Results
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£209.99La Terre - Rob Goorhuis
In the composition 'La terre' several aspects of Earth have been translated into sounds in an associative manner. The first part depicts Nature, Mother Earth, stability, the soil which is the source of life. Earth symbolizes tradition, rituals, fertility. In the music of the composition this can be heard in tonic and ostinato passages. Furthermore, human emotions such as gladness, sorrow, wonder, resignation, hope and despair, indissolubly connected as they are to mankind's life on earth, are musically reflected in sudden gusts of expression. Earth for us human beings is the solid ground on which everything in life takes place. In the second part different moodsare evoked in a sort of toccata. Now and then the music sounds fragmented, at other times as a solid whole. The robustness of the music in this part has its roots in the earth, originates from it. It reflects stability and strength, but love and nostalgia are also present in soft and fragile tones. 'La terre' is a musical narrative about Earth, in which music has been given ample room to show its many-sided beauty.
Estimated dispatch 7-14 working days
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£60.99
The Syncopated Band Parade - Jan de Haan
The Syncopated Band Parade was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a 'real band' after only a few lessons. Because of the four-part instrumentation, The Syncopated Band Parade is suitable for smaller strengths, taking into account that it is important to divide parts evenly among the players. Also includes an ad-lib keyboard/piano part to support the ensemble.
Estimated dispatch 7-14 working days
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£109.99
Arcadia - Hayato Hirose
For this work, the Japanese composer Hayato Hirose dug deep into his own imagination to fi nd the right inspiration. It is about a young boy who dreams about reaching paradise (Arcadia) and sets out on a journey to find it. This journey is long and treacherous, but despite the many challenges he faces, the boy finally does reach his Arcadia. The result is a very dramatic work that will take your audience on a breath-taking journey.
Estimated dispatch 7-14 working days
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£60.99
Cyclist in Moscow - Jan de Haan
Cyclist in Moscow was written to introduce beginner players to ensemble playing as early as possible. Thanks to the low grade of difficulty of this piece this it is possible to play in a 'real band' after only a few lessons. Because of the four-part instrumentation, Cyclist in Moscow is suitable for smaller strengths, taking into account that it is important to divide parts evenly among the players. Also includes an ad-lib keyboard/piano part to support the ensemble.
Estimated dispatch 7-14 working days
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£89.99Bolero For Band - Maurice Ravel
Initially commissioned by Ida Rubenstein as a ballet work initially, Maurice Ravel's BOLERO has become his most popular and often-performed orchestra composition, which was a surprise to the composer who described it as seventeen minutes of orchestra without any music. With a structure that is simplicity itself, BOLERO uses two alternating melodies in what Ravel described as a crescendo on commonplace melod[ies]. Mark Rogers' transcription of BOLERO is an entirely complete wind band version of the piece; omitting not a single note or exotic instrument, thereby transferring the brilliance of Ravel_x001A_s orchestral score to the symphonic wind band with as much fidelity to the original as possible. Ravel calls for a very large orchestra (triple woodwinds, saxophones, large brass section, harp, celesta and percussion). Consequently, this transcription of BOLERO contains a large amount of divisi writing. It goes without saying that this transcription will be most successfully performed by large symphonic wind band.
Estimated dispatch 7-14 working days
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£76.99S'vivon! - Laura Estes
This arrangement is a wonderful addition to the holiday repertoire. It has spirit and features a few twists and turns that make it unique. The percussion is featured, including the use of finger cymbals. Your winds will also enjoy the opportunity for rhythmic handclaps that really bring an element of fun to this piece!
Estimated dispatch 7-14 working days
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£57.50Forgotten Dreams - Leroy Anderson
FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed the piano solo himself. Although the main theme of FORGOTTEN DREAMS was intended to be played on the piano (and with simplicity), the composer_x001A_s band edition of the piece allowed for a solo flute to substitute (Play only in absence of Piano). It is also suggested the melody might be beautifully rendered on vibraphone due to the sustaining quality of that instrument. In any event, this charmingly romantic miniature will delight audiences whenever it is performed. This edition includes a full score.
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£64.90Hedwig's Theme - John Williams
Hedwig's Theme is the easily recognizable melody that musically binds together all of the Harry Potter films. Composer John Williams has used the tune as a leitmotif, setting it in different moods according to the situations in the movie, yet always reminding the listener of it's connection to the main characters of the film. The melody is intervalic, with many interesting dissonances.Normally, this would make the tune difficult for young players, but their familiarity with this particular melody gives them easier access to these dissonances and unusual intervals.
Estimated dispatch 7-14 working days
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