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£79.99Land of Hope and Glory - Edward Elgar
Elgar's five Pomp and Circumstance Marches were written between 1901 and 1930 with number 1 undoubtedly being the most popular of the five. King Edward VII told Elgar that the tune would 'go round the world' if words were fitted to it. Elgar took the hint and included it (with slight rhythmic changes) in his Coronation Ode of 1902, with words by A. C. Benson. Thus was born Land of Hope and Glory which is now, of course, an integral part of the annual Last Night of the Proms, when the audience (with varying degrees of success!) sing the words along to the original march. Now your concert band can enjoy all the pomp and ceremony of the proms with this arrangement by Philip Sparke.
Estimated dispatch 7-14 working days
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£72.99The Girl with the Flaxen Hair - Claude Debussy
Impressionist composer Claude Debussy wrote his set of Prludes for the piano between 1909 and 1913. In their entirety, his Prludes total 24 individual pieces in two volumes. It is from these that Karel Deseure has selected fivepreludes for his Cinq Prludes. La fille aux cheveux de lin is probably the most well-known of the five (and Debussy's 24).Deseure approached each prelude as being musically independent of the others. Consequently, they do not have to be played in a specific order or even as a complete set. It is worth noting that in Debussy's original edition the titles wereprinted at the end each prelude, almost like a footnote, so the performer could look at themusic without being influenced by Debussy's descriptive titles. The Prludes also demonstrate Debussy's superb orchestration skills. Deseure took great care orchestrating these five preludes so he could capture and convey their original character and mood as accurately as possible. The original key signatures were kept and only very minute changes were made to the pitchesthemselves, such as occasional octave doublings to fill out the ensemble.
Estimated dispatch 7-14 working days
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£102.99
Saturnalia - Ben Haemhouts
Saturnalia is a feast, in honour of Saturn, that originated in the Roman Empire (circa 800-510 BC). It was celebrated for the first time on 17 December 497 BC when the gods Saturn and Janus ruled Italy. These gods assured affluence, fertile land, good harvests and introduced writing to the people. Saturn's symbol was a sickle denoting that all citizens were equal and that no one had the right to individual possessions. During the feast of Saturnalia, the roles of slaves and masters were reversed. This varied work by Ben Haemhouts is suitable for competitions or concerts.
Estimated dispatch 7-14 working days
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£129.99Primavera - Beautiful Mountain Winds - Satoshi Yagisawa
Primavera was commissioned for the 40th Anniversary of Kofu Community Band and premiered in spring of 2008. The commissioning request was that the work would reflect both the beautiful nature of Yamanashi Prefecture and bonds the band shared through four decades of history.I always visit rehearsals and meet band members when accepting a commission so that the piece will be relevant and meaningful to the band. When I visited Kofu Community Band they were rehearsing one of my works, Hymn to the Sun - With the Beat of Mother Earth, and the members played with such emotion from bottom of their hearts that I was deeply moved. I shared a story of the work's inspiration, and some started to cry. I was impressed with how sincere and bright those performers in Kofu Community Band were. Mr. Fujio Ando, associate leader of the band, with a big smile told me that he wished their new work would be widely enjoyed and appreciated by many music lovers.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£349.99Gloriosa - Symphonic Poem for Band (Complete) - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£84.99Klezmania - Jacob de Haan
Klezmer was originally the name given to the music of the Yiddish speaking Jews in Eastern Europe. The klezmer musicians played dance music, mainly at weddings. Historically string instruments such as the violin were predominantly used, but later (after ca. 1900) other instruments and in particular the clarinet were added as melodic instruments. In klezmer music in addition to Balkan influences oriental and gipsy influences can also be found. Jacob de Haan composed Klezmania in this style, based on the well-known Hebrew song Hava Nagila.
Estimated dispatch 7-14 working days
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£139.99The Golden Age - Kees Schoonenbeek
The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II Adis espaoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Mnster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.
Estimated dispatch 7-14 working days
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£91.99Fanfare & Hymn - Bert Appermont
This composition begins with a stately brass fanfare, which leads to a tuneful hymn. After gradual development, both melodies sound together in a grand tutti.Fanfare & Hymn was commissioned by the Royal Concert Band Ons Verlangen, Beverst (Belgium), as a tribute to the committee members and musicians Edgard Thijssen and Jos Appermont. They were like father figures who, with their lasting commitment, helped the band become the thriving music society that it is to this day.Based on this theme, I have tried to evoke various emotions and atmospheres: the pride that characterises the group, nostalgia for the wonderful time both musicians experienced in the band, and finally, deep gratitude for everything they did.Bert Appermont
Estimated dispatch 7-14 working days
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£89.99Distant Hymns - Greg Sanders
Distant Hymns is the third movement from the composer's work Dreams and Faith (The Solomon Valley Anthology). The American Composers Alliance commissioned the work for their Continental Harmony Project. In the late 1880s and early 1900s, many of the inhabitants of the Solomon River area in northern Kansas meticulously documented their lives in the vast expanse of the Kansas prairie in writings in their personal diaries. Several writers recorded an unusual phenomenon where the wind often carried sounds over the open prairie and fields with no visible sound source. An example of this display was sometimes the presence of music, often church hymns, carried with the wind from assumed distant churches that were frequently not there. The melodies could be heard constantly changing in volume and sound as the winds continuously changed directions. Distant Hymns is a musical representation of this experience, where a simple hymn tune is handed to and integrated between different groups of instruments. Ebbing frequently, the music varies in loudness and softness as the melody moves freely upon the wind.
Estimated dispatch 7-14 working days
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£189.99Bassoon Concerto - Carl Maria von Weber
This work by Carl Maria von Weber and the BASSOON CONCERTO by W. A. Mozart are the two concertos most often played in the bassoon repertory. The late William Waterhouse asserted: The bassoon concerto by Weber ranks second only to that of Mozart in importance. The concertos by Mozart and Weber were in the repertoire used for the famous playing exams at the Paris Conservatoire, along with newly commissioned works by French composers. This transcription of the Weber for bassoon and small wind band has been completed by R. Mark Rogers.
Estimated dispatch 7-14 working days
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