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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£59.95Ode To Christmas
Ode to Christmas is a unique combination of holiday favorites with Beethoven's "Ode to Joy" from his Ninth Symphony. This clever arrangement by Bill Calhoun is perfect for the very first holiday concert. It can be performed by early players as there are limited note ranges and rhythms. A delightful choice for the beginning band.
Estimated dispatch 7-14 working days
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£308.50Morning Star - David Maslanka
Morning Star was commissioned by the conductor of the Grand Ledge, Michigan High School Wind Symphony, Michael Kaufman, to celebrate the opening of the school's new concert hall. It was premiered by the students in May of 1997. Morning Star is a happy piece about beginnings: the dawning of a new day, the opening of a new hall, the beginning of adult life for the young people who premiered the piece, and for those who are playing it now.
Estimated dispatch 7-14 working days
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£123.95A More Perfect Union - The Legacy of James Madison - Larry Clark
Commissioned by the James Madison University Wind Symphony, Dr. J. Patrick Rooney, Larry Clark have produced a dynamic original piece for Narrator and Band that uses words by and about James Madison, the fourth President of the United States and principal author of the Bill of Rights. A patriotic piece with a characteristically "American" sound, A More Perfect Union is a challenging piece for band that will be a welcome alternative to Copland's A Lincoln Portrait, for directors seeking a patriotic selection using a narrator. Duration: 8'
Estimated dispatch 7-14 working days
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£72.95
Goin' Home for Christmas
Taking the famous Largo from Dvoraks New World Symphony and combining it with holiday favorites, Larry Clark has created a new piece that will live in our Christmas memories. This arrangement will feature the musicianship of your students. This is simple effective and nicely done.
Estimated dispatch 7-14 working days
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£89.99
Andante - Georges Bizet
The composition of the suite Roma was a labor of love for Bizet as it took some eight years to complete, originally being intended as a symphony. This Andante, together with an Allegro, forms the first movement of the work. Wilvan der Beek has created a beautiful, satisfying band arrangement of this little-known masterpiece.
Estimated dispatch 7-14 working days
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£94.99
Pilgrims' Swing - Graham Lloyd
The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred yearslater, he could have become one of our big band leaders!
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£93.50Yuletide Flourish - R. Alan Carter
As the title suggests, Yuletide Flourish is a whirlwind of well-known carols. Fanfares and soaring melodies propel this work to its climactic rendition of Beethoven's Symphony No. 9 "Ode to Joy".
Estimated dispatch 7-14 working days
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£55.00Pre-Goodman Rag. Wind band - Malcolm Arnold
Malcolm Arnold's 'Clarinet Concerto No. 2, Op. 115', was dedicated to Benny Goodman, and first performed by him as part of the 'Red Rocks Music Festival' with the Denver Symphony Orchestra conducted by Brian Priestman on 17 August1974. The third movement, known affectionately as 'The Pre-Goodman Rag', is an outrageous ragtime parody with a hauntingly wistful middle section. The work has now been made more widely available in this transcription for windband. This version conmtains full score and parts.
Estimated dispatch 7-14 working days
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