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  • £118.99

    I Love the 207 - Itaru Sakai

    I Love the 207 was composed in February 2010 for a commission by Osumi Symphonic Band in Kyoto. It was first performed on 25 April 2010 by Osumi Symphonic Band, conducted by Masanori Ozaki. This piece begins with an introduction to present the instruments, followed by a light scherzo. The title is an affectionate reference to the commuter rail 207 series of the West Japan Railway Company. When the band started their activity, the 207 series trains began running through the fields next to the building where they practice. The composer hopes that the trains continue to run and bring smiles to people's faces.

    Estimated dispatch 7-14 working days

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  • £151.80

    Fuegos del Alma (Fires of the Soul) - Ferrer Ferran

    Present in over 35 countries, provider spectacles largest and most advanced in the world pyrotechnics, and carrying around 1,000 shows a year, Pyrotechnics Caballer SA It is the first fireworks company in Spain and a constant reference worldwide. Its facilities are the largest in Europe and its current president is Caballer Vicente Ramirez, grandson of the founder and third generation. "Fires of Soul" evokes the spirit fireworks, describing the beauty of these fires in all its phases. The Symphonic Overture serve for concert performance or for use accompanying fireworks, and that predominates in a musical composition contrasts of brilliance to get excite the viewer. The ups of "tension" and downs and its spectacular are the basis of this work, not forgetting the lovely sweetness that makes the "lights" fires penetrate our emotional feeling. A Caballer Vicente Ramirez, President of the famed "Pyrotechnics Caballer" for having managed to "dream" with his pyrotechnic art, offering Happiness Humanity. Work composed at the request of the Symphonic Band "Musical Union of Lliria" with affection and pride of all of them and especially the author. This composition was premiered on September 6, 2014, in the auditorium of the Musical Union of Liria (Valencia, Spain) by the "Musical Union of Lliria", leading the author.

    Estimated dispatch 7-14 working days
  • £104.99

    Dance of the Knights from Romeo and Juliet - Sergei Prokofiev

    This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. [The ballet] led to one of the most beloved dance works in the repertory and a series of famous orchestral suites... but the celebrated legacy of Romeo and Juliet belies its tortured history: It left Prokofiev broken and emerged from a period that left many of his colleages dead. (New York Times). Nathan Jones' scoring for symphonic wind band faithfully captures the magic of the original orchestraion of this famous work, which has been heard in numerous films and TV shows, including The Simpsons, Warm Machine, Good Morning Britain and Gotham, among many others. This piece is an ideal opener or closer for intermediate to advanced band.

    Estimated dispatch 7-14 working days
  • £76.99

    James Horner - Hollywood Blockbusters

    For Symphonic Band - Grade 4. James Horner has risen to the A list of Hollywood film composers with his powerful symphonic scores and memorable songs. John Moss' medley highlights some of his best cinematic moments including: Apollo 13, Somewhere Out There (from An American Tail), Bannockburn (from Braveheart), and My Heart Will Go On and Southampton (from Titanic).

    Estimated dispatch 7-14 working days
  • £118.99

    October - Eric Whitacre

    The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most notable symphonic work, nowadapted in this stunning version for wind/concert band.

    Estimated dispatch 7-14 working days
  • £79.99

    Selections From Grease

    Symphonic Band - Grade 4 From the hit Broadway musical that helped immortalize the rock 'n' roll sounds of the '50s, here is an energy-packed medley scored for symphonic band that includes We Go Together, Summer Nights, Hand Jive, Beauty School Dropout, and of course Greased Lightning. Sure to bring down the house! (6:00)

    Estimated dispatch 7-14 working days
  • £119.20

    Sinfonisches Praludium (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner. Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £95.99

    5 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £143.00

    Psyche et Eros (Concert Band - Score and Parts) - Franck, Cesar - Cesarini, Franco

    Cesar Franck, composer, pianist, organist and music teacher, completed Cupid and Psyche, his sixth and last symphonic poem in 1887. It was first performed in Paris in 1888 and was a complete success, but the piece later fell completely into oblivion, and it was only thanks to some meticulous research that it has returned to concert halls. The intricate love affair between Psyche and Cupid is an original story of the Metamorphoses, written in the 2nd century AD by Apuleius. The tale is about overcoming obstacles in love and their final union. The symphonic poem is divided into three parts and calls for a choir. The movement that is the subject of this arrangement, Psyche et Eros, is positioned at the end of the second part. Franco Cesarini's version for wind orchestra carefully illustrates the nuances of the instrumental colours, and represents a real test aimed at demonstrating the musicality and interpretative skills of orchestras and their conductors. Duration: 10.30

    Estimated dispatch 7-14 working days
  • £104.99

    Dance of the Knights (from Romeo and Juliet) (Concert Band - Score and Parts) - Prokofiev, Sergei - Jones, Nathan

    This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. "[The ballet] led to one of the most beloved dance works in the repertory and a series of famous orchestral suites... but the celebrated legacy of Romeo and Juliet belies its tortured history: It left Prokofiev broken and emerged from a period that left many of his colleages dead." (New York Times). Nathan Jones' scoring for symphonic wind band faithfully captures the magic of the original orchestraion of this famous work, which has been heard in numerous films and TV shows, including The Simpsons, Warm Machine, Good Morning Britain and Gotham, among many others. This piece is an ideal opener or closer for intermediate to advanced band.Duration: 5.30

    Estimated dispatch 7-14 working days