Results
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£67.95Ever Forward, Ever Onward - Amy Webb
Ever Forward, Ever Onward is a wonderful piece written in concert B-flat and only uses notes within the scale. The clarinets do not go over the break. If students have been playing for at least a semester, this piece will be just challenging enough to make them want to work, but not so hard that they give up. The lines are interesting, too, no matter what instrument you can play. Students will love to play this and I hope you have fun. 1st trumpet's highest note is A.
Estimated dispatch 7-14 working days
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£149.40Josefs Julevise - Halvdan Sivertsen
Halvdan Sivertsen (born 1950) is one of the most popular singer/ songwriters in Norway. He is well know as a first-class storyteller, and he has a strong melodic line in all his music. This Christmas song was first recorded in 1991 and it has become a Norwegian classic. The lyrics tell the story of a couple travelling through time to find a city with bright lights, where they hear people sing about the couple who are about to have their first baby. But still this couple can not find anybody willing to help them, and they are forced to go back 2000 years, to find the stable where they find some shelter. Maybe they should have travelled further ahead in time in the firstplace, to find people willing to open their door to the poor and needing?
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£71.50Zombies Knocking On Your Door - John Prescott
Imagine that you are being pursued by a horde of Zombies, the living dead, who have decided to make you one of them. You run inside your house and lock the door, but they come knocking. You tell them to go away, but they just knock louder and as time goes on their knocking grows more and more insistent. How will it end? Listen to this scary piece and judge for yourself.
Estimated dispatch 7-14 working days
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£121.00Metro Dances - Travis J. Weller
Driving in Pittsburgh involves a fair amount of vehicular "dancing" in that theres rarely a direct route to get where you want to go. Metro Dances is a work in five sections about this driving experience. Hit the Gas! starts with a full cup of coffee and just a little less time than normal to reach our destination. Traffic "Jam" abruptly comes out of nowhere in true Pittsburgh fashion. Big Trucks appear, appropriately represented with important material for the lower winds. Next is Rush Hour, which features an optional open section with suggested solos for trumpet and alto sax. Finally, Breaking Free culminates with a brisk finish as traffic opens up and there's smooth sailing on a free and open highway.
Estimated dispatch 7-14 working days
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£60.50Sidewinder! - Matthew R. Putnam
From the beginning, this new work for developing band grabs on and doesn't let go! If you don't like snakes get ready, the sidewinder is equal parts spooky as it is awe-inspiring, and this twisty-turning new piece by Composer Matthew R. Putnam is no exception!
Estimated dispatch 7-14 working days
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£74.50Fantasy on English Hunting Songs - Clare Grundman
Based on on four old airs whose lyrics touch on various aspects of the chase: The Lincolnshire Poacher The Fox Chase A-Hunting We Will Go John Peel. The strains of these delightful melodies are cleverly intertwinedthroughout this lively work as it drives toward its powerfully climactic conclusion. Duration: ca. 5 minutes.
Estimated dispatch 7-14 working days
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£77.99Northwest Saga - Clare Grundman
The opening theme portrays the beauty and grandeur of the Pacific Northwest, with its majestic mountains, verdant forests, sparkling lakes and rivers that flow to the sea. To depict the lives and times of the courageous pioneers and rugged lumberjacks who helped cut a swathe into this territory by way of the Oregon Trail and other routes, three regional popular tunes of the period have been used: To the West, The Timbertown Logger, and Once More A-Lumb'ring Go.
Estimated dispatch 7-14 working days
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£59.95Basses Are Aces - Joseph Compello
Designed by a master offeriting for this grade level, Bases Are Aces was written to encourage the low brass and woodwind players, while still being fun for the whole band to play. A great recruitment piece, it will motivate the frequently overlooked members of the low instrument contingent, who anchor the band. Some simple syncopations, such as a spoken line by the other members of the band ("How low can you go?") and a brief, repeated, "cadenza," add to the fun of this clever piece. Duration: 3' 10"
Estimated dispatch 7-14 working days
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£87.99
All Cried Out
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 7-14 working days
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