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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£94.99Angels from the Realms of Glory
The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes, in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the 'Gloria in excelsis Deo' refrain!
Estimated dispatch 7-14 working days
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£244.00Anemoia - Gauthier Dupertuis
Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.
Estimated dispatch 7-14 working days
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£158.50La banda de los guajiros - Sverre Indris Joner
Guajira is both a term for a song form, where most people will recognize the song "Guajira Guantanamera," but also a Cuban word for farmer or fieldworker, as there are many of in the eastern Oriente province of Cuba where this rhythm originated. "La Banda de los guajiros" translates directly to "The Guajira Band."It is composed for wind orchestra by Sverre Indris Joner, who already in 1985 traveled to Cuba to learn the secrets of Caribbean music. The rhythms used in this piece are thoroughly explained in the textbook "Latinmusikkens ABC," which is also published by Noteservice/Norsk Musikkforlag.The piece uses traditional elements from Cuban music such as Guajira, Son Montuno, and Danzn, all falling under the genre of salsa.It is recommended that both conductor and percussionists familiarize themselves with the execution of the different rhythm patterns. Instruments like congas and timbales particularly have a range of different rhythm patterns. The role of the guiro instrument cannot be underestimated. Despite its seemingly simple content, it is the glue that holds everything together!
Estimated dispatch 7-14 working days
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£139.00Me and Mrs. Jones - Kenneth Gamble
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Bubl's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Bubl has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 7-14 working days
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£126.50Beating Beats - Jan Van der Roost
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares!
Estimated dispatch 7-14 working days
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£115.60Lullaby for small goblins - Gudny Hagen
"Amalies Christmas" is a Norwegian TV series for children, produced by NRK in 1995, and broadcasted again in 19976, and in 2000.The program consisted of 24 episodes, and follows Amalie Wang (Anne Marie Ottesen) making preperations forChristmas in an old house where there lived goblins. The program was the first of many to follow, based on the author Gudny I. Hagens characters. The music is composed by Philip A. Kruse, and all episodes ended with the goblin family (HaraldHeide-Steen jr., Brit Elisabeth Haagensli og Pia Borgli) singing "Lullaby for small goblins".This arrangement for young concert band may be performed with different instrumental soloist or vocalist.Chords are included for piano/guitar. It isimportant to focus on the dynamics and the tempo. The soloist must be heard clearly and adding a choir in the refrains makes it even nicer. It is a melodic song that suits being performed in churches and rooms with ambience. The song is often usedaround Christmas time, but it is written as a small lullaby that can be played anytime.
Estimated dispatch 7-14 working days
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£53.50Four Pictures - Árpád Balázs
The teachers under whom rpd Balzs (b.1937) studied composition - Ferenc Farkas, Aram Khachaturian and Goffredo Petrassi - each independently formed the opinion that with his lyrical gift rpd Balzs's true creative field would be that of choral music and wind ensembles. Their early predictions are borne out by the roughly two hundred and fifty works for choir and almost twenty for wind orchestra that the composer has since produced. It is interesting that in the suite entitled Ngy kp (Four pictures) the stylistic features of these two related musical fields are united. In it the wind instruments sing! It was not by chance that the expansive second movement was given the title Cantilena, while the slightly livelier but just as lyrical third movement was entitled Arietta. The opening movement of the work is a stridently jolly, energetic Indul (March), but not one of the rigidly military kind: the 6/8 rhythm contributes to its light-hearted character. This music is avowedly akin to the ballet music of Prokofiev. This choice series of four character pieces is crowned by Jtk (Play) in which conveying the effect of the mixture of lines moving in parallel and then colliding with each other may be more technically demanding, but is well worth the effort! (Hungaroton HCD 31353)
Estimated dispatch 7-14 working days
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£101.50
Our Own Red, White and Blue - Henry Fillmore
This catchy little tune from march composer Henry Fillmore is one that you will be humming over and over again. Though one of his lesser known titles, it is unique for Fillmore marches as it is very playable compared to most of his barn burning marches and it does not contain the usual modulation or trio. This accessible march is sure to be a favorite for your band.
Estimated dispatch 7-14 working days
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£95.95
Mighty Mite - Ted Mesang
This classic Ted Mesang march has been a band staple for years. It is in classic march form, but is unique in that its first strain is in a minor key. It is perfect for contest/festival and now with this flexible scoring, it can be played by any band, anywhere.
Estimated dispatch 7-14 working days
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