Results
-
£8.50Concert Favorites Vol.1 E flat Baritone Saxophone
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£8.50Concert Favorites Vol.1 F Horn
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£8.50Concert Favorites Vol.1 Flute
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£8.50Concert Favorites Vol.1 Oboe
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£8.50Concert Favorites Vol.1 Trombone BC
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£8.50Concert Favorites Vol.1 Tuba
For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£149.99Concert Favorites Vol.1 Value Set - Sweeney, Michael
Score & 17 parts) For beginning concert band, but playable with just: Flute or Oboe; Clarinet; Alto Sax; Tenor Sax; Trumpet; F Horn; Bass line (Bassoon/Alto Clarinet/Bass Clarinet/Baritone Sax/Trombone/Baritone BC/Baritone TC or Tuba); Percussion & Keyboard Percussion. Includes: When the Saints Go Marching In; Let's Rock; Majestic March; Power Rock, Farandole; Jus' Plain Blues; My Heart Will Go On; Rainbow Connection; Supercalifragilisticexpialidocious; Do-Re-Mi; Drums of Corona; Laredo (Concert March); Pomp and Circumstance; Stratford March.
Estimated dispatch 7-14 working days
-
£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
-
£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
-
£102.80Troja (Troy) (Concert Band - Score and Parts) - Schwarz, Otto M.
The Greek poet Homer wrote about Troy and the Trojan War, which probably took place in what is now Asia Minor, in his Iliad in the 8th century B.C. Nowadays, the term Trojan generally refers to a malware program that is used to gain unauthorised access to computers. This use comes from the legendary Trojan Horse, which saw the turning point in the battle between Greeks and Trojans through the cunning of Odysseus. Let us return to the beginning of the story: Paris, son of the king of Troy, is tasked by Zeus with judging the beauty of the three goddesses Aphrodite, Pallas Athena, and Hera. Aphrodite, the goddess of love, flatters Paris by promising him the most beautiful woman in the world. Soon afterwards, on a journey to Greece, Paris meets the beautiful Helen, who immediately falls in love with him. Since however she is the wife of Spartan king Menelaus, she eventually lets herself be kidnapped by Paris voluntarily. The Greeks then form a large army and go to war against Troy to retrieve Helen, leading to a ten-year siege of the city. The city is eventually conquered not through combat, however, but through Odysseus' cunning ploy. He has the idea of building an enormous wooden horse with warriors hidden inside. The horse is placed at the gates of the city. Thus, the Trojans are tricked into giving up the siege when, despite various warnings, they bring the horse into the city to dedicate it to the goddess Athena. At night, the soldiers climb out of the horse and open the gate for the Greek army. The troops storm the city and burn it to the ground. The royal family and all the Trojan warriors are killed, only Aeneas, the son of Aphrodite, escapes. Later, following many years' wanderings he and his acolytes will become known as the founders of the Roman people. There are various accounts of the fate of the beautiful Helen. She is said to have returned to Sparta with Menelaus and to have ruled there until the end of her life. Or maybe not...Duration: 6.00
Estimated dispatch 7-14 working days
View Music