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£50.50
The Band Picnic - Joseph Compello
This piece takes the audience on a musical journey and introduces the students to the term quodlibet, which refers to a piece of music that combines several different melodies in counterpoint. During this musical journey you will hear: A-Tisket A- Tasket, Rain Rain Go Away, The Muffin Man, Shortin' Bread, Shoo Fly Don't Bother Me and Mary Had a Little Lamb. These songs are familiar, but the arrangement by Joseph Compello is unique and enjoyable.
Estimated dispatch 7-14 working days
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£79.99A Sullivan Ballad - Arthur Sullivan
The Pirates of Penzance is perhaps Gilbert and Sullivan?s most popular operetta, and tells the story of Frederic, who was apprenticed to a band of tender-hearted, orphaned pirates. A Sullivan Ballad uses a hauntingly simple love duet, from the end of Act 2 ? Ah, leave me not to pine alone and desolate ? which is arranged here as a duet for flute and alto saxophone (or clarinet). Both performers and audience alike will love this beautiful duet.
Estimated dispatch 7-14 working days
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£94.99Prayer of St. Gregory
The sound of this arrangement of the well-known American song Make me a Channel of your Peace is remote, simple and above all exquisitely beautiful. It is a highly accessible piece that will gently capture the hearts of musicians and audience alike. The ideal piece for a restful interlude in your concert programme
Estimated dispatch 7-14 working days
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£89.991861 - Jonathan Newman
1861 is a lyric hymn/fantasia for young concert bands, based on the beautiful 19th century Anglican hymn Lead Me, Lord (written in 1861 by Charles Sebastian Wesley). The hymn itself features a gorgeous melodic line over biting harmonies and striking counterpoint, and provides the pillars for this work. First is a soloistic treatment, followed with a dramatic full band tutti, and finally a section of evocative humming. Throughout are unique textures and colorful improvisitory accompaniments.
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel
The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.
Estimated dispatch 7-14 working days
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£60.99Selections from All Shook Up
The music of Elvis Presley never grows old, but continues to find new fans with each generation. Thanks to this Broadway production, the King's music is in the forefront once again. Featuring fresh new settings and a driving pulsethroughout, this medley features the hits: Jailhouse Rock, All Shook Up, Love Me Tender, C'mon Everybody, and Can't Help Falling in Love.
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£195.00England's Pleasant Land (Concert Band - Score and Parts) - Williams, Vaughan - Horton, Peter
It is a rare privilege for me to be able to present a first publication of such a prominent musical giant in our history. I am grateful to The Vaughan Williams Charitable Trust, Oxford University Press and Dr. Peter Horton for their part in making this possible. Extensive program notes describe the foundation of this piece and are included with the score. - Paul Noble
Estimated dispatch 7-14 working days
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£95.00An American Tapestry (Concert Band) - Kallman, Daniel
An American Tapestry is a continuous medley of three American folk songs: the happy-go-lucky The Girl I Left Behind Me, the sombre and reflective He's Gone Away, and the foot-stompin' hoedown Ol' Dan Tucker. The setting was originally composed for chamber winds (11 players) and has been completely rescored by the composer in this edition for full wind ensemble. The contrasting tempi and sentiments of the tunes, enlivened with unique and colourful harmonies and instrumentation, contribute to make this appealing for wind players from high school to professional.Duration: 7:15
Estimated dispatch 7-14 working days
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£59.95Blue Jeans (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
In 2008 the trombonist, Chris Jeans, was invited to be a featured soloist at a British Trombone Society event. He contacted Stan Kitchen at Studio Music Company to see if he had any new material for trombone. Stan then got in touch with me, as I had already written a piece for another trombone player, Brett Baker. This piece, 'Shout' was programmed for the same event so we needed to find something new for Chris.The title 'Blue Jeans' came to my mind, thus linking a blues-style piece with the obvious reference to Chris's surname. I spoke to Chris and he liked the sound of it so then I had to go away and write a solo to match the title!I managed to get a version with piano accompaniment done in time for Chris to perform at the trombone event and have now had a chance to complete the band version. Chris is a great chap, a good friend and a wonderful trombone player so I hope people enjoy listening to this solo that bears his name.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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