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£84.50
Glacier Canyon - Mike Forbes
Glacier Canyon is not specifically programmatic, but the piece has programmatic elements.?The work begins with the idea of walking up to and peering into a vast glacial canyon. It?then picks up steam as one imagines white-water rafting through the turbulent waters of the canyon below.?The folkloric middle section of the work evokes a sense of American natural beauty before one last romp through the rapids. A perfect selection to show off the musical skills of your young band at a festival.
Estimated dispatch 7-14 working days
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£104.99Little Rhapsody - AndrĂ© Waignein
Little Rhapsody is a contrasting triptych for solo trumpet and concertband. The warm and gentle introduction develops a lively theme andthe accompaniment is kept light to best underline the soloist's flexibilityand technique. The second movement is more romantic and reveals aserene and flowing melody. The third and last movement elaboratesupon several joyful rhythmic patterns which give the composition atouch of freshness and elegance. Let your trumpet soloist shine withthis first-class item.
Estimated dispatch 7-14 working days
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£122.50
Western Graffiti
Western Graffiti is a revue of five famous western melodies and features The Comancheros from the John Wayne film by the same name, Wandrin' Star, the massive hit from Lee Marvin's musical Paint Your Wagon, the legendary theme song from Bonanza, as well as My Rifle, My Pony and Me from Rio Bravo, featuring Dean Martin and Ricky Nelson, and last, but not least, High Noon, from the all-time movie classic of the same name!
Estimated dispatch 7-14 working days
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£74.99Prelude, Op. 3, No. 2 - Sergei Rachmaninov
At last, a full-length transcription of the famous Rachmaninoff prelude that captures all of its dark, gloomy drama and at the same time makes for a dazzling showpiece for the modern concert band.
Estimated dispatch 7-14 working days
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£107.50Brazil : Ceremony, Song and Samba - Robert W. Smith
At long last, Robert W. Smith continues his musical journey that began in western Africa years ago and now takes us to Brazil. Based upon authentic Afro-Brazilian percussion grooves, "Brazil: Ceremony, Song and Samba" is comprised of three musical sections illustrating the impact of the African experience on music of this part of the world. Beginning in northern Brazil with the Ceremony, the piece transitions to Rio di Janiero and the smooth sounds of the bossa nova that has become so popular throughout the world. The piece concludes with the exciting sounds of Carnaval and the Samba Schools that fill the streets during the annual celebration. Exciting, musically rewarding and extremely effective in any concert setting!
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£159.99Slavia - Jan Van der Roost
Jan Van der Roost originally composed each and every note of 'Slavia' (as in case in 'Puszta', 'Rikudim' and 'A Highland Rhapsody'). Consequently, 'Slavia' does not contain any arrangement of existing tunes, but is an original composition 'in the style of...'. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second movement in a fast and fiery tempo. The tempi increase, gradually culminating in an exciting final climax, making this 'Slavonic Rhapsody' a spell-binding experience to the very last note.
Estimated dispatch 7-14 working days
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£94.99Czardas (Xylophone solo) - Monti
Vittorio Monti was born on January 6, 1868 in Naples (Italy). His musical education (violin and composition), he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years, Monti died in 1922, he devoted himself to teaching and composing. His famous "Czardas" has made his name known even today. Initially the czardas was a Hungarian folk dance , but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction, the Lassan (slow and sad), and then the fast part, Friska, follows. Czardas is not, as somany people think typical gypsy music.
Estimated dispatch 7-14 working days
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£69.99Cowboy Suite - Alan Laken
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West, the domain of cowboys, indians, trappers and other fortune hunters. Around 1890 the west coast of America was reached, which in effect meant the end of the Wild West. Its stories, however, survived and have been a source of inspiration for many books, films, and, of course, music. Some characters, such as Jesse James, Billy the Kid, and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools, among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars, fiddles, and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part, the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up, i.e. driven together, spectacular things happen.
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 7-14 working days
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