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£91.99Of Heroes And Demons - Rob Romeyn
An epic programmatic work that captures the fight between good and evil. The work opens with a heroic fanfare that commands attention. From here the music subsides into a beautifully lyric chorale section. Our musical story begins to unfold as the "demons" theme is introduced. The theme is developed and expanded, creating a feeling of unresolved conflict, ultimately leading to a thunderous conclusion. From here, the heroic theme returns, stronger and more developed this time as our battle between good and evil comes to its conclusion, but not before a brief final battle creating a dramatic end to the piece that will have your audiences on their feet. Destined to be a classic for concert and festival use, cross cueing is used to insure success in most performance settings. Don't miss this exceptional addition to the concert band repertoire.
Estimated dispatch 7-14 working days
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£169.99subTERRA - Daniel Weinberger
subTERRA tells the story of a miner who miraculously survives the collapse of a mine shaft. The work consists of five movements:1. The Dream: A horrible nightmare plagues the miner. Dissonances and unusual sounds foreshadow the imminent disaster.2. The Work: The rhythmic second part describes the daily grind of a miner, from driving into the mine shaft to working deep underground.3. The Accident: Suddenly a piercing alarm is heard. Everyone tries to escape the mine amidst the ensuing chaos as the mine shaft collapses, trapping the unfortunate miner.4. Hope: Buried under rubble and debris, the miner regains consciousness. A prayer can be heard.5. The Rescue: A powerfulmaestoso symbolizes the successful rescue and survival of the trapped miner.
Estimated dispatch 7-14 working days
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£76.99Dear Frog - Victor Trojan
Dear Frog describes the story of a prince who changes into a frog and then waits for a princess to kiss him so that he can turn back into a prince again. A musical satire for the trombone and orchestra. What is remarkable about this work is the use of the "wah-wah sourdine" throughout the entire piece, which gives it an extra amusing flavour.
Estimated dispatch 7-14 working days
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£104.99Prelude and Polonaise - Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov (1844-1908) composed his opera The Night before Christmas in 1894-95. The premiere took place on December 10 1895 in St. Petersburg. The libretto to the opera came from Rimsky-Korsakov himself and is based on a tale by Nikolai Gogol, which some years earlier had already served as operatic material for Pjotr Tchaikovsky. The opera tells the story of Vakula, the blacksmith of a small Ukranian village. He is madly in love with Oxana who demands - as proof of his love - a most unusual Christmas present: the magnificent slippers of the Empress. Knowing full well that, in normal circumstances, he would never be able to fulfil Oxana's wish, Vakula seekssupernatural assistance and finds it in the shape of the devil, who comes up with a ploy to help him. The devil carries him on his back to St. Petersburg, where during a lavish reception at court Vakula finds an opportunity to present his request to the empress. The Empress actually agrees to Vakula's wish and hands over her slippers to him. Thereupon he returns to his own village. Here, in the meantime, he had been given up for dead, and Oxana had been plunged into great sorrow as she had come to realise that she also truly loved Vakula. In the end, however, all misunderstandings are resolved and all adversities overcome: Oxana receives her extravagant present, the lovers are united, and the church bells call the villagers to the Christmas service.The vibrant Polonaise is played in the 3rd act of the opera at the entrance of the Empress, whose appearance is anticipated in the prelude by the fanfare motives. The music paints a vivid picture of the party atmosphere and the marvellous dcor at the imperial court of St. Petersburg, which Rimsky-Korsakov conjures up in his opera and which can also be played outside of the Advent and Christmas season, for example as an opening piece to any festive concert.
Estimated dispatch 7-14 working days
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£159.99In the Shadow of Napoleon - Bert Appermont
This suite is based on the musical In the Shadow of Napoleon which celebrated its exceptionally successful premire in Worms, Germany, on 21 July 2014. The musical tells the story of Louis-Joseph Marchand, Napoleon's footman who is involved in the dispute over the emperor's inheritance and the unsolved mystery of his death. The composer strove to present the six musical songs in the suite in such a way that it appears to be an entirely new work.
Estimated dispatch 7-14 working days
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£102.99Twinkling Tunes - Bert Appermont
Twinkling Tunes are two original Christmas songs written especially for children and which, thanks to their flexible instrumentation, can be played by any wind band. Lichtjes van Kerstmis (Christmas Lights) is about people gathering together around the Christmas tree. The Lied der Koningen (Song of Kings) brings the story of the Magi to life. The vocal part (with Dutch text) is optional and can be performed either solo or by a children's choir, but even without vocals, this composition is sure to create a merry Christmas mood.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£149.99Caledonia - Oliver Waespi
In Caledonia, Oliver Waespi adapted three well-known Scottish folk songs into a rhapsodic suite for wind orchestra. The first, rather humorous song, The Devil Came Fiddling Through the Town, tells the story of a devil who, as he passes through the streets of the town, catches the tax inspector and carries him off, much to the delight of the inhabitants. The second song, Ye banks and braes, is gentle and melancholy and based partly on the folk song Hey, tuttie tattie. Oliver Waespi took a symphonic approach to the adaptation of these lovely songs, which makes this a unique and innovative suite that can be performed at a concert or contest. Theindividual parts can also be performed separately.
Estimated dispatch 7-14 working days
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£149.99
Noah's Ark - Bert Appermont
Noah's Ark is a composition based on the well-known bible-storys in which Noah builds an ark to conquer the flood. This work portrays four impressions, each of them introduced by a theme. To add dramatic power a synthesizer or a wind-machine can be used. The story can also be read by a narrator during the performance.
Estimated dispatch 7-14 working days
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