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  • £174.95

    RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

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  • £37.95

    RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

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  • £69.95

    Toccata - Score and Parts - Wilfred Heaton

    Program NotesToccata - Oh the blessed Lord was first conceived as a brass sextet and remained in that form until the early 1970s when it was amplified to full brass band instrumentation. Now its further amplification to Wind Band it is hoped that it will be enjoyed by an even greater audience and many more performers.Whilst it is not easy to play, the music, once mastered, is something that bands enjoy. It will be evident to the discerning that this close-knit work is based on the verse of an adaption of the old spiritual, "Oh, dem golden slippers," the text beginning, "Oh the blessed Lord, He has saved my soul." The figures are derived therefrom.The absence of percussion is the express intention of the composer.

    Estimated dispatch 7-14 working days
  • £13.95

    Toccata - Score only - Wilfred Heaton

    Program NotesToccata - Oh the blessed Lord was first conceived as a brass sextet and remained in that form until the early 1970s when it was amplified to full brass band instrumentation. Now its further amplification to Wind Band it is hoped that it will be enjoyed by an even greater audience and many more performers.Whilst it is not easy to play, the music, once mastered, is something that bands enjoy. It will be evident to the discerning that this close-knit work is based on the verse of an adaption of the old spiritual, "Oh, dem golden slippers," the text beginning, "Oh the blessed Lord, He has saved my soul." The figures are derived therefrom.The absence of percussion is the express intention of the composer.

    Estimated dispatch 7-14 working days
  • £55.00

    Ides March (Score & Parts) - Derek Bermel

    Ides March was commissioned by William Brine in 1990, Bermel's first commission. Brine requested that the work be a march suitable for performance at both a wedding and a funeral. Although originally titled Brine's March, when the composer learned that the march was to receive its premiere on 15 March, he changed the title to Ides March in a umorous nod to the Shakespearean admonition 'Beware the Ides of March'; in his youthful view a sentiment appropriate for either a wedding or a funeral. However, a line from Cole Porter was the inspiration behind the major key to minor key interplay of the work: 'What could be any finer? But how strange the change from major to minor, every time we say goodbye', a line that captured the composer's attempt to write a march that did justice to both the melancholy and triumphant.

    In stock: Estimated delivery 1-3 days
  • £159.99

    Phenomenon - Andreas Ziegelbäck

    Phenomenon" is a captivating piece for symphonic wind orchestra, fundamentally based on a single melodic motif while drawing inspiration from various musical genres. The motif, introduced as a horn solo at the beginning, features alternating intervals that leap both upward and downward: the perfect fourth, sixth, fifth, and second (4-6-5-2). Interestingly, this sequence of numbers corresponds to the postal code of the Austrian town of Steinerkirchen. Phenomenon" is a motivic and musical composition that captures the spirit, emotional intensity, and musicality of the remarkable phenomenon that is the music association of this town.Commissioned by the Musikverein Steinerkirchen" for the regional competition in 2022 at performance level E, this piece is dedicated to them. The music association is directed by Roland Kastner, with organizational leadership provided by Michael and Hubert Ecklbauer. Special thanks are due to these dedicated individuals, who play a significant role in promoting the remarkable phenomenon that is the Musikverein Steinerkirchen". The orchestra consists of a diverse mix of young and older amateurs, all of whom consistently achieve musical excellence through determination and ambition. Each member of this orchestra is, therefore, an integral part of this impressive phenomenon.

    Estimated dispatch 7-14 working days

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  • £99.00

    Postcards from Tomorrow - Gauthier Dupertuis

    During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.

    Estimated dispatch 7-14 working days
  • £159.99

    Resurrection - Kevin Houben

    "Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."

    Estimated dispatch 7-14 working days
  • £105.80

    Magellano - Andrea Moncalvo

    This composition was written on the occasion of the 500th anniversary of the death of Ferdinand Magellan, a Portuguese explorer (1480 - 1521), who embarked on what would have become the first circumnavigation of the globe. Unfortunately, he did not complete it because, in 1521, he was killed in the region that is today the Philippines. This adventure triggered various images in the author's mind; evocations that the composer elaborated in this piece, which is in a tripartite form (A B A) and is introduced and concluded by a solemn fanfare evoking the departure of the expedition, consisting of 5 ships with a total of 234 crewmen. The first part (Allegro) presents a main theme with a cantabile character that describes the fleet that, intrepid, plows the ocean. This initial melody is then contrasted by a more rhythmic and syncopated theme in a minor key, which instead refers to the indigenous peoples they have encountered during the journey. The central section (Adagio) is an oasis of reflection because, as in other great adventures, this too has tragic aspects: mutinies, shipwrecks, clashes with indigenous peoples, up to the disappearance of those who had desired and planned this enterprise. The last part proposes the themes of the first section but in reverse order, to describe the return to the homeland. The solemn fanfare welcomes the arrival of the Victoria, the only surviving ship with only 18 men on board, which returns to the port of departure after completing the circumnavigation of the earth in 2 years, 11 months, and 17 days.

    Estimated dispatch 7-14 working days
  • £64.99

    Synergy - Robert Buckley

    'Synergy' is the combined power of a group when they are working with each other - in musical terms, it's that magical something that happens when people create music together. Written as a celebratory piece, Synergy is a rousingoverture that explodes with energy and effervescence - an ideal concert opener or festival piece full of joy and excitement that showcases all sections of the band. Dur: 4:30

    Estimated dispatch 7-14 working days