Results
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£76.40Postcard From Benares - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
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£73.00Postcard From Vienna - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
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£86.00Postcard From Chernobyl - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
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£86.00Postcard from the Arctic - Dirk Brossé
Sir Dirk Bross, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists. About the new series of 10 "Musical Postcards" for wind band, Dirk says the following: "Composing is a commitment; it is my life's mission. For me composing means creating a vacuum around myself and allowing myself to be submerged by impressions. It is a continual struggle between fantasy and reality, between dream and reality. Out of chaos of sounds and emotions I try to order my thoughts by juggling shreds of melodies, original chords, striking sound colours and alternating rhythms. Melody, harmony, rhythm and sound colours are finally balanced to generate a harmonious universe. This series of ten 'Musical Postcards' are a reflection of my travels, thoughts, discoveries and musical career so far, which has brought me around the globe. I look forward to you joining me on this voyage of discovery..."
Estimated dispatch 7-14 working days
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£189.99Godzilla Eats Las Vegas (Concert Band - Score and Parts) - Whitacre, Eric
Note from Composer:It took me seven years to get my bachelor's degree from the University of Nevada, Las Vegas. By the time I graduated I was ready to eat Las Vegas.Tom Leslie asked me to write another piece for the group as I was leaving, and I thought it would be a blast to do something completely ridiculous. The players are called upon to scream in terror, dress like Elvises (Elvi), and play in about thirty different styles from mambo to cheesy lounge music. The audience follows a script that I wrote simulating a campy, over the top Godzilla movie (is there any other kind?).I wrote the bulk of the piece while in my first year at Juilliard, and no kidding, I used to act out the script every morning devouring animal crackers, wreaking havoc all over the breakfast table. The script was originally twice as long, and had an entire subplot devoted to a young scientist and his love interest. As I started to finish the piece, however, it didn't seem that funny and that story (along with an extended Elvis tribute) ended up on the cutting room floor.The idea that this piece is being played all over the world in such serious concert venues is the single funniest thing I have ever heard. It has been played on the steps of the Capitol by the United States Marine Band, by the Scottish National Wind Symphony (they play in kilts, so help me God), and I have a video of a Japanese audience visibly confused and shaken by the whole experience. Can you imagine? I'm laughing my head off even as I write this!Godzilla Eats Las Vegas! was commissioned by the University of Nevada Las Vegas, Thomas G. Leslie, conductor, and received its premiere November 28th, 1996.The performers are encouraged to go crazy: wear showgirl costumes, Elvis costumes, act out scenes on stage, use video and lighting - anything to get a laugh.
Estimated dispatch 7-14 working days
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£84.99Matreshka (Concert Band - Score and Parts)
For more than a hundred years, the matreshka dolls have been a traditional trademark of Russia. The story behind these dolls is that many years ago, a little Russian girl, Olga, got lost in a forest. When her older sister finally found her, she said, ?Let me hold you.? Next, their mother also arrived, and said, ?Let me hold you both.? Subsequently, the grandmother joined them, and said, ?Let me hold you all.? As a result of this story, these popular ?nesting dolls? came into being. The work Matreshka consists of originally-composed themes. The first theme, reminiscent of a Russian hymn, is followed by another theme in a typically Russian style. A slow passage forms the transition to the final, energetic movement ? this Russian troika in two-four time starts slowly and ends very exuberantly. A great piece of Russian exuberance that will delight any audience. 04:17
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£67.95SMASH, The Music of (Intermediate Concert Band) - Scott, Jason
The music of SMASH is rich and colourful. From the brilliant songwriting team of Marc Shaiman and Scott Wittman, the television show chronicles the life and times of mega-star Marilyn Monroe during the creation of a Broadway musical based on her story, is the core of the hugely successful NBC musical drama. Titles from the first season include "Secondhand White Baby Grand," "Let's Be Bad," "Don't Forget Me," "The 20th Century Fox Mambo," and "Let Me Be Your Star." This stirring arrangement is sure to provide a "smashing" Broadway-style performance! Duration: 4:15
Estimated dispatch 7-14 working days
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£54.99
Step Aside Wind Band Set (Score & Parts)
Excuse me, may I play along? Could you step aside, please? 'Step Aside' is a pleasant competition both between two tempi and among the different parts. After a short, slow introduction it is the drummer who, without asking the questions above, sets the high pace. As soon as this rapid movement has been established, 'part 1' takes the lead, but the other parts obviously don't want to miss a thing and follow in rapid succession. At the end of the composition the various parts 'compete' in order to be able to play solo for a while, but soon others join in again, asking 'Excuse me, may I play along?' 02:15
Estimated dispatch 7-14 working days
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£127.30Funky Hedde - Torstein Aagaard-Nilsen
A good friend of mine, trombonist and professor Jesper Juul Windahl commissioned me a trombone quartet. I then wrote Four Nordic Folk Pops. The last of the four is a Norwegian tune called Havard Hedde in a funky version. Then I made a brass quintet version for Lofoten Brass Quintet for a their Australia tour. The trombonist in the quintet asked me for a brass band version to be used in an entertainment contest (SIDDIS Brass). Havard Hedde did not succeed in getting married, but I think this version wil make him dance again. Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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