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£149.99
Concertante Ouverture - Jef Maes
This fantastic overture of the Belgian composer Jef Maes formed the end work of Georges Moreau, in the same class as Jan Van der Roost. Virtuoso passages alternate with rich instrumented melodic fragments and thereby create a wide symphonic sound image. A stylish opening work for your concert, but also ideal for coming straight to the point in competitions.
Estimated dispatch 7-14 working days
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£154.99Rikudim - Jan Van der Roost
Rikudim (Hebrew for 'Dances') is a four-part dance suite based on Jewish music. By using eastern intervals and irregular time changes, the composer succeeds in creating a slightly melancholy but specifically Jewish flavoured piece.
Estimated dispatch 7-14 working days
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£154.99Concerto Grosso - Jan Van der Roost
With solo trombone and trumpet.
Estimated dispatch 7-14 working days
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£149.99Suite Provenale - Jan Van der Roost
This 4-movement suite is based on authentic folktunes from the beautiful southern province in France: the "Provence". The composer used an harmonic language respecting the popular characteristics, but on the other hand also contains some "spicy" notes (... just like the wellknown "Provenal sauce"! ...). The instrumentation is very colourful, paying a lot of attention to the different timbres of both brass and wood winds as well as to the percussion section.Every movement has its own character: "Un Ange a fa la crido" (= An angel brought the creed / credo) is like a bourre, "Adam e sa Coumpagnou" (= Adam and his companion) is an old love song, "Lou Fusti" (= the carpenter)a fast dance and finally "Lis Escoubo" (= a whistle tune / popular ballad) is a farandole. In the latter, the old tradition of folk musicians who play a whistle with one hand and a drum with the other hand, is clearly represented during the first presentations of the one and only theme)Although this piece is not too demanding, a well balanced band is necessary to perform it successfully. Thanks to the contrasts and the varying colours, it keeps on holding the attention.
Estimated dispatch 7-14 working days
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£174.99Toccata Festiva - Jan Van der Roost
'Toccata Festiva' was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the 'Toccata Festiva': on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Partof the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).
Estimated dispatch 7-14 working days
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£204.99Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£134.99Prima Luce - Jan Van der Roost
Prima Luce (First Light) was commisioned by the Holy Angels Elementary School located in Aurora (USA). The name of the town (which means dawn), the town's great religious history and the fact that this town was one of the first in the USA to have streetlights were the inspiration for this Gregorian influenced atmospheric composition.
Estimated dispatch 7-14 working days
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£109.99Metalla - Jan Van der Roost
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures inthe brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece.
Estimated dispatch 7-14 working days
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£159.99Ponte Romano - Jan Van der Roost
This concert overture, which has the air of a symphonic poem, takes its inspiration from an ancient Roman bridge. A massive introduction, a threatening allegro and alternating virtuoso and chorale themes quickly succeed each other. Trombones and trumpets introduce a rhythmical theme which develops throughout all instrument groups. The allegro is characterised by a quasi-obsessive cadence which depicts a Roman army constantly beating time.
Estimated dispatch 7-14 working days
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