Results
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£84.99Mara Gil Herrero - Ferrer Ferran
Maria Gil Herrero is named after the woman for whose golden wedding anniversary this piece was written. It is in the form of a traditional paso doble and, with solo passages for alto saxophone, trumpet and flute, an interesting proposition forany concert band. Its typically Spanish character is sure to win over your audience!
Estimated dispatch 7-14 working days
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£116.40Midnight Cowboy - John Barry
The theme from the Western Midnight Cowboy composed by John Barry is widely known in the version for mouth-organ. In this arrangement for symphonic windband and fanfare orchestra arranger Johan de Meij has chosen for a combined solo for alto-sax and trumpet with an orchestral background. The two soloists play the theme which is emellished by the other. The orchestra mainly finds its task in the accompaniment.
Estimated dispatch 7-14 working days
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£61.00Cargo Funk - Peter Kleine Schaars
This is the third part of the five-part suite 'Nomenclatura' commissioned by the Dutch Customs Band 'Douane Harmonie Nederland' for the band's performance at The Light Music Festival in Sankt Gallen, Switzerland. Funky music is derived from the East Coast or hard bop style. Peter Kleine Schaars has something with Funk music as he wrote already some pieces inspired by that style, such as 'Funky Fugue meets Waddle Waltz'. This is a rhythmic piece of music that will charm both young musicians and listeners. The theme is presented by trumpet, trombone and saxes and then developed by various instrument groups and via some fine solo work.
Estimated dispatch 7-14 working days
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£76.80Birdland - Joe Zawinul
A fine swinging typical big band number with a powerful rhythmical and melodic percussion and also the electrical bass guitar. A piece that will turn you on and give you a mind to start dancing. The saxophone and the trumpet do some nice solo work. Peter Feigel, conductor of the Berlin Police Band made this fine orchestration.
Estimated dispatch 7-14 working days
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£76.80Give Me Some Groove! - Ennio Salvere
This little modern suite by Ennio Salvere is an easy but most pleasant concert piece for youth band. The three parts 'Give me some Funk', 'Give me some Blues' and 'Give me some Soul' allow young musicians, notwithstanding a limited strength, to perform a concert piece with contemporary popular rhythms. The slow blues is a nice contrast to the funky introduction, whereas the final movement introduced by a slow lyrical trumpet solo will set fire to the audience and invite them to clap hands as well.also available for strings!
Estimated dispatch 7-14 working days
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£90.10Cry me a River - Arthur Hamilton
Cry Me A River is an American standard, written by Arthur Hamilton in 1953, and in the first instance made known by Julie London's performance. Cry Me A River was also the opening track on the CD 'Crazy Love' by Michael Bubl. He turned it into a swinging big band arrangement, with a James Bond type feel. This arrangement was originally written for Harmony Band with solo voice but is also available for alto sax, tenor sax, trumpet, baritone or trombone
Estimated dispatch 7-14 working days
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£73.60Huevos Habaneros - Eduardo M. Brito
Cuban music is widely recognized as one the most richest and influential in the world. The fusion of Spanish and West African musical traditions can be heard in all it's genres that range from slow and sentimental to fast and rhythmic. In this light and catchy composition for Concert Band that features a flute and a trumpet solo the composer gives his own homage to Cuban music with a Guajira-son that will delight both players and listeners alike.
Estimated dispatch 7-14 working days
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£115.60I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Flute Oboe Bassoon Clarinet in Bb Altosax Tenorsax Trumpet/Cornet F-horn Euphonium/Trombone
Estimated dispatch 7-14 working days
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£90.30Il Triello (the Good the Bad abd the Ugly) - Ennio Morricone
Johan de Meij arranged the beautiful and moving main theme from Sergio Leone's movie The Good, The Bad and The Ugly (Il Triello) for concert band. With a solo role for the trumpet.
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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