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£279.99Van Gogh (Concert Band - Score and Parts) - Doss, Thomas
This composition is not a work inspired by the life of the famous painter, but rather an attempt at a pictorial immersion into his world. In addition to Van Gogh's character and tragic life, the technique he employed to create his works, the bright colours of his paintings and his view of nature served as inspiration for this musical work. Point by point, stroke by stroke, Van Gogh brought his own world to life on canvas.On the life of Van Gogh: The Dutch artist Vincent van Gogh was one of the most important pioneers of Modernism, despite being relatively unknown during his own lifetime. As an artist, he chose a life of poverty and seclusion. From today's perspective, his important woks were created from 1880 onwards, when he had already more or less succumbed to madness. While his earlier works could still be classed as contemporary, he matured into a pioneer of Expressionism with his later work indicating an increasing self-awareness. He was just 37 years old when he died but he created over 750 paintings and 1600 drawings in the last ten years of his life.The structure of the work:Start: Brushes and Paints: Van Gogh retired to Arles in southern France where he found his artistic home. The colours and flowering gardens of this landscape awakened in him an unbelievably great creative power.A: A Picture Comes into Being: Van Gogh's psychotic episodes and bouts of depression did not stop him from painting wonderful pictures. Hardly anyone recognised his genius during his lifetime, on the contrary, he often felt misunderstood.C: Paris - Arles: In Paris (from 1886), Van Gogh became inspired by the French art scene. His works found few takers, however. He met and befriended the painter Paul Gauguin, but the lack of success made Van Gogh short tempered, and he began to drink. Eventually, he moved from Paris to Arles in the south of France to establish an artists' collective with Gaugin. Within a few weeks, the two got into such a violent argument that Van Gogh attacked his friend with a knife. The friends parted ways and afterwards Van Gogh cut off his right ear. In 1889 he voluntarily admitted himself into a mental hospital at St. Remy, suffering from hallucinations and fearing that he would lose his mind.G: The Starry Night One of his most famous paintings, created in 1898.H: Death and Brotherly Love Vincent van Gogh accepted an invitation to Auver-sur-Oise in 1890. This was one of his most intensive creative periods. He also went there for treatment, but his mental state hardly improved. After an extended walk, he injured himself fatally with a pistol under mysterious circumstances. Not even to his beloved brother Theo, who had supported him all his life, did he reveal on his deathbed how the accident had occurred.J: Art Market Today, Van Gogh's paintings are among the most expensive paintings on the art market. How ironic, given that he could hardly sell a painting during his lifetime. "I put my heart and soul into my work and lost my mind in the process." (Vincent van Gogh)Duration: 13.15
Estimated dispatch 7-14 working days
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£122.20Stjernen og Rosa (The Star and a Rose) (Concert Band - Score and Parts) - Hannevik, John Philip
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist. After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style. An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics. Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the Latin text for Adeste Fideles: Stella duce, Magi, Christum adorantes. The Rose is of course from the lyrics in the chorale Lo, how a Rose.Duration: 10.30
Estimated dispatch 7-14 working days
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£141.99Concerto for Wind Ensemble (Concert Band - Score and Parts) - Husa, Karel
Commissioned by the Michigan State University Alumni Band, this three movement work by Pulitzer Prize-winning composer Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. Previously available only in rental, this important work is now available for sale.A note from the composer: Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the brass section "concertizes" in groups of four brass quintets (2 trumpets, horn, trombone and tuba or baritone), spread from left to right in back. The saxophones (S, A, T, B) are placed in front of the brass quintets, and the woodwinds occupy the front of the stage, with percussion on the left and right side. These groups, like the brass quintets, play in the concertante style, particularly in the first and last movements. At the same time, each movement contains individual solo passages (for example, timpani and flute in Movement I - "Drum Ceremony" and English horn and other low woodwinds in Movement II - "Elegy"). The composition of this piece was prompted by the excellence of wind and percussion players today, and by the incredible growth of wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.Duration: 23:00
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan
This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45
Estimated dispatch 7-14 working days
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£125.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!
In stock: Estimated delivery 1-3 days
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£75.20Temperamental (Concert Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£154.60Har du fyr? - Ola Bremnes
This arrangement was made for The Suoni Wind Orchestra of Skien, Norway, and performed for the first time at their Promenade Concert "At Sea" at the Ibsen Culture Center, March 8th 2014, being the final number of the concert. Participating this concert was also the Choir Canto Libre and the two vocal soloists were Eli Kristin Hansveen and Andreas Hoff. Since that time this arrangement has been used also at other concerts involving choir and soloists. It is important that tempo is not too slow and one has to be thorough with details in the percussion parts. I have tried to paint a musical picture of the sea, as an eternal power, shifting from the quiet and lazy to thepowerful and majestic with crushing waves and stormy winds, as Ola Bremnes describes it in his fantastic lyrics. - yvind Strand - Solo Options: Vocal Soprano Sax Alto Sax Tenor Sax Trumpet Flugelhorn Euphonium (TC/BC)
Estimated dispatch 7-14 working days
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£74.99Oh, What Fun! - James Swearingen
Sit back, relax and enjoy the celebration of the Christmas season with this joyous setting of many of your holiday favorites. Written in the style of a traditional march, this clever arrangement features popular tunes such as "Jingle Bells," "I Heard The Bells On Christmas Day," and other seasonal works. Create your own in-house parade for the children in the audience or simply use this selection as a way to welcome a special visitor from the North Pole. Merry Christmas and happy holidays!
Estimated dispatch 7-14 working days
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£164.99Three Washington Statues - Philip Sparke
Three Washington Statues was commissioned by the United States Army Band "Pershings Own", led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the world's most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: 'The Lincoln Memorial' in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; 'The Martin Luther King, Jr. Memorial' on which steps the iconic speech 'I havea dream' was given - the music is both reverential as well as powerful referring to Martin Luther Kings' speech; and the 'Encore' statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtons' music.
Estimated dispatch 7-14 working days
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£83.50West Highlands Sojourn - Robert Sheldon
Inspired by this popular composer's journey through the western hill country of England and Wales, this delightful piece borrows from folk melodies he heard on a river near the Scottish border. The three contrasting sections of the piece make it equally suitable for concert or contest use and Sheldon's artful scoring makes this one of the nicest pieces we have heard. Splendid Music!I. Stow-On-the-WoldII. Bradford BalladeIII. On Derwentwater
Estimated dispatch 7-14 working days
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