Results
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£8.00The New Bennett Band Book - Harold Bennett
The Bennett Band Books, published in four volumes starting in 1923, were used to teach literally millions of young band musicians in the middle of the twentieth century the march form and style. The pieces utilized in this book are: Activity, Summit, Success, Project, Courage, Mister Joe, Genius, Improvement, At Sight, Little Rastus, Laurel and Aline. These delightful marches, composed by famous march composer Henry Fillmore using the pseudonym Harold Bennett, have been given new life by arranger Larry Clark. The original essence of these marches is retained and only the instrumentation and some range issues have been altered to fit the needs of today's developing bands. This collection includes twelve of the Bennett marches along with a helpful march warm-up section composed by Larry Clark to help you teach the march form and style to young students. There is the added benefit of a full recording of each march performed by a professional band on the CD that is included in the conductor's score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.
Estimated dispatch 12-14 working days
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£37.00Colonial March
Colonial March is a stately British style march for beginning bands. George Washington served in the British colonial army prior to the American Revolution when he became the colonies' Commander-in-Chief and later the first President of the new nation. Two melodies, Yankee Doodle and America (My Country 'Tis of Thee or God Save the King) were known to both the British and American armies and are incorporated in this precious march for the youngest of students.
Estimated dispatch 12-14 working days
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£52.00Welcome - Harold Bennett
What could be better for contest warm-up than to play a tuneful Harold Bennett march? Larry Clark has arranged a classic for today's young bands, and it is perfect for introducing the march form and style to young players. We're pleased to bring this standard back into the spotlight.
Estimated dispatch 12-14 working days
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£71.00Chisholm Trail
Chisholm Trail has a truly American quality, containing hints of music from the mountains, which evoke the rugged terrain and the pioneering spirit that were so important to the growth of this great nation. Carl Strommen is most at home in this style and has great success with it... in fact, this may be his best one yet! It's challenging, but energetic and fun to play. Students will enjoy it and audiences will love to hear it. This is a winner!
Estimated dispatch 12-14 working days
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£48.00Sweet Little Manger Child - Robert MacGimsey
This subtle, yet tasteful arrangement for the holiday season includes the African-American styled piece Sweet Little Jesus Boy by Robert MacGimsey paired with the traditional Away in a Manger. Larry Clark continues to find creative ways to merge two popular Christmas favorites and make it seem as if they were always meant to be seamlessly combined. This is the mark of a great composer/arranger. We know you and your students will enjoy this stunning arrangement.
Estimated dispatch 12-14 working days
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£74.00Americans We - Henry Fillmore
This may be one of the most popular marches of the hundreds that were written by Henry Fillmore. Robert Foster has clarified some inconsistencies in the original quick-step size edition and provided extensive program notes on performing this marvelous march.
Estimated dispatch 12-14 working days
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£64.99La Valse d'Amlie - Yann Tiersen
La Valse d'Amlie is a well-known waltz from the poetic French film Le Fabuleux Destin d'Amlie Poulain, which captured the hearts of many from its release in 2001 and thereafter. The soundtrack by Yann Tiersen won several awards, and more than 200,000 copies were sold in France alone.In this arrangement, Bert Appermont has tried to preserve the melancholic and charming atmosphere of the original. The music begins serenely and builds toward a climax before gradually fading out again.
Estimated dispatch 7-14 working days
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£66.95Quest of the Magi - Brian Beck
The Quest of the Magi was one of the working titles for John Henry Hopkins Jr.'s famous carol, "We Three Kings." Written in 1857 for a Christmas pageant in New York City, "We Three Kings" tells the tale of the Magis' journey to find a newly born king in a faraway land and the precious gifts they brought with them. This piece focuses more on the journey of "following yonder star." Traveling across many countries in the first century was a perilous task, full of danger, thievery, and possible death, not to mention these men were traveling with some of the most precious and expensive cargo one could possess. This piece chronicles the magi acquiring myrrh, frankincense, and gold for their journey. Each treasure is represented by its own motif and woven into Hopkins' original carol. (2:45)
Estimated dispatch 7-14 working days
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£76.99
China Doll
The year 1951 was very productive for Leroy Anderson. For a recording project with Decca records in June of that year he composed a number of his most popular pieces, many of which were played for the first time in these sessions, including this delightful composition, China Doll. It's a great choice for any time of year, but is also an ideal substitute to the perennial holiday favorite, Sleigh Ride. This publication is the first-ever to offer a full score, edited by Mark Rogers.
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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