Results
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£90.30Lucifer - Alan Parsons
Ton van Grevenbroek wrote several arrangements of the very popular hits by the Alan Parsons Project, for wind band combined with a pop group (2 guitars and bass guitar) and piano. Just like 'Old and Wise' and several other songs, the Alan Parsons hit Silence and I became extremely popular all over the world. Of course, the vocal part could not fail. This arrangement will be a big success that will certainly appeal to young audiences.
Estimated dispatch 7-14 working days
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£116.40Alan Parsons Forever - Alan Parsons
Ton van Grevenbroek wrote several arrangements of the very popular hits by the Alan Parsons Project, for wind band combined with a pop group (2 guitars and bass guitar) and piano. Just like 'Old and Wise' and several other songs, the Alan Parsons hit Silence and I became extremely popular all over the world. This arrangement will be a big success that will certainly appeal to young audiences.
Estimated dispatch 7-14 working days
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£116.40Old and Wise zonder Rockband - Alan Parsons
Ton van Grevenbroek wrote several arrangements of the very popular hits by Alan Parsons Project for wind band combined with a pop group (guitar and bass guitar) and piano. Just like Silence And I and several other songs, the Alan Parsons hit Old And Wise became extremely popular all over the world. Of course, the vocal part could not fail. This arrangement will be a big success that will certainly appeal to young audiences.
Estimated dispatch 7-14 working days
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£116.40Festival of Spirituals - Patrick Millstone
This Gospel Festival includes a.o. Sometimes I feel like a motherless child and Oh Peter, go ring-a dem bells. A skilfully set up and varied medley which will please all audiences.
Estimated dispatch 7-14 working days
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£90.30Stevie Wonder Medley - Stevie Wonder
Here is a splendid arrangement of a selection of the most famous hits by this true artist: 'You are the sunshine of my life', 'Isn't she lovely', 'I just called', and the unforgettable 'Sir Duke'.
Estimated dispatch 7-14 working days
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£99.00The Big Splash - Dean Jones
Using three varying images from pursuits on the water, 'The Big Splash' has moments of excitement, soft melodies and crunching harmonies. Each section is given an opportunity to shine in this 3-part original work. Movement I entitled 'Launching' sets the scene of a speedboat accelerating into the water. 'Drifting' (mov. II) portrays images of the sunset over the water's edge and in the minor key there is a sense of thoughtfulness as well as tranquillity. The last movement has a grander feel to it. Titled 'Cruising' there are moments you can imagine a larger carrier chip setting sail as well as a sense of anticipation and excitement from those climbing aboard. Bon voyage!Also available for strings!
Estimated dispatch 7-14 working days
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£69.00Eternal Promise - Naoya Wada
Eternal Promise is a wedding march written in 2013. Naoya Wada wrote this march to commemorate the wedding of his friend Yuka and her bridegroom Junya, which took place on 22 November 2013 with their son. She was Wada's college classmate and made a special study of trumpet. The premiere was performed by classmates. The composer send them both his best wishes for their lives together: Junya and Yuka, I congratulate you from the bottom of my heart!
Estimated dispatch 7-14 working days
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£228.70Celebration for Band - John Brakstad
Many Norwegian bands have grown up around factories, but Norwegian factories are often located in the countrysides - by a fjord or lake, by a river or waterfall that provided power for the factory. The factory was the foundation for the existence of the community, but it was also essential for the community's cultural life, choirs, bands etc. (cp. British brass bands and mining). "Celebration for band" tries to give a picture of the environment and life around a band like this, with both factory noise and the natural world (Pastorale), as well as the challenges and development of the band itself. The composition is built up of five connected episodes: - Fanfare and Prologue (concludes with a feeling of the untamed power of the river) - Pastorale I: " At the river" - Intermezzo: " The Factory" (starts with the opening of water for the turbines: snare drum. Factory whistle and bell call to work, and the spinning and weaving machinery starts up.) - Pastorale II: " Summer evening on the fjord." - Finale: " Challenge and Progress"
Estimated dispatch 7-14 working days
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£149.40Tenn Lys - Eyvind Skeie
"Candles in Advent" is a beautiful melody with great lyrics. It was originally written for an Norwegian Advent TV-series in 1985.In this arrangement, the oboe has some solo passages (cue notes in flute). I Have tried to vary the instrumentation without going beyond the beautiful Christmas mood.The harmonization is simple and functional. Let the soloists "speak" with good phrasing and focus also on harmony in the unison melody lines. Good balance and intonation in the accompaniment can make the performance a little gem on the Christmas concert.- Reid Gilje -
Estimated dispatch 7-14 working days
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Dreams Unseen - Peter Meechan
A number of traumatic global events over the past year have tested humanity. The global pandemic, racism, human rights issues, the discovery of thousands of unmarked Canadian Indigenous children's graves and climate change are testing humans' willingness to listen, hope and seek change. This three-movement work is a journey through silence, resistance and hope.Dreams Unseen begs the question, "Are we listening?"As people around the world endure and cope with significant loss, isolation, uncertainty and fear, Dreams Unseen contemplates the journey through uncertain times and is fraught with the complexities of today. As we continue to endure loss and uncertainty, we must have faith in resilience, goodwill and hope for a brighter future.Jacquie Dawson, August 2021Note from the composerWhen composing Dreams Unseen I was faced with a variety of decisions and complexities. Initially commissioned with the idea of conveying joy and hope as we emerged, or hoped to emerge, from a pandemic, too much happened around us in the world - locally, globally, and personally - that made the initial goal of the piece something that didn't represent so much that I saw.This made the selection of texts particularly difficult.As time passed, the texts originally selected became less and less appropriate to what I wanted to say, and, as the unmarked graves of murdered Indigenous children were uncovered throughout Canada on a daily basis, I felt compelled to move away from joy and the promise of hope to instead write about listening, to put hope in a more fragile, truthful context, to be grateful for those who never gave up, those who stood up in the face of all that was happening - the scientists, the leaders, people we've never met, people we know. It felt that the only way I could say all that I wanted to say as a composer was to write my own words.The first movement, In Silence, I ask us not to just hear, but to listen. It is only once we understand the truth that we can truly begin the process of reconciliation. The second movement, In Resistance, is my amazement at those who stood up in these times of adversity - specifically the scientists who saved our lives and those who continue to fight for what it right in the face of a seemingly impossible situation. I continue to believe that, because of those people, love will win, and lyrically I wanted to pay homage to that; The Beatles "In My Life" and Dr. King's "I Have A Dream" speech are both referenced.The final movement, In Hope, also takes existing words as an inspiration. The Rodgers and Hammerstein song "You'll Never Walk Alone" has been a song so close to my heart throughout my life, in the good times and difficult times alike. None of these times have been more difficult than losing a friend during the pandemic. His fight with cancer was driven by hope. A wonderful musician and human, he would also turn to "You'll Never Walk Alone" - so I chose this final movement to pay homage to the song, to my dearly missed friend, and to the idea that hope - for a better future, for a win against an almost unstoppable disease, for those whose voice is so often not heard to be listened to, and that Dr. King's words will come true - is everything.Pete Meechan, August 2021With funds from:Desautels Faculty of Music at the University of Manitoba - Jacquie Dawson, Director of BandsUniversity of Kansas - Paul Popiel, Director of BandsAnd the following commissioning partners:Arizona State University - Jason Caslor, Director of BandsGeorgia State University - Robert Ambrose, Director of BandsMarietta College - Nils Landsberg, Director of BandsNew Mexico State University - Michael Mapp, Director of BandsOregon State University - Erik Leung, Director of BandsThe Desert Winds - Charles Maguire, Artistic DirectorUniversity of Colorado Boulder - Donald McKinney, Director of BandsUniversity of Missouri - Brian Silvey, Director of Bands, and Amy Knopps, Associate Director of BandsUniversity of North Florida - Erin Bodnar, Director of BandsUniversity of Texas - Jerry Junkin, Director of BandsUniversity of Toronto - Gillian Mackay, Director of Winds ConductingValdosta State University - Ben Harper, Director of BandsWright State University - Shelley Jagow, Director of Bands
Estimated dispatch 5-14 working days
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