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£89.99Distant Hymns - Greg Sanders
Distant Hymns is the third movement from the composer's work Dreams and Faith (The Solomon Valley Anthology). The American Composers Alliance commissioned the work for their Continental Harmony Project. In the late 1880s and early 1900s, many of the inhabitants of the Solomon River area in northern Kansas meticulously documented their lives in the vast expanse of the Kansas prairie in writings in their personal diaries. Several writers recorded an unusual phenomenon where the wind often carried sounds over the open prairie and fields with no visible sound source. An example of this display was sometimes the presence of music, often church hymns, carried with the wind from assumed distant churches that were frequently not there. The melodies could be heard constantly changing in volume and sound as the winds continuously changed directions. Distant Hymns is a musical representation of this experience, where a simple hymn tune is handed to and integrated between different groups of instruments. Ebbing frequently, the music varies in loudness and softness as the melody moves freely upon the wind.
Estimated dispatch 7-14 working days
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£189.99Bassoon Concerto - Carl Maria von Weber
This work by Carl Maria von Weber and the BASSOON CONCERTO by W. A. Mozart are the two concertos most often played in the bassoon repertory. The late William Waterhouse asserted: The bassoon concerto by Weber ranks second only to that of Mozart in importance. The concertos by Mozart and Weber were in the repertoire used for the famous playing exams at the Paris Conservatoire, along with newly commissioned works by French composers. This transcription of the Weber for bassoon and small wind band has been completed by R. Mark Rogers.
Estimated dispatch 7-14 working days
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£76.99Souvenir De Porto Rico - Louis Moreau Gottschalk
Gottschalk didn't live long enough to leave a large catalogue, but the works he brought to the public were quite popular in their day. This is one of his more well-known works, skillfully rendered for band by Michael Brignolo. It brings the vivid colors and sounds of the Caribbean to life.
Estimated dispatch 7-14 working days
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£64.99La Valse d'Amlie - Yann Tiersen
La Valse d'Amlie is a well-known waltz from the poetic French film Le Fabuleux Destin d'Amlie Poulain, which captured the hearts of many from its release in 2001 and thereafter. The soundtrack by Yann Tiersen won several awards, and more than 200,000 copies were sold in France alone.In this arrangement, Bert Appermont has tried to preserve the melancholic and charming atmosphere of the original. The music begins serenely and builds toward a climax before gradually fading out again.
Estimated dispatch 7-14 working days
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£66.95Quest of the Magi - Brian Beck
The Quest of the Magi was one of the working titles for John Henry Hopkins Jr.'s famous carol, "We Three Kings." Written in 1857 for a Christmas pageant in New York City, "We Three Kings" tells the tale of the Magis' journey to find a newly born king in a faraway land and the precious gifts they brought with them. This piece focuses more on the journey of "following yonder star." Traveling across many countries in the first century was a perilous task, full of danger, thievery, and possible death, not to mention these men were traveling with some of the most precious and expensive cargo one could possess. This piece chronicles the magi acquiring myrrh, frankincense, and gold for their journey. Each treasure is represented by its own motif and woven into Hopkins' original carol. (2:45)
Estimated dispatch 7-14 working days
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£64.99Highlights from Moana 2 - Abigail Barlow
A great medley of hit songs from the smash Disney sequel, perfectly scored for flex-band, featuring the songs Tulou Tagalao (Sei e Va'ai Mai), We're Back, Beyond, and Get Lost.
Estimated dispatch 7-14 working days
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£76.99Selections from Moana 2 - Abigail Barlow
A fun medley of songs from the smash Disney sequel including Tulou Tagaloa (Sei e Va'ai Mai), Beyond, We're Back, and Get Lost.
Estimated dispatch 7-14 working days
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£76.99
China Doll
The year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including this delightful composition, China Doll. It's a great choice for any time of year, but is also an ideal substitute to the perennial holiday favorite, Sleigh Ride. This publication is the first-ever to offer a full score, edited by Mark Rogers.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£179.99The Stone Flower - Serge Prokofieff
Sergei Prokofiev's The Stone Flower (opus 118) is his eighth and last ballet, composed between 1948 and 1950. His most famous ballets are Romeo and Juliet, Cinderella and Le Pas d'Acier.The Stone Flower is based on a Russian folk tale from the Ural Mountains. The premiere of the work took place in 1954, one year- after the dead of the composer. The ballet's storyline, rich with myth and legend, is set against the backdrop of the mystical Ural Mountains and centers on themes of love, artistry, and the conflict between material wealth and spiritual fulfillment.In 1951, Prokofiev arranged five movements from the ballet which were later published as the Wedding Suite (opus 126). The movements are:I. Amorous DanceII. Dance of the fiance's girlfriendsIII. Maiden's DanceIV. Ceremonial DanceV. Wedding Dance
Estimated dispatch 7-14 working days
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