Results
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£112.20Have a Break/Break Away - Patrick Millstone
With these two 'breaks' Patrick Millstone killed two birds with one stone. You can conclude the first part of your concert with 'Have a break' and start again after the interval with 'Break Away'.
Estimated dispatch 7-14 working days
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£112.20Crab Migration - Alex Poelman
On a small island between Indonesia and Australia every year a strange event takes place. Out of the dense forest millions of red crabs start their journey to the other site of the island. This amazing specticle occurs only on Christmas Island, The score Christmas Island describes this wonderful event. This is a composition by the very recognizable and impressive composer Alex Poelman (1981). Skilfully written and orchestrated, Molenaar Edition is proud of this young and energetic composer!
Estimated dispatch 7-14 working days
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£86.80The Best of the Blues Brothers 2
Due to the success of Henk Ummels' arrangement 'The Best of the Blues Brothers' he wrote a sequel which should be equally successful. This part includes the hits 'Think', 'Minnie the Moocher' and 'I'm a Soul man'. This work is written for 'Flexible Winds', a five-part flexible instrumentation, allowing any beginning youth band to create a full sound from the very start.
Estimated dispatch 7-14 working days
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£124.20Tantum Ergo - Carlos Marques
Tantum Ergo was commissioned in 2012 by the Muscia Viva Summer Wind Band, in Triuggio, Italy. The 13th century Gregorian text, Pange Lingua from Thomas Aquinas was taken as the start point to describe the extremes of human nature arising from religion, peace, violence, war, reflection, symbolically shown as a disorderly parade. Finally the original theme returns in a grandiose form, as a model of human reason and the as yet unwritten future.
Estimated dispatch 7-14 working days
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£56.50Festival Signation - Michael Geisler
Festival Signation is an opening piece, suitable for the beginning of a concert, or start of a second half. It begins with a majestic fanfare with powerful chords in the brass, and light motives in the winds. (The fanfare can also be played separately!!) It is followed by an andante espressivo with a melody in the euphonium and 1st horn. After a trumpet solo, the theme is played by the whole orchestra, with support from the percussion. The piece ends with the same opening fanfare.
Estimated dispatch 7-14 working days
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£149.40Norwegian Dance No. 2 - Alfred Evensen
Alfred Evensen (1883 - 1942) was born in Troms, but moved to Harstad 16 years old to start as a student at The Military School of Music. He was director and chief of the military band in 1918, and worked there for 12 years. In 1930 he was appointedto conductor of the military band in Bergen, and worked there until he was appointed to take over from Johannes Hanssen (Valdres march) as manager and conductor of the military band in Oslo in 1934.With this band he participated in a majorinternational military music collection in Paris in 1935 With a great success. In addition to his work in military music, he was a highly respected conductor of choir and composed, in additionto his compositions for bands, many songs for choir.He died in Oslo, after he was arrested because of his resistance against the German occupation. At his own request he was buried in Harstad, and there is also a statue of him.Norwegian Dance No. 1 and No. 2 dates from 1911 and 1912respectively. They are composed in the style of Grieg's Norwegian Dances, Op. 35, but, unlike Grieg, Evensen has used his own themes for the compositions.
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£48.00Danza De Espaa
This flexible arrangement of Danza de Espaa, from Carol Brittin Chambers, can be played with as few as five wind or string players. It is a Spanish style piece in a lilting 3/4 time that will get your developing band off to a great start at your next concert. This Carol Brittin Chambers piece has flowing melodic lines and lots of interplay between the percussion and winds. Carol also explores different colors and textures in the winds to make the piece a more interesting addition to the repertoire for developing band.
Estimated dispatch 12-14 working days
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Letters For Home - Peter Meechan
Letters for Home is a three movement work, commissioned by East Lancashire Concert Band with support from Arts Council England, to commemorate the start of the First World War, and the role played in the war by the 'Accrington Pals'. Before each movement a reading should be made - these may be a letter sent from The Front, WW1 poetry, thoughts and reflections recorded elsewhere, or new words, written by local poets, school children or others.Whilst specifically concerned with the First World War, each of the work's movements broadly outlines emotions that would form part of any soldiers lives during any war - and as such, performances of this work can easily be adapted to reflect other wars both modern and historical, and locally sourced words for the readings is highly encouraged.The first movement, "The Bittersweet Love Song" is the story of a soldier saying goodbye to his loved one before leaving for war. The opening passages are of the soldier, perhaps putting to the back of his mind the danger he is facing, singing a love song to his wife or girlfriend. In the following passages we hear his loved one singing "I love you", played by the flute section.We again hear the soldier singing - this time with more of a sense of what lies ahead for him, but now the response is further away as they gradually move more distant from each other. The movement ends without conclusion, but with chords for the soldier's song played hauntingly over the percussion.The second movement, "The Trench", is more self-explanatory. It combines bravado in the percussion opening with the whole band coming together as one - as a unit, before again we hear fear and trepidation in the brass, once more failing to reach a resolution. Perhaps the thoughts of the soldier are interrupted as the percussion once more calls the men to arms. The movement ends with gun shots in the percussion.The final movement, "In Memory", opens with a repetition of the love song from the opening movement, before a slow lament, again never resolving, is heard. It keeps finding a new key, a new place, intending to represent the cyclical nature of war, and again without resolution, suggesting that war is also often that way.Letters for Home is dedicated to Ian McGuinness, whose support, enthusiasm, and sheer hard work led to this work being commissioned and performed, and to the East Lancashire Concert Band, who gave the premiere on 27 September 2014, at the Town Hall, Accrington, home of the Accrington Pals, with the final revision of the work being completed in November of the same year.
Estimated dispatch 5-14 working days
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