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  • £79.00

    Hands Across The Sea

    Andrew Balent arranging John Philip Sousa is a winning combination in itself, and this popular march has been scaled down sensitively and carefully for the younger band. Inspired by the friendship between the United States and their allies overseas, Sousa composed this march after hearing the phrase, "A sudden thought strikes me; let us swear eternal friendship." The touching patriotism and bold happiness of this work will make your group shine.

    Estimated dispatch 12-14 working days
  • £93.10

    Impressions from a Journey (Concert Band - Score and Parts) - Stahli, Urs

    I'm in the mountains... in Switzerland - in the Valais - on the Riederalp. I'm enjoying the view of the surrounding mountain peaks on this late summer afternoon.A alphorn plays a melody. The echo comes back once, twice, no, three times from the mountain slopes! It's getting dark. The melody of the evening blessing from Humperdinck's Hansel and Gretel comes to mind. It is night.A new day begins! I make my way to Riederfurka, to Villa Cassel. There I am greeted by the sound of the orchestra. I enjoyed the music and my lunch. In the afternoon, the musicians invited me to a dance. As waltzing is not really my thing, I walk on to the Riederhorn. There I enjoy the wonderful view! I am happy!- Urs SthliDuration: 8.00

    Estimated dispatch 7-14 working days

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  • £140.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)

    Estimated dispatch 7-14 working days

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  • £225.00

    Five Orchestral Meditations (Concert Band - Score and Parts) - Rutter, John - Noble, Paul

    The Five Orchestral Meditations are all based on John Rutter's choral pieces, which he re-scored for orchestra, and on which these arrangements are based. They are offered as a suite, but the audio tracks have been separated to make it easier to hear each title. These lovely pieces will present a perfect exercise for band blending, balance, interpretation, intonation, and finesse, while offering your audience some of the typically gorgeous music for which John Rutter is so noted. They may be performed as a suite, or as independent pieces: 1. What Sweeter Music; 2. Blow, blow, thou winter wind; 3. Candlelight; 4. Lord, make me an instrument of thy peace; 5. The Lord bless you and keep you. John Rutter's compositions are in a class by themselves, and this adaptation is sure to find its way into the repertoire of outstanding bands around the world.

    Estimated dispatch 7-14 working days

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  • £48.95

    Glen Crossing (Concert Band - Score and Parts) - Stalter, Todd

    This delightful piece is the perfect opener for developing bands. Of the piece, the composer writes, "My dog loves to take walk with our son, and she is always very excited to experience anything and everything on their journeys together. Glen Crossing contains melodies that revealed themselves to me on my walks with Hershey, and hopefully it portrays the fun and joy that 'Hershey and her boy' have every day, rollicking through the neighbourhood."Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £79.99

    A Sullivan Ballad (Flute and Alto Saxophone (or Clarinet) Duet with Concert Band - Score and Parts) - Sullivan, Arthur - Sparke, Philip

    The Pirates of Penzance is perhaps Gilbert and Sullivan's most popular operetta, and tells the story of Frederic, who was apprenticed to a band of tender-hearted, orphaned pirates. A Sullivan Ballad uses a hauntingly simple love duet, from the end of Act 2, Ah, leave me not to pine alone and desolate, which is arranged here as a duet for flute and alto saxophone (or clarinet). Both performers and audience alike will love this beautiful duet.Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £86.50

    The Music of Disneyland (Concert Band - Score and Parts) - Brubaker, Jerry

    Jerry Brubaker has selected eight cherished themes that are experienced in every magical visit to Disneyland. Featuring many of the absolute classics that fill a day at the park. This medley is guaranteed to whisk you away to the Magical Kingdom.Titles:Zip-a-Dee-Doo-DahMickey Mouse MarchYo Ho (A Pirate's Life for Me)You Can Fly! You Can Fly! You Can Fly!The Great OutdoorsThe Best Time of Your LifeA Dream Is a Wish Your Heart MakesIt's a Small WorldDuration: 8:15

    Estimated dispatch 7-14 working days

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  • £89.99

    1861 (Concert Band) - Newman, Jonathan

    1861 is a lyric hymn/fantasia for young concert bands, based on the beautiful 19th century Anglican hymn "Lead Me, Lord" (written in 1861 by Charles Sebastian Wesley). The hymn itself features a gorgeous melodic line over biting harmonies and striking counterpoint, and provides the pillars for this work. First is a soloistic treatment, followed with a dramatic full band tutti, and finally a section of evocative humming. Throughout are unique textures and colourful improvisitory accompaniments.

    Estimated dispatch 7-14 working days
  • £94.95

    Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00

    Estimated dispatch 7-14 working days
  • £64.99

    OLIVER (Highlights) (Young Band) - Bart, Lionel - Ricketts, Ted

    Featuring some of the most tuneful and memorable melodies from Broadway, here is a sparkling medley from the musical hit Oliver! This well-paced setting for young bands includes: Consider Yourself, Food Glorious Food, As Long As He Needs Me, I'd Do Anything and Where Is Love?

    Estimated dispatch 7-14 working days