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  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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  • £149.99

    Caledonia - Oliver Waespi

    In Caledonia, Oliver Waespi adapted three well-known Scottish folk songs into a rhapsodic suite for wind orchestra. The first, rather humorous song, The Devil Came Fiddling Through the Town, tells the story of a devil who, as he passes through the streets of the town, catches the tax inspector and carries him off, much to the delight of the inhabitants. The second song, Ye banks and braes, is gentle and melancholy and based partly on the folk song Hey, tuttie tattie. Oliver Waespi took a symphonic approach to the adaptation of these lovely songs, which makes this a unique and innovative suite that can be performed at a concert or contest. Theindividual parts can also be performed separately.

    Estimated dispatch 7-14 working days

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  • £102.99

    Leonesse - Bert Appermont

    Leonesse is the name of the castle and landed estates of Lady Guinevere, from the famous story of King Arthur. This stately concert march leads us to the old England with its legendary castles and the beautiful and impressive landscapes where many knights have died. Following a festive opening, a majestic melody symbolises the atmosphere of courtly elegance and refinement. The second part of this original composition describes, with a broad and dignified melody, the beauty and extensiveness of the English hills.

    Estimated dispatch 7-14 working days

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  • £122.50

    Dance of the Jesters - Pyotr Ilyich Tchaikovsky

    The Dance Of The Jesters was composed as incidental music for the ballet The Snow Maidens. The ballet is not based on the Hans Christian Andersen story, but on a contemporary Russian fantasy-play Snegourochka. The Snow Maiden, daughter of Father Frost, falls in love with a human, Misgir, and plans to marry him. However, Misgir is already betrothed to Coupava. The Snow Maiden follows him southward to interrupt his wedding, but she falls victim to the warmth of the sun and melts. The Dance is an incredibly lively affair that has stood out from the songs, dances, and choruses of the ballet. It captures the color and zest of Russian folk dance.

    Estimated dispatch 7-14 working days

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  • £57.50

    Legend of Knife River - Stephen Bulla

    This powerful, programmatic work evokes the story of the explorers Lewis and Clark and their Native American interpreter and guide Sacajawea. Written in two sections, with a dark and ominous beginning that leads into a lively up-tempo section, the overall effect is aided by lots of interesting percussion parts.

    Estimated dispatch 7-14 working days

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  • £122.50

    For Unto You Is Born This Day! - James L. Hosay

    A magnificent offering for your Christmas performance! James L. Hosay has taken the story of the birth of Christ, according to the Gospel of Luke, and set it to heart lifting music. A stunning and unforgettable performance can be had with a chorus or with a narrator. Either way, this piece will add to the festive mood of your Holiday concert and help your audience feel the true spirit of Christmas. If you do a concert where a chorus performs half and a concert band performs half, consider programming FOR UNTO YOU IS BORN THIS DAY as a grand finale. If your performance stage is a bit cramped for that many musicians all at once, perhaps having the chorus surround the audiencewill work for you. The "surround-sound" effect can be wonderful.

    Estimated dispatch 7-14 working days

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  • £52.50

    The Three Drummers - James Curnow

    Feature the section that "delivers the energy" in this great new arrangement by James Curnow. Based on a French folk song that tells a story about three young drummer boys, the music uses imitation, question and answer and stylistic rhythmic figures to challenge these proud musicians.While featuring the Percussion section, there are also great parts for everyone else, so the entire group will stay engaged and productive in rehearsal.Spirited!

    Estimated dispatch 7-14 working days

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  • £179.99

    El Golpe Fatal - Dirk Brossé

    With the sound of trumpets and a long drum roll Dirk Bross takes you to the splendour of the opening ceremony of a bullfight! The rhythm and the use of South American percussion instruments convey a festive atmosphere whilst broad lines and bright colours describe the solemn nature of this event. The imaginary bull is received with great acclaim with the full band playing. Two contrasting themes represent the heroic matador and the condemned bull. The audience cheers as the bull collapses and strong final chords round off the triumph of the matador. The final quiet notes give a feeling of melancholy reflecting the sad end of this story.

    Estimated dispatch 7-14 working days

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  • £84.99

    Tochter Zion - Georg Friedrich Händel

    Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

    Estimated dispatch 7-14 working days

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  • £84.99

    Wachet Auf! - Felix Mendelssohn Bartholdy

    This excellent arrangement by Robert van Beringen is of the well-known German chorale Wachet auf, ruft uns die Stimme, taken from the oratorio Paulus (St. Paul) by Felix Mendelssohn Bartholdy (1809-1847). Although accredited to Mendelssohn it is thought the melody was in fact written by the pastor and poet Philipp Nicolai in 1599. Robert van Beringen's arrangement perfectly captures the biblical story of St. Paul.

    Estimated dispatch 7-14 working days

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