Results
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£72.99Wild Rose Jamboree - Robert Buckley
Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level. Dur: 5:05
Estimated dispatch 7-14 working days
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£76.99Selections From The Sound of Music - Oscar Hammerstein II
Clever transitions highlight this medley of the best known songs from this classic Broadway show and movie including: The Sound of Music, My Favorite Things, Do-Re-Mi, and Climb Ev'ry Mountain.
Estimated dispatch 7-14 working days
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£39.95Of Shepherds and Kings (Concert Band - Score and Parts) - Wiffin, Rob
This salsa is a not-too-serious look at the shepherds and kings at the Christmas nativity scene. The shepherds are represented by the carol While Shepherds watched their flocks by night, appearing here in a minor key. They are a rather earthy crew as opposed to the more refined kings with their carol We Three Kings of Orient. At one point the shepherds try to show that they should not be underestimated with their allusion to Henry Purcell's song Nymphs and Shepherds but the arguments between the two groups continue to the very end.Technically the piece is not that difficult but it needs the appropriate rhythmic feel. There are several add-on latin percussion parts which are not essential but will add to the spirit of the music if you have the players available.Duration: 3.30
Estimated dispatch 7-14 working days
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£87.95Galloping Home (Concert Band - Score and Parts) - King, Denis - Longhurst, Clive
Galloping Home is the name of the theme tune to the popular 1970's TV programme, 'The Adventures of Black Beauty'. The children's show ran between September 1972 to March 1973 and became a 'must watch' in the UK and the USA. It is hoped that this transcription will evoke many happy memories for those who used to watch it and be enjoyed by those who are not so familiar.
Estimated dispatch 7-14 working days
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£64.99Wednesday (Concert Band - Score and Parts) - Elfman, Danny - Chambers, Carol Brittin
Wednesday is one of the most popular series on Netflix. Danny Elfman's theme perfectly portrays the dark and mischievous mood of the show, and Carol's arrangement effectively adapts all the fun for young bands.
Estimated dispatch 7-14 working days
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£75.00New York, New York, Theme from (Concert Band - Score and Parts) - Ebb & Kander - Morales, Erik
Treat your audience to one of the most iconic songs of all time while introducing jazz and swing concepts at a very approachable level. Erik Morales has done a fantastic job with this arrangement of New York, New York, which requires no extra instrumentation to be as cool as the original. Perfect to showcase music from the Broadway show.Duration: 3.15
Estimated dispatch 7-14 working days
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£119.00Opening Night (Full Orchestra or Concert Band with String Orchestra - Score and Parts) - Balmages, Brian
This original Broadway-style overture by Brian Balmages is full of energy and will transport audiences to the world of musical theatre. The curtain comes up, the spotlight turns on, and the magic begins as the show finally reaches its Opening Night. In addition, there are numerous instrumentation options. Perform the piece with traditional full orchestra, with symphonic band, or combine your band and string programs to bring the house down!Duration: 3.15
Estimated dispatch 7-14 working days
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£53.95At Max Power! (Concert Band - Score and Parts) - Webb, Amy
It's time to show the world that your band has what it takes to be the best. Can they push to the front, give it all they've got, and sprint to the finish line? Your students have put in hard work, time, and effort to make their concert the best it can be. What better way to end your program than with this exciting piece by Amy Webb that lets them sprint to the finish line!Duration: 2.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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