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£76.99Fantasmic! - Bruce Healey
Bring the incredible music from the spectacular nightime show performed at Disneyland and Disney's Hollywood Studios to your concert stage. This arrangement features the orginal themes by Bruce Healey from the intro and finale of the show. The powerful themes, colorful harmonies and cinematic orchestrations will leave the students and audience breathless and euphoric.
Estimated dispatch 7-14 working days
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£133.40Au Cirque - Marcel Chapuis
In this sequel for orchestra, five musical acts take us into the wonderful world of the circus, the fanfare rings out: the artists show up for the parade. All you have to do now is to close your eyes to shake with the trapeze artists, prance with the squires, shudder in front of the impressive elephants and laugh with the clowns. The track lights up, Mr. Loyal appears, the show begins ...
Estimated dispatch 7-14 working days
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£153.50The Pirates of Penzance - Sullivan
This sparkling setting, still as fresh as any recent Broadway medley and never before available, includes the show's best-loved ballads, rollicking patter songs and the rousing finale. The music has been a continuous hit from its 1879 opening through today. Sousa's brilliant 1880 orchestration perfectly captures the happy-go-lucky spirit of Sullivan's show. In this first published edition, Sousa's superb and ever-timely "Pirates" medley has been adapted for modern bands by Keith Brion.
Estimated dispatch 7-14 working days
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£60.50Festival Chorale and March - Sandy Feldstein
This festival-style piece was written to reinforce newly-learned eigth note rhythms. It has a majestic sound, and provides lots of contrast that will allow your band to improve and show off their musicianship.
Estimated dispatch 7-14 working days
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£65.99Equinox - Sandy Feldstein
This is a festival-appropriate piece with driving rhythms, bold fanfare gestures, soaring lyrical lines, and climactic moments that will allow your Band to show off and sound their absolute best!
Estimated dispatch 7-14 working days
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£60.99Today Is Gonna Be A Great Day
Everyone's favorite theme song from everyone's favorite Disney Channel show will be the highlight of your next concert. And how many opportunities are there in band to play a great ska groove? Oh, and yes, someone gets to yell, Mom! Phineas and Ferb are making a title sequence!
Estimated dispatch 7-14 working days
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£73.50Soothsayer - Eric Rath
Soothsayer, by Eric Rath, is a study in contrast and mood. Music with a mystical and otherworldly tone portrays a soothsayer--an oracle, fortune teller, or diviner. Mostly in 3/4 time and primarily built on the octatonic scale (half and whole steps alternating), the percussionists also get to have a heyday with this one. Students not only get to show off their technical side but work to develop smooth, flowing lines and a maturity to balance the most important part at any given moment. Enjoy the ride! (2:55)
Estimated dispatch 7-14 working days
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£62.95Looking Up - Patrick Roszell
Going through a major life change can be tough, but it can show you strengths you never knew you had. Written with flowing melodies and lush harmonies, Looking Up, by Patrick Roszell
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£149.40Song for Frances - Øystein Olsen Vadsten
"Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.
Estimated dispatch 7-14 working days
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