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£129.99
A Jupiter Fantasy (from the Planets) - Yasuhide Ito
Utilizing the melody from the central section of Holst's "The Planets: IV. Jupiter", I have exclusively written a chorus piece for an event in 1999. Based on that particular piece, a duo for piano and flute was written the same year. Later, more than a total of 30 renditions were written based on the original piece.This version of "Jupiter", arranged for the large wind band, is one of three parts of a three-part composition, which includes "Mars" and "Earth", composed in 2003 and 2005 respectively.The trumpet ad lib kicks off the central section, in which various other instruments could repeatedly perform the section, and ad lib is most welcome too.(Yasuhide Ito)
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£199.99Le Carnaval des Animaux - Camille Saint-Saëns
Camille Saint-Saens "grande fantasie zoologique" is a collection of 14 short movements, each with a specific animal subject. Performed now by the symphony, this suite was originally scored for two pianos and chamber orchestra. Yo Goto consulted Saint-Saens' score to set these nine movements for concert band. For humor, color and clarity he added piano and various percussion. Also, phrases were added for continuity and impact, particularly in the "Final".
Estimated dispatch 7-14 working days
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£141.99Funiculi-Funicula Rhapsody - Luigi Denza
This famous melody was written for the 1880 opening of Mt. Vesuvius' funicular railway, lyrics were by Peppino Turco. Mr. Goto's fantasy commands immediate excitement with unmuffled percussion and bold fanfares that segue into a proper tarantella and trombone soli. Carefully observe relative dynamics throughout the 6/8 section, and give all dotted quarter notes equal treatment. Dynamic contrast is critical to maintaining interest in the returning melodic line. The alto/tenor voiced counter line at G should dominate. Take advantage of the novel woodwinds solis at H emphasizing lower voices. The polyrhythmic feel at J and K is best conducted in one; have all "play to" the melody. Enjoy the romantic potential of section L and do not exceed the indicated tempo. Sections N and O can be decidedly mechanical. Certainly "pull out the stops" at the concluding 6/8, but continue to observe all tempi and dynamics for a most effective finale.
Estimated dispatch 7-14 working days
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£64.99
Procession of the Centurions - Douglas Court
A Centurion was a Roman soldier who was in charge of 100 men in the Roman Army. These soldiers were brave, God-fearing men loyal to the Roman Empire. The music portrays the strength and confidence that is a signature of any soldier.
Estimated dispatch 7-14 working days
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£179.99
Firestorm - Stephen Bulla
The inspiration for this piece, commissioned by the United States Army Band, came from the Gulf and its constant presentation to the world as a media event on television. The composer wanted to capture the colour and events of war as they were played out on the television screen. Composed as a single movement rhapsody, the work is framed by the riveting sounds of airborne bombing raids with brass and percussion combining to create a gripping sense of tension.
Estimated dispatch 7-14 working days
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£104.99
Sayonara
This traditional melody is known worldwide as a song of farewell. Jan Van der Roost treated it as an anthem in this splendid arrangement. The melody is brought to us in whole or in part by various instruments and is surrounded by logical yet original - sometimes surprising - chords that dare to fluctuate. After a broad tutti, the ensemble begins to die out. The piece ends with an impressive diminuendo of the final chord, almost as if the orchestra itself were saying goodbye.
Estimated dispatch 7-14 working days
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£84.99Chorale and Canzone - Hans Leo Hassler
The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.
Estimated dispatch 7-14 working days
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£134.99Prima Luce - Jan Van der Roost
Prima Luce (First Light) was commisioned by the Holy Angels Elementary School located in Aurora (USA). The name of the town (which means dawn), the town's great religious history and the fact that this town was one of the first in the USA to have streetlights were the inspiration for this Gregorian influenced atmospheric composition.
Estimated dispatch 7-14 working days
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£94.99Last Spring - Edvard Grieg
In 1880, Edvard Grieg composed twelve song poems by Aasmund Olavsson Vinje. He arranged two of these songs for String Orchestra published under the title of Two Elegiac Melodies, Op. 34. These two deeply meloncholy pieces were titled The Wounded Heart and Last Spring. The latter of these two titles inspired Tohru Takahashi to produce this expressive and sensitive transcription for Concert Band, which will make a fantastic encore piece for any concert.
Estimated dispatch 7-14 working days
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