Results
-
£104.99Dance of the Knights from Romeo and Juliet - Sergei Prokofiev
This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. [The ballet] led to one of the most beloved dance works in the repertory and a series of famous orchestral suites... but the celebrated legacy of Romeo and Juliet belies its tortured history: It left Prokofiev broken and emerged from a period that left many of his colleages dead. (New York Times). Nathan Jones' scoring for symphonic wind band faithfully captures the magic of the original orchestraion of this famous work, which has been heard in numerous films and TV shows, including The Simpsons, Warm Machine, Good Morning Britain and Gotham, among many others. This piece is an ideal opener or closer for intermediate to advanced band.
Estimated dispatch 7-14 working days
-
£118.99October - Eric Whitacre
The continuing popularity of Eric Whitacre's dramatic and evocative music is evident in concert programming everywhere, with his symphonic, choral, and operatic works. October is arguably his most notable symphonic work, nowadapted in this stunning version for wind/concert band.
Estimated dispatch 7-14 working days
-
£84.99Funk Attack - Otto M. Schwarz
Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid), and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1, Fire and Ice or Band Fever). His new composition Funk Attack is, as the name suggests, a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s, transcribing numbers by famos Amerarican bands including "Earth, Wind and Fire", "Tower of Power"", and the British slap idol "Mark King" (Level 42). Funk attack is atypical of "the concert band scene" and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove, the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to "Alexander Veit and Symphonic Winds".
Estimated dispatch 7-14 working days
-
£84.99Remembrance Day - Jacob de Haan
Remembrance Day (Totengedenken) is a chorale-like piece in memory of those who have died in service. Jacob de Haan composed this work for a concert by the symphonic wind orchestra Symphonic Winds, which he conducted in Germany on Volkstrauertag (national remembrance day). The composition is based on a text from Totengedenken (Commemoration of Those Who Have Died). This narrative text is provided in four languages, and is intended to be spoken (using a microphone) ad libitum during the performance. Choir parts are also available to complement the performance.
Estimated dispatch 7-14 working days
-
£79.99Selections From Grease
Symphonic Band - Grade 4 From the hit Broadway musical that helped immortalize the rock 'n' roll sounds of the '50s, here is an energy-packed medley scored for symphonic band that includes We Go Together, Summer Nights, Hand Jive, Beauty School Dropout, and of course Greased Lightning. Sure to bring down the house! (6:00)
Estimated dispatch 7-14 working days
-
£289.99Bulgarian Dances (part II) - Franco Cesarini
Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.
Estimated dispatch 7-14 working days
-
£119.20Sinfonisches Praludium (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner. Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.Duration: 6.15
Estimated dispatch 7-14 working days
-
£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
-
£143.00Psyche et Eros (Concert Band - Score and Parts) - Franck, Cesar - Cesarini, Franco
Cesar Franck, composer, pianist, organist and music teacher, completed Cupid and Psyche, his sixth and last symphonic poem in 1887. It was first performed in Paris in 1888 and was a complete success, but the piece later fell completely into oblivion, and it was only thanks to some meticulous research that it has returned to concert halls. The intricate love affair between Psyche and Cupid is an original story of the Metamorphoses, written in the 2nd century AD by Apuleius. The tale is about overcoming obstacles in love and their final union. The symphonic poem is divided into three parts and calls for a choir. The movement that is the subject of this arrangement, Psyche et Eros, is positioned at the end of the second part. Franco Cesarini's version for wind orchestra carefully illustrates the nuances of the instrumental colours, and represents a real test aimed at demonstrating the musicality and interpretative skills of orchestras and their conductors. Duration: 10.30
Estimated dispatch 7-14 working days
-
£104.99Dance of the Knights (from Romeo and Juliet) (Concert Band - Score and Parts) - Prokofiev, Sergei - Jones, Nathan
This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. "[The ballet] led to one of the most beloved dance works in the repertory and a series of famous orchestral suites... but the celebrated legacy of Romeo and Juliet belies its tortured history: It left Prokofiev broken and emerged from a period that left many of his colleages dead." (New York Times). Nathan Jones' scoring for symphonic wind band faithfully captures the magic of the original orchestraion of this famous work, which has been heard in numerous films and TV shows, including The Simpsons, Warm Machine, Good Morning Britain and Gotham, among many others. This piece is an ideal opener or closer for intermediate to advanced band.Duration: 5.30
Estimated dispatch 7-14 working days
View Music