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  • £443.99

    Carmen Symphony - Georges Bizet

    Here is the stunning complete Carmen Symphony orchestrated by Jos Serebrier and masterfully transcribed by Donald Patterson for the U.S. Marine Band. Comprised of twelve scenes from Bizet's opera, this is a welcome addition to the repertoire for mature wind bands. Dur: 33:00

    Estimated dispatch 7-14 working days
  • £13.95

    Vizcaya

    1VizcayaGilbert Vinter arr. Kevin G. LambRoyal Northern College of Music Concert Band9.062-4Gagarin - Three Symphonic ScenesNigel ClarkeRoyal Northern College of Music Concert Band I. Road to the Stars 5.14 II. Orbit 4.02 III. Homecoming 5.025-8Millennium ConcertoRodney NewtonJames Gourlay (Tuba) with Royal Northern College of Music Concert Band I. Into the Unknown 5.51 II. Hazards 4.14 III. Refelctions 5.54 IV. Into the Light 4.079Source - Journey of a Scottish RiverBruce FraserRoyal Northern College of Music Concert Band7.3910Via Crucis- The Fourteen Stations of the CrossMartin EllerbyJoanne Rusby (Cello) with Royal Northern College of Music Concert Band13.31

    Estimated dispatch 7-14 working days
  • £71.00

    Scrimshaw Tales

    Scrimshaw is the technique of whalebone and ivory carving that was started by sailors centuries ago. Inspired by the composer's stay in Utqiagvik, Alaska, this composition musically illustrates scenes from these carvings thatdepict a day of Alaskan fishing. Starting broadly and majestically, the music quickly moves to a lively and energetic section that features syncopation and introduces the concept of canonic entrances. A return to the initial thematic material brings the piece to an excitingconclusion. Although challenging in many ways, this composition fully rewards all performers and listeners with a thrilling musical journey.

    Estimated dispatch 12-14 working days
  • £37.40

    In the Bleak Midwinter - Wind Band (Holst arr. Andrew Wainwright)

    A stunning setting of this favorite carol, featuring ethereal shimmering harmony, depicting the wintry scenes that the carol describes. Begins and ends mysteriously, with a stirring central climax with the full band. PDF download includes score and full set of parts. To view a video of Naden Band of the Royal Canadian Navy performing the work please visiti www.youtube.com/watch?v=_0C3SBxyrBg Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Suspended Cymbal Vibraphone Glockenspiel

    In stock: Estimated dispatch 1-3 days

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  • £44.95

    The Kings Go Forth (Concert Band - Score only) - Gregson, Edward

    This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £164.95

    The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward

    This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £104.99

    Nocturne (Clarinet Solo with Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Van der Beek, Wil

    Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but lyric scenes. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £104.99

    Ballabili (Concert Band - Score and Parts) - Verdi, Giuseppe - Van der Beek, Wil

    Giuseppe Verdi's opera Macbeth was written in 1846/47 and premiered in Florence. It is based on Shakespeare's Macbeth and, unlike Verdi's other operas, had relatively little broad impact. This may be due to the difficulty of the singing voices, the lack of a love story or the dark mood, without humorous scenes.Musically, however, this opera is not uninteresting. Among other things, all the dramatic highlights culminate in artistically built ensembles. It also contains interesting instrumental effects, such as a wind orchestra under the stage in the witch scenes. This makes the witches and air spirits seem like from another world. In the 19th century opera, such a wind band, a so-called "banda" was not uncommon but an integral part of the scene.The Ballabili comes from Act III of Verdi's opera MacBeth. Ballabili is the plural of the Italian ballabile, meaning "danceable." It can also mean a dance performed by the corps de ballet, or by the chorus in an opera; or the music to accompany this dance.Duration: 2:15

    Estimated dispatch 7-14 working days
  • £137.99

    Three Onegin Dances Wind Band Set (Score & Parts)

    Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as ?Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg. 0:09:30

    Estimated dispatch 7-14 working days

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  • £62.95

    The Message on the Rock (Narrator with Concert Band - Score and Parts) - Sheldon, Robert

    The musical inspiration for this piece came from the scenes and speeches on a rock emblazoned with battle scenes from our nation's history. The piece opens with a military-sounding march that leads to a solemn section over which a narrator reads the speeches seen on the rock while a muted trumpet plays "Taps" in the background. The initial march then returns, with fragments of numerous patriotic melodies juxtaposed with the original melody, coming to an exciting ending. Duration: 4.45

    Estimated dispatch 7-14 working days

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