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£127.30Knask for aspiranter - Suite in Three Movements - Idar Torskangerpoll
Candy for Beginners is a suite of three songs used by the composer with the youngest beginners throughout several years. The method is to sing the melodies before learning it on the instruments. Lyrics about candy has proven to be very popular among the youngsters.... In English it can goes like this: "Candy floss, candy floss, candy floss, candy floss, oh yeah". And: "Soda for me, give me soda for free". And: "Lefse, it is good, lefse, now you should, Lefse, give me one, lefse, sure is fun." The composer urges the band to find their own lyrics to the melodies, making it their own with a local twist. This is a good rhythmic exercise for the young players.
Estimated dispatch 7-14 working days
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£78.95
Power - Larry Clark
This is one of Harold Bennett's (pseudonym of Henry Fillmore) lesser-known marches, but that is no indication of its quality. It is a 6/8 march in standard march form but what is unique about this classic from the original Bennett Band Book is that it is one of the few Bennett marches that includes a "break strain." This makes it a great introduction for younger students to prepare them to play the more challenging marches of Fillmore, Sousa, and others.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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£106.95
To Be Found - Tyler Arcari
This beautiful piece by newcomer Tyler Arcari is based on a quote by Nelson Mandela - There is no passion to be found playing small - in settling for a life that is less than the one you are capable of living. It is heartfelt and will be a great piece to push the musicianship of your students. Though this piece is technically easy for this level, it is challenging in its sophistication and the depth of emotion and musicianship required to play it well.
Estimated dispatch 7-14 working days
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£129.99Ratatouille Satirique
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.
Estimated dispatch 7-14 working days
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£129.99Ratatouille Satirique - Traditional
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.
Estimated dispatch 7-14 working days
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£149.40Bekken (Fra Lyriske stykker opus 62) - Edvard Grieg
Brooklet is one of the movements from Grieg's Lyric Pieces for Solo Piano opus 62. Information for the conductor: Brooklet is an technically advanced work for solo piano. In this arrangement, technical passages are simplified by overlapping and doubling some of the parts. To master the technical challenges and make it sound effortless, it is important to pay close attention to balance and precision. Some of the parts also have alternative parts added which can lower the technical challenges a bit. The normal instrumentation are Clarinet 1-2-3, but there is also an "optional" part for Solo Clarinet. This is included on the same sheet as Clarinet 1. Both parts can stand alone or be played together. (i.e. The Solo Clarinet part can be played in addition to Clarinet 1, in whole or in part if desired, or it can replace Clarinet 1 entirely, using only Solo Clarinet and Clarinet 2 and 3.). From bar 5 to bar 13, there is a suggested solo for Solo Clarinet. If played by Solo Clarinet, please omit Clarinet 1, 2 & 3 for these bars.
Estimated dispatch 7-14 working days
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£84.50The Spirit of an Eagle - Larry Clark
This is one of Larry Clark's most successful and performed pieces. It is a standard overture with a glorious slower B section, and is already on the required music lists for many states (including Texas and Florida). Now it can be performed by a band with instrumentation problems in this new flexible scoring edition. As few as five players and percussion can perform a full-sounding version of this wonderful work. To prove it, we recorded an excerpted version of the piece where we did just that.
Estimated dispatch 7-14 working days
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£53.95
So Low - Bankston
If your beginning band needs a piece to help give the bass players more confidence while having fun, then this is the piece for you! This clever work for young band is based on a groove featuring low brass and woodwinds. It also includes a bass drum solo, hence the name So Low. Your students will love rehearsing this one and will hurry to the band room every day to play it. It will also be a real treat for parents as they watch their students have a blast performing this infectious, yet simple composition.
Estimated dispatch 7-14 working days
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£199.99Fanfare No. 1 - Wataru Hokoyama
Fanfare No. 1 (1995) In the summer of 1995 before his departure to the United States, a request from his high school band friends for a good concert opener sparked 19 year old Hokoyama to write his very first wind band composition.To capture the excitement of the rising curtain, the piece begins with magnificent brass ascending in 4th and 5th intervals. This is followed by the energetic entrance of the full ensemble like celebratory cannon fire. The following melody has many notes, yet is still simple. Do not overestimate it, just perform with driving momentum.In the slower middle section, utilize an instinctive vision of a scorching midsummer sun shimmering on the horizon. (Likely this shimmering sunset image was scored unconsciously, being composed in midsummer. A more applicable mood might be "Indian sunset". Perhaps this Indian style came from a capricious feeling of youthfulness.)The bright tempo and melody return for the last section. The climactic volley of musical display is like explosive fireworks as the last sounds echo throughout the concert hall.The composer wishes for performers to play from their hearts and not be limited by an analytic approach to the score-absolute accuracy is not required. Above all, the deepest pleasure for the composer is to know that teachers and students share the joy of music making with the intention of sharing it with others all over the world.With deepest gratitude, thank you for performing this work.
Estimated dispatch 7-14 working days
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