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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£66.95Mele Kalikimaka (Flexible Ensemble - Score and Parts) - Anderson, R. Alex - Esplo, Haakon
Finally, the Christmas carol Mele Kalikimaka is available for flexible ensemble in a fun and catchy arrangement.Mele Kalikimaka is well known, but perhaps not one of our most played Christmas carols. It has a Hawaiian theme and melodic effects and was written in 1949 by R. Alex Anderson. The title means Merry Christmas in Hawaiian. One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. It has been sung and recorded by many artists and used in several films.Flexible instrumentation (Flex 5 ShowBlow) makes it playable for small as well as larger ensembles.Duration: 2.15
Estimated dispatch 7-14 working days
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£79.99Troja (Troy) (Concert Band - Score and Parts) - Schwarz, Otto M.
The Greek poet Homer wrote about Troy and the Trojan War, which probably took place in what is now Asia Minor, in his Iliad in the 8th century B.C. Nowadays, the term Trojan generally refers to a malware program that is used to gain unauthorised access to computers. This use comes from the legendary Trojan Horse, which saw the turning point in the battle between Greeks and Trojans through the cunning of Odysseus. Let us return to the beginning of the story: Paris, son of the king of Troy, is tasked by Zeus with judging the beauty of the three goddesses Aphrodite, Pallas Athena, and Hera. Aphrodite, the goddess of love, flatters Paris by promising him the most beautiful woman in the world. Soon afterwards, on a journey to Greece, Paris meets the beautiful Helen, who immediately falls in love with him. Since however she is the wife of Spartan king Menelaus, she eventually lets herself be kidnapped by Paris voluntarily. The Greeks then form a large army and go to war against Troy to retrieve Helen, leading to a ten-year siege of the city. The city is eventually conquered not through combat, however, but through Odysseus' cunning ploy. He has the idea of building an enormous wooden horse with warriors hidden inside. The horse is placed at the gates of the city. Thus, the Trojans are tricked into giving up the siege when, despite various warnings, they bring the horse into the city to dedicate it to the goddess Athena. At night, the soldiers climb out of the horse and open the gate for the Greek army. The troops storm the city and burn it to the ground. The royal family and all the Trojan warriors are killed, only Aeneas, the son of Aphrodite, escapes. Later, following many years' wanderings he and his acolytes will become known as the founders of the Roman people. There are various accounts of the fate of the beautiful Helen. She is said to have returned to Sparta with Menelaus and to have ruled there until the end of her life. Or maybe not...Duration: 6.00
Estimated dispatch 7-14 working days
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£104.99The Flood (Concert Band - Score and Parts) - Ceunen, Filip
The Flood was commissioned by Music Society Maris Sonores from Biddinghuizen, the Netherlands, on the occasion of its 55th anniversary. In this colourful composition, the name of the society has been inventively woven into the music, Maris Sonores meaning sounds of the sea, by means of key clicks in the flutes and clarinets, wind effects in various brass and woodwind instruments along with timpani, as well as sound effects in the small percussion. In addition, the history of the town is also reflected musically. Many centuries ago, around the year 800, a hamlet by the name of Bidningahusum already existed; unfortunately, it fell victim to the water of the then Zuiderzee. Later, the catastrophic flood of 1170 dealt the final blow. In the 1960s, there was a call for pioneers to once more build a town carrying the name Biddinghuizen in the polder of Eastern Flevoland - and so it happened. This versatile work has been written in such a way that many bands will be able to play it. Each instrument group comes out well, so that The Flood will be a joy for players and listeners alike. Duration: 9.30
Estimated dispatch 7-14 working days
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£60.99D'Artagnan (Flexible Ensemble - Score and Parts) - Ceunen, Filip
D'Artagnan, a short work for flexible youth band is the follow-up to a previous piece from the same series, The Three Musketeers. It was commissioned by the 1-1-1 orchestra workshop in Wehr, Germany, where it premiered on 5th May 2019 at a play-in for young musicians. D'Artagnan describes the lively and whimsical personality of this young, fourth musketeer. It is a joy to play and listen to! Duration: 2.30
Estimated dispatch 7-14 working days
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£75.00God Rest You Merry, Gentlemen (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
God Rest You Merry, Gentlemen is an English traditional Christmas carol. It is one of the oldest extant carols, dated to the 16th century or earlier. There are contradictory interpretations of the meaning of the phrase rest you merry at the time it was written in this carol: the verb 'rest' in the sense to keep, cause to continue to remain is typical of 16th to 17th century language. The adjective 'merry' in Early Modern English had a wider sense of pleasant; bountiful, prosperous. Some interpretations have 'merry' meaning 'mighty'. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£29.95God So Loved the World (Concert Band - Score and Parts) - Stainer, John - Horner, Kevin
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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£5.95
God So Loved the World (Concert Band - Score Only) - Stainer, John - Horner, Kevin
The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.
Estimated dispatch 7-14 working days
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£53.95To Absent Friends (Concert Band - Score and Parts) - Teichler, R. Christopher
It is common to have a toast to absent friends at ceremonies or receptions. While not limited to military functions, it is in this context that the toast often seems the most special and appropriate. This heartfelt piece is a tribute to those who have served in the armed forces and are no longer with us.Duration: 3.30
Estimated dispatch 7-14 working days
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£60.50Academic Festival Overture Op.80 (Concert Band - Score and Parts) - Brahms, Johannes - Story, Michael
Although conceived as a comical academic musical representation by its renowned composer, this overture is lyrical and exciting. There are opportunities for your students to present sudden stylistic changes and tempo shifts which permit for both performance and teaching. It is still used in a variety of settings (even in its comedic intent) in films and on the more serious concert stage. This arrangement includes generous cuing to accommodate incomplete instrumentations. Classic, familiar and even humorous, it is a sure winner for your developing band.Duration: 3:45
Estimated dispatch 7-14 working days
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