Results
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£115.60Home for Christmas - Maria Mena
Here's an easy arrangement of this popular Christmas song composed by Maria Mena and Martin Sjlie.I have tried to spread the melody to several groups throughout the arrangement. The melody has to be played rhythmically, but also with flow and legato style.Please strive for best possible intonation and balance where the melody is played by several players.At bar 13, clarinets and horns plays a little counter theme. Please strive for best possible intonation and balance also on this.The quarter notes played by saxophones, horn and trombones at bar 18 have both a harmonic and rhythmic function.The arrangement ends quite and calm, like a peaceful Christmas day.- Reid Gilje -
Estimated dispatch 7-14 working days
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£60.99Magic Sevens - Richard L. Saucedo
Not only is this an effective learning piece for teaching 7/8, Magic Sevens is a great-sounding concert piece with engaging melodies, rhythmic drive, and built-in variety. The consistency in how the rhytmic figures are treated makes this sound harder than it really is. Dur: ca. 2:00
Estimated dispatch 7-14 working days
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£53.50Red Comet - Michael Oare
Composed using a single fast tempo throughout, this dynamic work for 2nd year players is filled with imagery and intensity beyond what you normally find at this easy level. Whether the approaching red comet is a warning of impending doom, or simply an exciting flash in the sky is left to your own imagination! Dur: 1:45
Estimated dispatch 7-14 working days
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£72.99Sunlight Dancing - Robert Buckley
Sunlight Dancing was inspired by a walk through a forest on a bright summer day - the sunlight was flickering between the leaves and it seemed like the whole forest was dancing. This is a celebratory work expressing positive energy and optimism - designed to lift people's spirits. From the joyful opening to the beautifully reflective lyric section to the final exhilarating flourish, this piece is full of tuneful melodies, driving percussion and dynamic contrasts. An exciting concert opener or festival piece that showcases all sections of the band. Dur: ca. 6:00
Estimated dispatch 7-14 working days
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£53.50Epic Journey - Robert Buckley
Epic Journey takes us on a heroic, cinematic odyssey using a sudden shift in dynamics and an unexpected key change to create drama and excitement. With a sophistication beyond what you'd expect at this grade level, everyone in the ensemble gets a chance to star in this exciting mini-movie score. Dur: 2:30
Estimated dispatch 7-14 working days
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£87.99General Sherman - Marc Jeanbourquin
General Sherman is a giant sequoia situated in the Sequoia National Park, in California. The naturalist James Wolverton named it in homage to the famous American general William Tecumseh Sherman. The impressive character of this sequoia inspired the composer, but the introduction could also evoke General Sherman arriving in the distance. Marc Jeanbourquin imagined how this giant could be in all its grandeur, attempting to climb into the foliage to find the light that filters from the top. But energetic passages indicate that the presence of the general is never far. The work concludes with a reminiscence of the initial theme, full of mystery.
Estimated dispatch 7-14 working days
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£67.50Christus factus est - Anton Bruckner
Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe fr den Grndonnerstag from 1844 and a motet for eight-voice mixed choir, three trombones and string instruments ad libitum from 1873, this was Bruckner's third setting of the Latin gradual (Gregorian chant) of the same name. Wagner's influence can be clearly heard.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£75.99Colors of Unity - Thomas Doss
Located in the heart of Europe, this Euroregion unites the three provinces of Tyrol, South Tyrol and Trentino into a prosperous and successful union. People, points of view, interests and opportunities are to be joined together here in a harmonious future. For this part of Europe, our fanfare will be a signal that can be heard from far and wide.
Estimated dispatch 7-14 working days
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£66.00Festmusik der Stadt Wien - Richard Strauss
Richard Strauss' Wiener Fanfare, the shorter version ofFestmusik der Stadt Wien - a piece originally written for ten trumpets, seven trombones, two tubas, and timpani - was the basis ofthis arrangement for concert band by Franco Cesarini. Strauss completed the "Festmusik" on 14 January 1943 after having previously received the "Beethoven Prize" in 1942. He dedicated the piece to the City Council of Vienna as a sign of his gratitude. Strauss conducted the premiere of this work in the Festival Hall of Vienna City Town Hallon 9th April 1943.An arrangement that highlights the characteristics of Franco Cesarini's writing.
Estimated dispatch 7-14 working days
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