi High School under the direction of Shinichiro Tagawa in March, 2015, Sentimentale is an excerpt from Yagisawa's Trumpet Concerto. That work, commissioned by the Japan Air Self-Defense Force Central Band with trumpet soloist Kenichi Kurishu, premiered in 2003 with many subsequent performances. In 2013, the Concerto had its U.S. debut with Kagoshima Joho HS and Robert Sullivan, principal trumpet of the Cincinnati Symphony. I received many warm regards and compliments on the work, especially for the second movement. However, I also heard regrets that the interlude required a trumpet soloist. I remembered the words of Mr. Tagawa, who had collaborated with me on works such as"And Then the Ocean Glows" and"Hymn to the Infinite Sky". Ten years earlier he suggested that I arrange that movement for full band so that it could be more widely enjoyed. Though I agreed then, only now have I had the chance to realize this idea, as Mr. Tagawa presented me with the opportunity of this musical creation and world premier.This new arrangement was entitled "Sentimentale" by Mr. Tagawa. I composed the piece with his constant consultation, discussing grade level and instrumentation, and how the work should be a chorale etude for both concert and daily training. I would like to express my sincere gratitude to both Mr. Tagawa and Funabashi Higashi High School.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£84.99
High Society - Henk Hogestein
The march High Society was written by the Dutch composer, Henk Hogestein. In this composition he wished to portray the life of the jet set or the 'high society' who often attend particularly expensive and fashionable parties. In High Society the composer has tried to create a picture of this fascinating scene. This composition is the follow-up to Saint Louis Connection.
Estimated dispatch 7-14 working days
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£149.99Isles of the Blessed - Bert Appermont
The Celtic poem The Voyage of Bran was the inspiration for this fantasy work by Bert Appermont. The subject of this composition is Febal, who - together with his companions - travels to the "otherworld", also known asthe Island of the Blessed, where he finds nothing but sun and prosperity. The sections, called Isle of Joy, Land of the Women and The Feast intermingle with Song of the Otherworld, which acts as a sort of leitmotif.
Estimated dispatch 7-14 working days
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£154.99Abraham - Ferrer Ferran
This tone poem for concert band is based on the Old Testament tale of Abraham, who was ready unconditionally to make the greatest sacri_x005F_x001F_ce he could: that of his own son, Isaac. In Ferrer Ferran's starkly contrasting composition the emotions that this tale evokes come to the fore: the bliss of divine life and humanity, as opposed to worry, fear and self-sacri_x005F_x001F_fice.
Estimated dispatch 7-14 working days
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£100.00Fifth Suite for band - Alfred Reed
Master composer Alfred Reed's newest work is yet another display of his skilled hand in the wind band medium. He has selected four styles and used each in a short movement that captures a distinctive folk dance style. The result has produced an exquisitely orchestrated and musically rewarding work for bands who demand high quality literature. I.Hoe Down (American) II. Sarabande (French) III. Yamabushi Kagura (Japanese) IV. Hora (Romanian/Israeli).
Estimated dispatch 7-14 working days
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£421.99The Book of Urizen (Movements I: The Vision and II: The Creation) (Soprano, Narrator and Concert Band - Score and Parts) - De Haan, Jacob
The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustrated himself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, a religious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can be played easily at the right moment.The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one, and that deities reside in human beings. In The Book of Urizen this is represented in "The Net of Religion," which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin in Jerusalem, the Holy City, where the afore-mentioned faiths come together.In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the "Eternals." His vision is rejected, and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, "the flames of eternal fury," and enwombs himself in his own world. When the Eternals see Urizen in his "stony sleep," they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen's world concrete form.In the second movement, The Creation, Urizen's world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen's body. He mourns and pities Urizen, and from his blood a female form comes into being, with the name Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the "fallen world." Orc is fed at Enitharmon's breast, which makes a girdle of jealousy restrict Los' chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles the face of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, the third movement of The Book of Urizen, is available in a separate set.
Estimated dispatch 7-14 working days
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£105.00
The Ocean Beast (CB) - Pimpanit Karoonyavanich
If we hear about a beast, we would imagine a powerful and fierce creature. This composition work depicts a beast who's cursed to live under the ocean. Because everyone thinks that he's a heartless and evil beast, they run away from him every time they see him. Sometimes he appears at the surface of the sea and hope that he would be able to make friends with human. But all he got were severe wounds those made by the sailors who thought that he wanted to attack them. Nobody knows... that all he wants, is just only someone who just treat him like the others, not a beast.
Estimated dispatch 7-14 working days
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£163.99The Pied Piper of Hamelin (Concert Band - Score and Parts) - Schwarz, Otto M.
Stories, sagas and legends--who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)--the GPs (pauses) must be kept short 2. With narrator--he speaks in the GPs but not during the music.Duration: 14.15
Estimated dispatch 7-14 working days
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