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£144.99
Whispering Wind - Maxime Aulio
"Don't listen to anyone's advice, but listen to the lessons of the wind passing and telling the history of the world." Claude Debussy Since the dawn of time, the wind has played an important role in all civilisations. Worshipped as a deity, "mastermind" of poetry, driving force, or heaven's messenger, the wind took on the most varied shapes according to the era and people. In Claude Debussy's time, music listened to the voice of nature, and imagination found its primary rights again. This importance of wind was the inspiration for Maxime Aulio's work Whispering Wind with its suspended atmospheres, vaporous lines and luminous colours. The wind caresses the canvas. A fascinatingnew work for concert band.
Estimated dispatch 7-14 working days
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£69.00
UNO-Marsch - Robert Stolz
In the 1960's, Austrian composer Robert Stolz (1880-1975) wrote the "UNO-Marsch" op. 1275, the United Nations March. He was inspired and motivated by his friend Ralph Bunche, a U.S. diplomat and civil rights activist. Even as an adolescent, African-American Bunche was concerned with race issues and repression. With time he acquired high political status and was a mediator for the United Nations during several global crises. In 1950, he was the first Black person to be awarded the Nobel Peace Prize. The two friends Ralph Bunche and Robert Stolz (who had left his homeland in the National Socialism era) felt strongly connected by their revulsion of racial segregation and by their wish for humanity's peaceful coexistance."UNO-Marsch" honors the important work of the United Nations and is a musical tribute to the larger goal of peace. The composition gained particular European popularity when the Vienna Philharmonic Orchestra and conductor Mariss Jansons opened their famous New Year's concert in 2016 with "UNO-Marsch".
Estimated dispatch 7-14 working days
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£67.50
Mechanical Mice - Graydon A. Toms
EEEEEEEK! It's a whimsical excursion into the realm of the mechanical mice! It's a rodent round-up! It's a veritable vortex of vagabond voles! Are we to be vexed by vociferous vermin? Let's find out while we have some fun!Your young band will love playing this one, as well as using their instruments in a creative but non-standard way. The effect of the little clicking critters can be quite amazing. Whoa! Here comes the CAT! Beware, though, because you know your band will want to play it again and again.Graydon Toms has composed some great music for young bands in the past, and this new one is sure to please the entire audience as well as the musicians. You've found a greatnew tune for your young band! CongRATulations!
Estimated dispatch 7-14 working days
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£104.99Intermezzo - Franz Schmidt
The Intermezzo from the Romantic opera Notre Dame, based on Victor Hugo's novel The Hunchback of Notre Dame, is in fact Franz Schmidt's best-known work. The charm of this lovely composition lies in its Hungarian and Romantic influences. Wil van der Beek's sensitive arrangement does justice to this great work, putting Franz Schmidt's masterpiece back in the spotlight once more!
Estimated dispatch 7-14 working days
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£65.00Popov's Parade - Duncan Stubbs
Combining references to 20th-century Russian music with slapstick humour, 'Popov's Parade' is a humble tribute to a great international artist, Oleg Popov, one of the world's best-known clowns. The quote from Schubert's March Militaire parodies Stravinsky's use of this same fragment in his own Circus Polka. Suitable for intermediate level (Grade 3/4) Symphonic Wind Band.
Estimated dispatch 7-14 working days
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£50.50
Santa Stomp! - Grice
Get ready to clap your hands and stomp your feet! Santa Stomp is a fun novelty selection that is perfect for your young band's first Christmas concert. Rob Grice's very accessible work makes it easy for young bands to sound great by Christmas. With the stomp and clap effects, it's sure to leave a smile on everyone's faces. Don't miss out on this one!
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£183.20Danser fra "Kosakkene" - Catharius Elling
The Opera "The Cossacs" by Catharinus Elling is based on the Nikolai Gogol novel about Taras Bulba."The Cossacs" was premiered in 1897 at Eldorado in Kristiania (the old name on Norway's capitol Oslo). Despite positive response in the papers of that time, the opera was newer performed again in it's entirely. The Norwegian Broadcasting Corporation have an abbreviated recording in it's archives, but no complete performance is known to date.The Norwegian National Opera Orchestra recorded both the overture and the dances in 2021, conducted by Ingar Bergby. Thet are both a part of the CD "Norwegian Opera Overtures".This arrangement is not commissioned by anyone, but rather written to better the availability of quality Norwegian orchestral music arranged for Concert Band.This edition is a good opportunity to be more familiar with Norwegian heritage of orchestral music.
Estimated dispatch 7-14 working days
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£248.99
Odysseia - Maxime Aulio
Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones wherethey sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giantmade handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop's single eye, completely blinding him. They escaped by clinging to the belliesof some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes' island, they arrived at the home of Aeolus, ruler of the winds.Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escapedand stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party butCirce turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail tothe realm of the dead to speak with the spirit of the seer Tiresias. One day's sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He thengot to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He becamefrightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, thenhe should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and hissurviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe's counsel on to his men. Once he had fallen asleep, his men impiouslykilled and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on theisland of the nymph Calypso.
Estimated dispatch 7-14 working days
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£59.80
Die Lustigen Dorfschmiede - Julius Fucik
Reading the title of this piece, namely "The Happy Village Smiths" it rather suggests a character piece than a zestful march. However, the saying "Don't let yourself be fooled" also applies in this instance, as "The Happy Village Smiths" belong to Fuc k's most popular marches. In an article that appeared in a Styrian local paper in the 1930s, Christine Fuc k speaks about common vacations with her husband in Gleisdorf. On the occasion of a walk in the vicinity of that city the couple came past a blacksmith's shop. The rhythm of the two blacksmiths hammering away on the anvil allegedly inspired Fuc k to compose this piece. Since the march goes back to the year 1908, and Christine and Fuc k's friendship started - not without frictions - only one year before that date, there are doubts concerning the validity of the story, although this report constitutes the only reference on the birth of this march.
Estimated dispatch 7-14 working days
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