Results
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£54.99Start the Commotion
Current techno dance hit by The Wiseguys and used in the Mitsubishi TV commercial, this is a great arrangement for energizing any pop concert.
Estimated dispatch 7-14 working days
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£64.99Pearl Harbor Soundtrack Highlights - Hans Zimmer
Hans Zimmer has created a poignant and powerful score for the blockbuster movie Pearl Harbor. From the symphonic hymn-like themes to the tension building dramatic moments, this is an impressive work for band.
Estimated dispatch 7-14 working days
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£84.99
Melodia Blues - Peter Kleine Schaars
Melodia Blues, a swinging composition by PeterKleine Schaars begins with a robust intro. Fourbars follow, which can be repeated ad lib. toallow for an optional announcement (this is theso-called VAMP). The blues theme follows alongwith two written-out improvisations. These can beexpanded - depending on the resources withinyour band. After a richly scored reprise of thetheme, the sparkling final chords close the piece instyle. Bring a great jazz feel to any concert withthis fine new work.Grade 3
Estimated dispatch 7-14 working days
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£118.99Rhapsody for Euphonium - James Curnow
Beginning with a beautiful, modal soliloquy, the euphonium soloist establishes the molto espressivo style of the opening section of the composition. This is followed by an exciting scherzo which gives way to a brilliant finale. Nicely done!
Estimated dispatch 7-14 working days
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£57.50Meet The Flintstones - H. Curtin
Fred, Wilma, Barney, Dino and the whole gang are in the limelight again with a hit movie, once again featuring that infamous and catchy theme song. This is a chart you and your band can't be without.
Estimated dispatch 7-14 working days
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£72.99Celtic Ritual - John Higgins
MusicWorks Grade 3. Celtic Ritual captures the unique mix of joy and sadness in the Celtic culture, forged by a thousand years of fighting for freedom. John Higgins' dramatic work also depicts the legendary race of superhuman warriors who were also highly gifted in music and the arts. This is a piece your students need to experience!
Estimated dispatch 7-14 working days
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£53.50Build Me Up, Buttercup - Michael D'Abo
Originally a hit in the 60's, this is one of those rare tunes popular with all ages. Recently used in the hit movie, There's Something About Mary.
Estimated dispatch 7-14 working days
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£241.50
Symphony for Band - Vincent Persichetti
Appearing on state lists all across the country, this is one of the cornerstones of the literature for concert band.
Estimated dispatch 7-14 working days
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£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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