Results
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£105.00Battles - Simon Dobson
Battles was written for the restoration of the epic 1927 silent film The Battles of Coronel and Falkland Islands, and was commissioned by the British Film Institute (BFI) in 2013. The work presents eight contrasting scenes as a continuous sequence: War, Introduction of Admiral von Spee, German Banquet, Building Steam/Preparing, Islanders, Call to Arms, Great Battle at Sea and Victory. The original score was written for a small chamber orchestra, symphonic brass and a substantial batterie of tuned and untuned percussion. Battles has been edited for symphonic wind orchestra with percussion and harp.Composer Simon Dobson says of hiscolourful score, "I wanted to keep things simple and clear, so there is a British theme, a fanfare march idea, often heard on trumpet, and a German naval theme, which is a more angular motif."
Estimated dispatch 7-14 working days
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£152.99Songs From Across The Water - Philip Sparke
Songs from Across the Water was commissioned by Pennsylvania Symphonic Winds - Phil Evans, Founder and Director. Phil Evans hails from the UK and served for 25 years in the Band of HM Royal Marines. Now resident in the USA he founded Pennsylvania Symphonic Winds in 2008, giving them the tag line 'An American Band with a British Accent', as he wanted to combine the best of both countries' band traditions. With this in mind, composer Philip Sparke decided to create a suite of British folk songs, scored with an American influence to fulfil the philosophy of the band's tag line. The three movements, which are played without a break, are based onthe following folk songs, which come from all corners of the British Isles: 'The Three Ravens & The Cruiskeen Lawn', 'The Lark in the Clear Air' and 'The Piper o' Dundee & Men of Harlech'.
Estimated dispatch 7-14 working days
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£84.99Folksong Suite - Antal Farkas
This reworked edition of the Folksong Suite by Antal Farkas will help to widen the repertoire of youth ensembles and adult amateur orchestras. The composer's son, Tams Farkas has supplemented the score of the work, adding symphonic wind ensemble parts, and has in a number of places reworked it slightly in accordance with present-day requirements. 'I recommend this work to any orchestra active anywhere in the world. The piece provides an enjoyable experience, helps in correcting faulty intonation, in interpreting various musical styles, in fostering a homogeneous sound, in developing technique and ensemble playing, and it is certain of a favourable response from audiences. I hope every musician will find pleasure in it!' (Jzsef Csikota, president of the East European section of the World Association for Symphonic Bands and Ensembles.)
Estimated dispatch 7-14 working days
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£245.50Parade Concerto - Serge Lancen
PARADE CONCERTO was Lancen's first concerto for symphonic band. He had fallen in love with the marvellous sonorities of a symphonic band and wanted to join the wind players in a concert, so he wrote this concerto and gave it a parade character.PARADE CONCERTO was premiered in 1972 by Pierre NIMAX in Esch-sur-Alzette (Luxemburg), G. WAGNER conducting. That same year the composer performed it for the first time, in Spain with the Banda Primitiva from Lliria, Jan MOLENAAR conducting. He has performed it since in many countries, including France, Belgium, Holland, Germany, Luxemburg, Norway and the USA.
Estimated dispatch 7-14 working days
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£186.20Le Mont St.Michel - Serge Lancen
Serge Lancen (Paris 1922) undoubtedly belongs to the top of contemporary European wind music composers. His MANHATTAN SYMPHONY (1962), CAP KENNEDY (1970), SYMPHONIE DE L'EAU (1986) and MISSA SOLEMNIS (1989) are now part of the classical modern symphonic band repertoire. Lancen always writes in the French tradition and is often inspired by folkore, the beauty of the French landscapes and even the great architectural monuments of his country. In this fine suite of four symphonic sketches he was inspired by the splendid site of the 'MONT SAINT-MICHEL'. The work dates from 1976 and was premiered by the French National Police band, conducted by Pierre Bigot, at a concert in the Paris 'Palais des Congrs' on May the 4th 1977. It evokes the splendour of one of Western Europe's great monumental abbeys.The mount arises amidst a symphony of mist and sand; the visitor goes through the main gate and enters the medieval town. He walks up to the abbey church and discovers the magnificent panorama. He recovers some time in an unexpected patch of green and admires the mighty fortress. Finally he reaches the actual abbey and visits the inspiring church and the sober refectory. At sunset, the abbey complex casts fanciful shadows on the beach and soon, in the light of the spots, the spire with the Archangel Michael lits up, high above the sea and the sand, right on the border between Normandy and Brittany.
Estimated dispatch 7-14 working days
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£140.80Concerto pour Harpe - Serge Lancen
It was his charming wife Raphale, a fine harpist, who drew Serge Lancen's attention to the harp. He has written various works for this instrument, such as: 'Pour Raphale', 'Duo Concertant' for harp and flute, 'Crpuscule' for two harps, 'Concerto Champtre' for solo harp and chamber orchestra, and many pieces in a lighter vein for harp quintet and this Harp Concerto. The initial cadenza was inspired by Camille Saint-Sans Second Piano Concerto a work which Serge Lancen studied as a young boy. The Harp Concerto can be played with a symphonic band, a string orchestra or the piano.This work, dedicated to his wife, was premiered in July 1990 during the First Le Havre International Wind Band Festival , by Marie-Pierre Cochereau and the Le Havre Municipal Symphonic Band, conducted by Philippe Langlet.
Estimated dispatch 7-14 working days
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£488.10The Planets - Gustav Holst
Gustav Holst (Cheltenham, 1874 - London, 1934) was one of the very first great British composers of classical music to write some valuable original compositions for symphonic band. Holst composed operas, choral works and splendid compositions for symphony orchestra. He got famous with his opus 32, the seven part suite 'The Planets' composed between 1914 and 1917. The first complete public performance was given in 1920. The first part, 'Mars, the war bringer' was written just before the outburst of the First World War. Geert Schrijvers wrote this fine arrangement for symphonic band, organ and two harps.
Estimated dispatch 7-14 working days
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£84.99Funk Attack - Otto M. Schwarz
Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid), and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1, Fire and Ice or Band Fever). His new composition Funk Attack is, as the name suggests, a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s, transcribing numbers by famos Amerarican bands including "Earth, Wind and Fire", "Tower of Power"", and the British slap idol "Mark King" (Level 42). Funk attack is atypical of "the concert band scene" and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove, the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to "Alexander Veit and Symphonic Winds".
Estimated dispatch 7-14 working days
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£289.99Bulgarian Dances (part II) - Franco Cesarini
Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.
Estimated dispatch 7-14 working days
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£94.99Conzensus - Jan Van der Roost
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept.The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.
Estimated dispatch 7-14 working days
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