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  • £264.99

    Diferencias on an Old Spanish Song - Yasuhide Ito

    I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)

    Estimated dispatch 7-14 working days

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  • £53.50

    Palladio - Karl Jenkins

    Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the 'diamond commercial' theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups.score and parts - 4 Flute I, 4 Flute II, 2 Oboe, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Bb Bass Clarinet, 2 Bassoon, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 2 F Horn I, 2 F Horn II, 3 Bb Trumpet I, 3 Bb Trumpet II, 3 Bb Trumpet III, , 3 Trombone I,3 Trombone II, 2 Baritone B.C., 2 Baritone T.C., 4 Tuba, I String Bass, I Timpani, 2 Percussion I, 2 Percussion II - wind/concert band

    Estimated dispatch 7-14 working days
  • £37.50

    Sentimentale - Satoshi Yagisawa

    Premiered by Funabashi Hiagshi High School under the direction of Shinichiro Tagawa in March, 2015, Sentimentale is an excerpt from Yagisawa's Trumpet Concerto. That work, commissioned by the Japan Air Self-Defense Force Central Band with trumpet soloist Kenichi Kurishu, premiered in 2003 with many subsequent performances. In 2013, the Concerto had its U.S. debut with Kagoshima Joho HS and Robert Sullivan, principal trumpet of the Cincinnati Symphony. I received many warm regards and compliments on the work, especially for the second movement. However, I also heard regrets that the interlude required a trumpet soloist. I remembered the words of Mr. Tagawa, who had collaborated with me on works such as"And Then the Ocean Glows" and"Hymn to the Infinite Sky". Ten years earlier he suggested that I arrange that movement for full band so that it could be more widely enjoyed. Though I agreed then, only now have I had the chance to realize this idea, as Mr. Tagawa presented me with the opportunity of this musical creation and world premier.This new arrangement was entitled "Sentimentale" by Mr. Tagawa. I composed the piece with his constant consultation, discussing grade level and instrumentation, and how the work should be a chorale etude for both concert and daily training. I would like to express my sincere gratitude to both Mr. Tagawa and Funabashi Higashi High School.(Satoshi Yagisawa)

    Estimated dispatch 7-14 working days

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  • £118.99

    Goodnight Moon - Eric Whitacre

    Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time those fragments began toblossom into a simple, sweet lullaby. I knew it was a long shot, but I asked my manager, Claire Long, to contact HarperCollins and see if they would allow the text to be set to music. To my surprise and delight they agreed - thefirst time they had ever allowed Goodnight Moon to be used in such a way. I composed the piece relatively quickly, originally setting the text for harp, string orchestra, and my son's mother, soprano Hila Plitmann. I laterarranged Goodnight Moon for SATB choir and piano. More recently, my dear friend Verena Msenbichler-Bryant arranged the piece for wind ensemble and soloist. The melody of Goodnight Moon will forever make me think of those quietnights, reading my son to sleep. -Eric Whitacre

    Estimated dispatch 7-14 working days
  • £164.99

    Trumpet Concerto - Satoshi Yagisawa

    Commissioned by Japan's Central Air Self Defense Force BandWhen I received this commission, I thought of a regular piece for wind band, but as my preparations continued I heard so much about the band's outstanding trumpeter Kenichi Kurisu that I ended up writing a concerto for him. The Self Defense Force audience includes those without much chance to otherwise hear live music. With that in mind I realized I also had the challenge of creating a melody that was compelling.Using the classical sonata as a model I made this song with simple movements and included a signature chorus in the middle section. Although this piece is performed with band, a version for piano accompaniment was created by pianist Orimo Manabu for the 20th Anniversary of "The Trumpet Concert."This edition of Trumpet Concerto was offered for an American Premier at the 2013 Midwest International Band and Orchestra Clinic, Robert Sullivan soloist with the Kagoshima Joho High School Wind Orchestra.(Satoshi Yagisawa)

    Estimated dispatch 7-14 working days

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  • £109.50

    Three London Sketches - David Campo

    London is one of my favorite cities in the world, and in 2016 I was invited there to serve as an adjudicator for the London New Year's Day Parade and Gala Concerts. While I was there, I was fortunate to meet and spend time with The Lord Mayor of Westminster Councillor Steve Summers. While his title sounds formidable and intimidating, I found Steve to one of the nicest, most easygoing people I've ever met. And boy, does he love London! He was fond of saying that he had "the best job in the greatest city in the world." He spoke passionately about London and his favorite places in the city, and his enthusiasm was contagious. Some of his favorite places became some of my favorite places, and the inspiration for this piece. I hope that this work not only conveys the beauty and history of these iconic places, but Steve's deep and abiding love for them as well. I. Tower Bridge - The Tower Bridge was built over 120 years ago to ease road traffic while maintaining river access to the busy Pool of London docks. Its giant moveable roadways lift up for passing ships, making it a true engineering marvel. It is also one of the most iconic sites in London, and was used to display the Olympic Rings during the 2012 Olympics. II. St. Paul's (The Whispering Gallery) - The history of St. Paul's Cathedral goes back well over a thousand years, but construction on the current St. Paul's began in 1669 after a fire destroyed the earlier structure. The dome of St. Paul's Cathedral is a whispering gallery; you can whisper against the wall on the inside of the dome and it can be clearly heard on the other side of the dome over 100 ft. away. Imagine the secrets that have passed there... III. Trafalgar Square - The name commemorates the 1805 naval Battle of Trafalgar and is marked by Nelson's Column, a monument to Admiral Horatio Nelson, the hero of the Battle of Trafalgar. It is the heart of London; full of life and constant energy and home to iconic buildings including the National Gallery, St. Martin-in-the-Fields, Canada House and South Africa House. Londoners say that all roads in London lead to Trafalgar Square.

    Estimated dispatch 7-14 working days
  • £164.99

    Early Hungarian Dances - Ferenc Farkas

    The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

    Estimated dispatch 7-14 working days
  • £129.99

    Primavera - Beautiful Mountain Winds - Satoshi Yagisawa

    Primavera was commissioned for the 40th Anniversary of Kofu Community Band and premiered in spring of 2008. The commissioning request was that the work would reflect both the beautiful nature of Yamanashi Prefecture and bonds the band shared through four decades of history.I always visit rehearsals and meet band members when accepting a commission so that the piece will be relevant and meaningful to the band. When I visited Kofu Community Band they were rehearsing one of my works, Hymn to the Sun - With the Beat of Mother Earth, and the members played with such emotion from bottom of their hearts that I was deeply moved. I shared a story of the work's inspiration, and some started to cry. I was impressed with how sincere and bright those performers in Kofu Community Band were. Mr. Fujio Ando, associate leader of the band, with a big smile told me that he wished their new work would be widely enjoyed and appreciated by many music lovers.(Satoshi Yagisawa)

    Estimated dispatch 7-14 working days

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  • £78.20

    Cloud(iu)s ... der Wolkenmann - Thiemo Kraas

    4 Miniatures for Winds: 1. Wind 2. Storm 3. Rain 4. Sun and Snow There was a little child who enthusiastically told a story ... and a composer who was equally inspired by the child and its story to write these miniatures. At the premier performance of my composition "Arcus" in March 2011, when I explained how a piece about the rainbow came into being, a little girl came up to me and asked: "Thiemo, what about the man in the clouds?" I obviously had forgotten to include him, though he is as the little girl informed me of extreme importance in the sky: "He sits in the clouds and is responsible for the weather. He shakes rain, wind, storm or snow out of the clouds, he pushes them aside to let the sunshine through or he models them into funny figures, making people on earth smile." Fascinated by the girl's ingenuous ideas I created this small composition, sitting in my study and letting my mind wander into the sky. As the man in the clouds naturally has to have a name, I decided to call him "Cloud(iu)s ... man in the clouds". I dedicate this piece to the children of my beginner's band, who show me again and again how wonderful and precious it is to delight in the small things in life ...

    Estimated dispatch 7-14 working days
  • £174.99

    Two Symphonic Interludes - Harrie Janssen

    Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.

    Estimated dispatch 7-14 working days

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